A great collection of popular music arranged for saxophone specially graded from easy-to-play tunes to more challenging pieces. This book has been specially bound to help the pages to lie flat while you are playing. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Hal Leonard célèbre le 100e anniversaire de Charlie Bird Parker avec ce livre de partitions complètes de luxe à couverture rigide contenant des transcriptions note par note de 40 performances classiques pour saxophones, trompette, piano, basse et batterie. C'est une véritable célébration d'une icône de la musique américaine, l'éminent saxophoniste alto qui fut l'un des pères du bebop et des ancêtres du jazz moderne. Ce livre relié digne d'un souvenir dans un étui comprend : Anthropologie · Au Privave · Billie's Bounce (Bill's Bounce) · Bird Feathers · Blues for Alice · Chasing the Bird · Donna Lee · KC Blues · Leap Frog · Marmaduke · Ornithology · Scrapple from the Apple · Steeplechase · Yardbird Suite · et plus encore. Un incontournable pour tous les fans de Bird !
Ah-Leu-Cha
Anthropologie
Au Privé
Barbade
Billie's Bounce (Bill's Bounce)
Plumes d'oiseaux
Le nid d'oiseau
Bloomdido
Blues pour Alice
Bongo-Bop
Chasser l'oiseau
Chi Chi
Confirmation
Place Dewey
Dextérité
Donna Lee
Dérivant sur un roseau
KC Blues
Kim
Klactoveededstene
Ko Ko
Laird Baird
saut de grenouille
Marmaduke
Mohawk
Moose Le Mooche
Mes petites chaussures en daim
C'est le moment
Ornithologie
Passeport
Quasimodo
Croix Rouge
Détendez-vous au Camarillo
Se détendre avec Lee
Scrapple de la pomme
Châle
Steeple-chase
Prospérer d'un riff
Visa
Suite Oiseaux
/ Partitions jazzandblues / Bois / Saxophone / HAL LEONARD

Par SANTIN KELLIE / CLARK CHERYL. Un livre technique pour le joueur intermédiaire qui fait suite à des compétences introduit dans Saxophone Saxophone Duets créatifs et créatives, et peuvent être utilisés parallèlement Improviser Saxophone Creative. Le classeur est axé sur des techniques spécifiques qui, avec une pratique régulière, donnera à l'étudiant la confiance, la maîtrise et la liberté de réaliser leur plein potentiel dans la performance et l'improvisation. Introduit des techniques indispensables pour le soliste intermédiaires Renforce la confiance et la maîtrise de la performance et l'improvisation Couvre les harmoniques, le vibrato, alternative et doigtés Altissimo Fournit des façons intéressantes et efficaces à des modes de pratique, les échelles, et les arpèges Développe les habiletés d'improvisation en se concentrant sur ??les tendances, cycle de 5tes, le II-VI, et la transcription CD avec des démonstrations d'experts en direct et supports d'inspiration pour les play-along pièces et de nombreux exercices - versions inclut pour alto et ténor instruments. Kellie Santin est largement reconnue pour sa voix unique sur le saxophone alto. Grandement influencé par Charlie Parker, Paul Desmond et d'autres, son style de jeu combine technique exceptionnelle avec un sens aigu de la mélodie et une capacité infectieuse de la rainure. Kellie actuellement en cours de saxophone à l'Institut Littéraire Ville de Londres. Kellie freelances aussi avec un large éventail d'artistes tels que Nina Ferro et Al Start. / Niveau : Facile à Moyennement Difficile / Recueil / Saxophone

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone

Jouez le blues et les airs par Charlie Parker plus des chansons populaires. Développez votre lecture de vue, et improviser des qualifications. / Saxophone Alto

100 chansons de pop spéciallement arrangées pour saxophone Eb et Bb par Jack Long paroles et accords. / Saxophone / Partition

Marin Marais (1656-1728), prestigieux compositeur français de la période baroque jouait également la viole et la viole de gambe pour Louis XIV. Il écrivit près de 600 pièces pour son instrument, réparties en 5 livres, chacun comprenant, entre autres, une quarantaine de suites. Nicolas Prost propose une sélection de 24 pièces adaptées pour saxophone, qui pourront aisément être programmées pour le concert ou dans le cadre pédagogique, comme études mélodiques et virtuoses, à partir du 2e cycle.

Chansons populaires pour le débutant ou étudiant dans les touches ' faciles '. Comprend 'Karma Chameleon', 'All My Loving', ' Voile ' et ' Nellie l'éléphant '. Usage maison ou en classe. / Saxophone

Plus de 100 partitions pour saxophone. De mémorables thèmes de jazz, des tubes pop, des comédies musicales... / Saxophone / Partition

Ce pack de livre/CD est consacré uniquement à vous offrir un aperçu complet des techniques et styles popularisés par les plus grands saxophonistes ténor de tous les temps. Tous les meilleurs sont ici : depuis les excursions cool bebop de Dexter Gordon, aux rêveries stellaires de John Coltrane, avec plus d'une douzaine de joueurs maîtres examinés entre les deux. Inclut des leçons, musique, analyse historique et photos rares, plus un CD avec 16 pistes pleine bande ! La 16 pièces dans ce livre sont chaque dans le style de sur de la suit artistes : Lester Young - Coleman Hawkins - Ben Webster - Paul Gonsalves - Gene Ammons - Dexter Gordon - Zoot Sims - Sonny Stitt - Sonny Rollins - Hank Mobley - Harold Land - Stan Getz - Charlie Rouse - John Coltrane - Joe Henderson - et George Coleman / Saxophone