Par BAY WILLIAM. Une collection populaire de 47 chansons folkloriques disposées en style facile de big-note pour l'étudiant début alto et ténor saxophone. Ecrit à fournir fun jouer au matériel à un niveau au début du développement. Un supplément de la bonne méthode. / Niveau : Débutant / Folk - Solos / Recueil / Saxophone

Découvrez comment jouer dans un groupe de rock avec ce pack de livre/CD Berklee pratique méthode ! Leçons dans tout le livre vous guident dans la technique qui est spécifique à jouer du saxophone dans un ensemble contemporain. Vous y apprendrez : mélodie et improvisation, phrasé, articulations, respiration, cordes, échelles, théorie, compilation, lecture, interprétant mener des feuilles et bien plus encore. Routine quotidienne de pratique est conçus pour pratiquer par vous-même, ou avec d'autres musiciens. Le CD accompagnant caractéristiques remarquables Berklee joueurs et couvre une variété de styles, y compris le rock, funk, jazz, blues, swing et bossa nova. / Saxophone

Par MINTZER BOB. 12 études de Jazz, Blues et Funk par Bob Mintzer. Partitions pour instruments en Mib. Niveau facile et intermédiaire. Inclus un CD avec les versions démo et playbacks de chaque études. Inclus aussi des exercices de transcription et de composition, des pages d'exercices avec les gammes et les accords. / Niveau : Moyen / Recueil / Saxophone

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.\'Take the Lead 90s Hits\' features idiomatic arrangements of 90s pop classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun.Contents: Air That I Breathe; Angels; Frozen; How Do I Live; I Don\'t Want To Miss A Thing; I\'ll Be There For You; My Heart Will Go On; Something About The Way You Look Tonight

Enfants ces jours semblent veulent apprendre à jouer des instruments à un âge plus précoce et doivent être fournis avec beaucoup de pièces courtes faciles à maintenir leur intérêt avant et entre les examens. Ce livre offre une foule d'airs familiers faciles qui auront plaisir à jouer et une incitation à la pratique. / Saxophone / 28 pages / niveau : Facile / Partition

Complete with song background notes, and playing hints and tips. Fifteen songs from today\'s pop hits for saxophone, in really easy melody line arrangements by Paul Honey. Have fun playing along with the specially recorded CD for a more professional performance. / Saxophone Alto

Par GREGORY THOMAS. Vamoosh Book 2 for Saxophone is a fun, easy to use book for young alto sax players. 28 varied and engaging pieces that gently guide the player towards grade 1 level. Books are compatible with Book 2 for Trumpet and Clarinet and ideal for group lessons. Backing Tracks are available online via Spotify, YouTube, the Vamoosh website and many other platforms. A piano accompaniment book is also available. / Date parution : 2022-09-27/ Recueil / Saxophone

Arrangeur: Gregory W. Yasinitsky. Par YASINITSKY GREGORY W.. Grade 2/3 For Saxes Only! 10 Jazz Duets For Saxophone is a great way to work on jazz concept, phrasing, intonation and blend, and a fun way to make music with friends. For the Easy to Intermediate level player, this collection of jazz duets includes some greatcan standards by George Gershwin, Cole Porter, a jazz classic by Dizzy Gillespie along with a few originals composed especially for this book. / Jazz / Recueil / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Neuf fun morceaux dans une variété de styles classiques et de jazz avec le long de jeu CD composé par Colin Cowles. Les titres dire tous - un hochet Snake Rag, The Busy Buzzy Blue Bottle Blues, A sept à pattes Spider Square Dance et beaucoup, beaucoup plus. Heures de plaisir sans fin sont garantis avec ces pièces imaginatifs. / Saxophone / 24 pages / niveau : Elémentaire-Moyen / Partition + Cd

Arr. James Curnow. A versatile collection of original pieces for the beginner. The CD will keep them interested in practising and provide lots of fun. The pieces are arranged in order of difficulty. / Niveau : Très Facile à Facile / Recueil / Saxophone

Par MAUGAIN MANU. 'Initiation au Saxophone en 3D' est une méthode de saxophone (Alto Mib) pour débutant, accompagnée d'un DVD Vidéo et d'un CD Audio. Sans détour, celle-ci va droit au but, avec des explications claires et précises, toujours illustrées par des exemples pertinents. Le début de cet ouvrage donne aux novices les notions élémentaires pour jouer une partition, ou permet à ceux qui maîtrisent déjà le saxophone de détecter et d'améliorer leurs lacunes. Après un travail des bases, vous développerez ainsi votre technique, à des tempi lents puis un peu plus rapides. Parallèlement et au fil des pages, vous aurez l'occasion de travailler le Blues et les rythmes du Rock, avant de pouvoir vous exercer sur des rythmes plus complexes et plus syncopés, tels que le Jazz, le Reggae, la House, le Jazz-Rock, la Bossa-nova ou encore le Funk. Enfin, le DVD Vidéo reprend les exercices essentiels pour faciliter votre compréhension, alors que le CD Audio propose des playbacks pour mettre en application les enseignements mais aussi vous exercer en toute liberté./ Méthode / Saxophone