Par PORTEJOIE PHILIPPE. Contemporary French saxophonist, Philippe Portejoie studied at the Paris Conservatoire where he won many prizes. Composed in 2007, Petite Complainte for Alto Saxophone and Piano contributes to a significant collection of compositions by Portejoie. A typical performance of Petite Complainte lasts around three minutes and explores features, including a wide range, complex rhythms, chromaticism, ornamentation and variations in performance directions, amongst other aspects. For all aspiring, advanced saxophonists, Portejoie 's Petite Complainte is essentialto an exciting, varied repertoire./ Répertoire / Saxophone en Mib et Piano

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

Par DANGEL A.. / Contemporary / Date parution : 2020-10-15/ Répertoire / Saxophone Alto et Piano

Improvise Microjazz for Alto Saxophone est conçu pour apprendre à improviser à partir des éléments contenus dans la collection des Microjazz. Des notes et des rythmes sont suggérés dans le contexte de pièces faciles de blues et de jazz. On peut choisir les morceaux d'Improvise Microjazz for Alto Saxophone au hasard, ou bien on peut les jouer dans l'ordre dans lequel ils sont présentés.Ce livre a pour objet de vaincre l'obstacle du je ne sais pas improviser et de faire progresser les joueurs presque sans qu'ils s'en redent compte ! Il y a des références à divers types de gammes et de modes, mais ce livre fait appel aux réactions instinctives plutôt qu'à la connaissance technique. Des explications sont fournies au sujet de certains accords et de certaines harmonies, mais le musicien est encouragé à se rapporter d'autres textes.