Composed by Giacomo Puccini (1858-1924). Arranged by Arthur Frackenpohl. For Eb ...(+)
Composed by Giacomo
Puccini (1858-1924).
Arranged by Arthur
Frackenpohl. For Eb alto
saxophone solo with piano
accompaniment. Grade 3.
Score and part. Duration
6 minutes, 20 seconds.
Published by Kendor Music
Inc
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
p>
Fun on Stage Saxophone Alto et Piano [Partition + CD] - Facile De Haske Publications
Alto Saxophone and Piano - early intermediate SKU: BT.DHP-1074427-400 ...(+)
Alto Saxophone and Piano
- early intermediate
SKU:
BT.DHP-1074427-400
Alto Saxophone and
Piano. Composed by
Fons Van Gorp. Book with
CD. Composed 2009. 36
pages. De Haske
Publications #DHP
1074427-400. Published by
De Haske Publications
(BT.DHP-1074427-400).
ISBN 9789043133494.
9x12 inches.
English-German-French-Dut
ch.
Team up
together! The pieces in
this book are perfect for
playing with a friend, a
classmate, or even your
brother or sister, since
the piano part is not
very difficult. The
enclosed CD will be a
great study aid. Nearly
all the tunes have been
written in the pop and
swing rhythms of our
time: you will definitely
be successful performing
them. Have lots of
â??fun on stageâ??!
Samen sta je
sterk. De stukken in dit
boek zijn heel geschikt
om uit te voeren met een
vriend of vriendin, een
klasgenoot, je zus of je
broer achter de piano. De
pianopartijen zijn
namelijk niet zo
moeilijk. Bovendien helpt
de bijgevoegdecd met het
instuderen ervan. Bijna
alle nummers zijn
geschreven in de pop- en
swingritmes van onze
tijd: je zult er vast en
zeker succes mee hebben
bij optredens. Veel
â??fun on stageâ??
gewenst!
Die
Stücke in Fun on
Stage eignen sich
prima für das
Zusammenspiel mit
Freunden,
Klassenkameraden oder
Familienmitgliedern, da
die Klavierstimmen nicht
sehr schwer sind. Die
meisten Melodien wurden
in modernen Pop- oder
Swingstilen geschrieben.
Die Demoversionen auf der
CD werden auf
verschiedenen
Instrumenten vorgespielt.
AuÃ?erdem sind auf der
CD Begleitungen zum
Mitspielen enthalten.
Have fun on stageâ?? -
viel SpaÃ? auf der
Bühne!
Una
pubblicazione ideale per
suonare assieme agli
amici, compagni di
classe, ecc. Si tratta di
brani scritti negli stili
pop e swing, eseguiti sul
CD da strumenti diversi.
E' proposta anche una
traccia play-along.