Santorella Singles for Alto Sax and Piano composed by Various. Arranged by Jonat...(+)
Santorella Singles for
Alto Sax and Piano
composed by Various.
Arranged by Jonathon
Robbins. For alto sax
solo and piano
accompaniment. This
edition: Paperback. Solo
with Accompaniment.
Classical. Score and solo
part. Text Language:
English. 48 pages.
Published by Santorella
Publications
Flight of The Bumblebee for Alto Sax and Piano composed by Nikolay Andreyevich R...(+)
Flight of The Bumblebee
for Alto Sax and Piano
composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Jonathon Robbins. For
alto sax solo and piano
accompaniment. Solo with
Accompaniment. Classical.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Star Spangled Banner and America the Beautiful for Alto Sax and Piano composed b...(+)
Star Spangled Banner and
America the Beautiful for
Alto Sax and Piano
composed by John Stafford
Smith and Samuel A. Ward.
Arranged by Jonathon
Robbins. For alto sax
solo and piano
accompaniment. Solo with
Accompaniment. Patriotic.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For alto s...(+)
Composed by Jill Jackson
and Sy Miller. Arranged
by Jonathon Robbins. For
alto sax solo and piano
accompaniment. Solo with
Accompaniment. Popular.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
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Alto saxophone, piano SKU: FG.55011-585-9 Composed by Heikki Sarmanto. Fe...(+)
Alto saxophone, piano
SKU:
FG.55011-585-9
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-585-9. Published
by Fennica Gehrman
(FG.55011-585-9).
ISBN
9790550115859.
A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet.
Swing and Thereabouts Saxophone Alto et Piano [Partition + Accès audio] Libreria Musicale Italiana
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601138(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601138
Easy
Pieces for Alto Sax and
Piano. Composed by
Gianantonio Mutto.
Woodwind Solo. Classical,
Swing. Softcover Audio
Online. 44 pages.
Libreria Musicale G.
Zanibon #GZ00652700.
Published by Libreria
Musicale G. Zanibon
(HL.50601138).
9.0x12.0
inches.
15 easy
pieces for alto sax and
piano. Swing and
thereabouts answers the
needs of the young
instrumentalist by
providing: newly written
music that is a delight
to play and listen to; a
wide range of genres:
swing, habanera, mambo,
cha-cha-cha, bossa nova,
hully gully, dixieland
and blues; audio tracks
giving two different
versions of the music:
one with sax/clarinet,
piano, bass and drums;
the other with just the
accompanying instruments;
a complete piano score
for live performance; the
possibility of working
with or without a
teacher.