Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Saxophone / 50 pages / niveau : Facile - Elémentaire / Partition

Scott Joplin est incontestablement le maître du ragtime et est aujourd'huiprobablement le plus connu de tous les compositeurs de jazz. Ses guenilles accrocheur ontété utilisé à travers le monde comme des airs thème et pour la télévisionavec de nombreuses annonces étant immédiatement reconnaissable. Cet album contientsix de ses plus chiffons dont The Entertainer, Maple Leaf Raget le chrysanthème. Un livre piano, l'accompagnement est séparéedisponibles pour les concerts. / Saxophone Alto Ou Tenor / 28 pages / Partition Cd

Une perle pour les tous les musiciens. Les 100 plus beaux morceaux de jazz arrange pour tous les instruments re mineure et sol majeure / Saxophone / Partition

Par HAMPTON ANDY. Saxophone Basics est une méthode de point de repère par l'une des figures marquantes dans l'éducation de saxophone. Il commence à niveau débutant absolu et progresse à propos de Grade 2. Il y a 22 étapes, chaque section comprend une variété de merveilleuse de morceaux de concert des grands compositeurs, airs traditionnels et amusant, exercices originaux, ' doigt gymnases ' et ' chaud ups pour aider à établir une solide technique, ' factfiles ' et ' quizzes ' pour enseigner la notation et musicalité générale, utile, désactivez ' doigtés graphiques ' et 'boîtes rythmique et illustrations grandes. Un CD d'accompagnement pour le saxophone alto est disponible séparément (0-571-52160-6) qui contient tous les accompagnements à toutes les pièces ainsi que des fournissant des pièces supplémentaires pour les duos et trios. Alternativement, il y a aussi une édition du livre/CD (0-571-52283-1). / Date parution : 2000-09-21/ Méthode / Saxophone

The essential introduction to playing jazz. Par BENNETT NED. How To Play Jazz Saxophone is a fun and engaging introduction to jazz from composer and saxophonist Ned Bennett. Discover the exciting world of jazz, from its roots in ragtime to blues, bebop and beyond! Ideal for established beginners (approximately Grade 3 standard), this book teaches methods of improvisation, how to play in swing time, syncopated rhythms and jazz scales and modes. It also presents suggested listening ideas and melodic \'phrase banks\' based on typical jazz chords alongside plenty of great new pieces. Audio and piano accompaniments are available to download for both alto and tenor saxophone. / Niveau : Facile / PĂ©dagogie / Etude / Saxophone

I Can't Get No Satisfaction' - the release of this international hit of the Rolling Stones was the official birth of rock music which started its loud and hard triumph in the clubs and stadiums of the world. The fact that the Stones and their wild heirs can also write beautiful ballads is proven by our successful author Dirko Juchem with this new volume in the popular 'Saxophone Lounge' series in which he has arranged a selection of the best known rock melodies in a new and surprisingly lounge-like manner. All fresh and easily playable arrangements on the accompanying CD have been performed by the author himself. / Saxophone Alto Et Piano

A Proven Method to Increase Technique and Become a Complete Saxophonist. Par MAINELLA NICK. Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are: 1. Sound Concepts 2. Scales and Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day. / Niveau : 3 / Formation musicale / Date parution : 2018-05-04/ Etude / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Neuf fun morceaux dans une variété de styles classiques et de jazz avec le long de jeu CD composé par Colin Cowles. Les titres dire tous - un hochet Snake Rag, The Busy Buzzy Blue Bottle Blues, A sept à pattes Spider Square Dance et beaucoup, beaucoup plus. Heures de plaisir sans fin sont garantis avec ces pièces imaginatifs. / Saxophone / 24 pages / niveau : Elémentaire-Moyen / Partition + Cd

Forty-nine of the most popular tunes of all time for both alto and tenor saxophone. Featuring easy keys and ranges, these arrangements are ideal for beginners up to intermediate standard. Includes Jerusalem , The Power Of Love , Unchained Melody . / Saxophone

Sixty-seven all-time blues numbers specially arranged for Eb and Bb saxophones by Jack Long, complete with chord symbols in concert pitch. Easy keys and ranges to suit beginners to intermediate standard. Includes 'Black Coffee', 'In The Heat Of The Night', 'Moonlight Becomes You' and 'Someone To Watch Over Me'. / Saxophone