Alto Saxophone; Piano Accompaniment (SCORE+PART) - difficult SKU: HL.49045476...(+)
Alto Saxophone; Piano
Accompaniment
(SCORE+PART) - difficult
SKU: HL.49045476
For Alto Saxophone and
Piano. Composed by
Fazil Say. This edition:
Saddle stitching. Sheet
music. Woodwind Solo. Im
Auftrag des legendaren
Saxophonisten Nobuya
Sugawa komponiert,
bestechen die sechs
virtuosen Stucke der
Suite durch den stetigen
Wechsel zwischen
turkischer Tanzfolklore
und atonalen
Klangeffekten. Eine
ideale Verbindung von
Tradition und Moderne.
Classical. Softcover.
Composed 2014. Op. 55. 72
pages. Duration 14'.
Schott Music #ED 22267.
Published by Schott Music
(HL.49045476).
ISBN
9790001203425. UPC:
841886029606.
9.0x12.0x0.21
inches.
“Suit
e, consisting of six
short pieces for alto
saxophone and piano, is a
virtuoso work for this
duo. I composed my Suite
in 2014 in commission of
the legendary saxophone
virtuoso Mr. Sugawa with
whom I played the world
premiere in Tokyo in
2014. The pieces are very
much inspired by Turkish
music, rhythms, dances,
folklore ... and composed
in modal and sometimes
atonal character.â€
–Fazil Say.
6 Great Pieces Saxophone Alto et Piano - Intermédiaire Digital Music Print
By Various. Edited by Frans Hanssen. For Saxophone (Eb) and Piano. Educational. ...(+)
By Various. Edited by
Frans Hanssen. For
Saxophone (Eb) and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 36 16
pages. Duration 25
minutes. Published by
Digital Music Print
(Belgian import).
Fantasia on the Rondo from the Piano Sonata in A major K. 331 Alt. Composed ...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 Alt. Composed by
Fazil
Say. Woodwind Solo.
Classical. Softcover. 8
pages. Schott Music
#ED23175.
Published by Schott Music
Fantasia Saxophone Alto et Piano Theodore Presser Co.
(for Alto Saxophone). By Eric Ewazen. Solo instrument with piano. For Alto Saxop...(+)
(for Alto Saxophone). By
Eric Ewazen. Solo
instrument with piano.
For Alto Saxophone,
Piano. Contemporary. Solo
part with piano
reduction. Standard
notation. Duration 11
minutes. Published by
Theodore Presser Company
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
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