Hey Klezmorim! Saxophone Alto et Piano - Intermédiaire De Haske Publications
Alto Saxophone and Piano - intermediate SKU: BT.DHP-1196147-404 16 new...(+)
Alto Saxophone and Piano
- intermediate
SKU:
BT.DHP-1196147-404
16 new Klezmer
melodies for alto
saxophone and piano.
Composed by Joachim
Johow. Book with Part and
Audio-Online. Composed
2019. 79 pages. De Haske
Publications #DHP
1196147-404. Published by
De Haske Publications
(BT.DHP-1196147-404).
ISBN 9789043157223.
English-German-French-Dut
ch.
Since the
revival of Klezmer in the
1990s, the style has
enjoyed a continued
popularity. Hey
Klezmorim! presents
16 new pieces of music
from the pen of Joachim
Johow, inspired by
traditional Yiddish
music. This edition is
especially aimed at
saxophonists who wish to
be accompanied on the
piano. It therefore also
contains easy-to-play
piano accompaniment parts
while play-along
recordings are available
online. Additional demo
recordings that encourage
you to develop your own
personal Klezmer playing
style should help you to
enjoy this unmistakable
and diverse
music!
Seit
seinem Revival in den
90er-Jahren des
vergangenen Jahrhunderts
erfreut sich der
Klezmer-Musikstil einer
ungebrochenen
Beliebtheit. Hey
Klezmorim!
präsentiert 16 neue
Musikstücke aus der
Feder von Joachim Johow,
die an die traditionelle
jiddische Musik
anknüpfen. Die Ausgabe
wendet sich besonders an
Saxophonisten, die sich
gerne am Klavier
begleiten lassen
möchten, und
enthält daher gut
spielbare
Klavierbegleitungen als
Notentext sowie in online
verfügbaren
Play-along-Aufnahmen.
Zusätzliche
Demo-Aufnahmen sollen
dazu anregen, einen
eigenen, persönlichen
Klezmer-Spielstil zu
entwickeln. Viel Freude
mit dieser
unverwechselbaren,
abwechslungsreichen
Musik!
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
p>
Alto Saxophone and Piano SKU: AP.1-ADV7075 For Alto Saxophone and Pian...(+)
Alto Saxophone and Piano
SKU: AP.1-ADV7075
For Alto Saxophone and
Piano. Arranged by
Alexis Ciesla and
Bastienne Lapalud.
Series; Solo; Solo Small
Ensembles; Woodwind -
Saxophone Method or
Collection. Advance
Music. Jewish Heritage;
Traditional. Book.
Advance Music
#01-ADV7075. Published by
Advance Music
(AP.1-ADV7075).
UPC:
805095070750. English.
Traditional.
A
collection of five
traditional Klezmer
pieces. To encourage the
musician to create his
own phrases, no
articulations or
embellishment signs are
provided. Titles: Odessa
Bulgar * On Sabbath Day *
Chassidic Dance * Night
in the Garden of Eden *
Der heyser Bulgar.
Last Words... Saxophone Alto et Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Gilles Rocha. Arranged by Jerome Naulais. For Alto Saxophone & Piano. Swiss i...(+)
By Gilles Rocha. Arranged
by Jerome Naulais. For
Alto Saxophone & Piano.
Swiss import. Traditional
/ Spiritual. Grade 3.
Score and parts.
Published by Editions
Marc Reift