Tyne Sonata Saxophone Alto et Piano Universal Edition
Fur Altsaxophon Un Klavier (For Alto Saxophone and Piano). Composed by Ja...(+)
Fur Altsaxophon Un
Klavier (For Alto
Saxophone and Piano).
Composed by James Rae.
Score and part(s). With
Standard notation. 24 9
pages. Universal Edition
#UE21578. Published by
Universal Edition
(PR.UE021578).
Joplin's Entertainer for Alto Sax and Piano composed by Scott Joplin (1868-1917)...(+)
Joplin's Entertainer for
Alto Sax and Piano
composed by Scott Joplin
(1868-1917). Arranged by
Tony Santorella. For alto
sax solo and piano
accompaniment. Solo with
Accompaniment. Ragtime.
Score and solo part. Text
Language: English. 12
pages. Published by
Santorella Publications
Bridal Chorus and Wedding March for Alto Sax and Piano composed by Mendelssohn a...(+)
Bridal Chorus and Wedding
March for Alto Sax and
Piano composed by
Mendelssohn and Wagner.
Arranged by Jonathon
Robbins. For alto sax
solo and piano
accompaniment. Solo with
Accompaniment. Classical.
Score and solo part. Text
Language: English. 4
pages. Published by
Santorella Publications
My First Concertinos Volume 2 Saxophone Alto et Piano [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Alto Saxophone & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-498...(+)
Alto Saxophone & Piano or
CD Play Back / Play Along
- Grade 2
SKU:
MA.EMR-49860
Composed
by Bertrand Moren. Alto
Saxophone & CD Playback
(Play Along). Score and
parts. Duration 19'58.
Editions Marc Reift #EMR
49860. Published by
Editions Marc Reift
(MA.EMR-49860).
1. A Cowboy's
Life / 2. A Winter
Fantasy / 3. At The
Petshop / 4. At The
Circus / 5. Oriental
Suite.
Melodies for Beginners Volume 5 Saxophone Alto et Piano [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Alto Saxophone & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-508...(+)
Alto Saxophone & Piano or
CD Play Back / Play Along
- Grade 2
SKU:
MA.EMR-50836
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Score and
parts. Duration 24'54.
Editions Marc Reift #EMR
50836. Published by
Editions Marc Reift
(MA.EMR-50836).
Cinderella /
Sleeping Beauty / The Toy
Festival / Funny Cats / A
Dog's Life / Pirates /
Serenade and Arabesque /
Irish Variations /
Russian Variations / A
Russian Fantasy.
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
p>