Sax Ballad Saxophone Alto et Piano - Intermédiaire De Haske Publications
Alto Saxophone and Piano - intermediate SKU: BT.DHP-1175832-401 Composed ...(+)
Alto Saxophone and Piano
- intermediate
SKU:
BT.DHP-1175832-401
Composed by Pascal
Proust. De Haske
Saxophone Series. Book
and Part(s). Composed
2017. 12 pages. De Haske
Publications #DHP
1175832-401. Published by
De Haske Publications
(BT.DHP-1175832-401).
ISBN 9789043153065.
English-German-French-Dut
ch.
A walk in the
countryside, fun and
games, lots of
adventures… what
better instrument to
express all this than the
saxophone? Pascal
Proust is among the best
known of French composers
in the field of musical
pedagogy. He has produced
a whole series published
by De Haske that is
constantly being
expanded. Proust wrote
Sax Ballad for
more advanced saxophone
studentswith around 4 5
years’ progress.
Proust’s style is
easily accessible to the
student and at the same
time appeals to the
audience, so this piece
is especially suitable as
a recital or competition
piece.
Een
wandeling op het
platteland, superleuke
spellen, allerhande
avonturen... welk
instrument kan dit alles
beter uitdrukken dan de
saxofoon? Pascal
Proust behoort tot een
van de bekendste Franse
componisten op het gebied
van de muziekpedagogie.
Voor De Haske heeft hij
inmiddels een complete
serie gemaakt die nog
steeds verder wordt
uitgebreid. Proust
schreef Sax Ballad
speciaalvoor meer
gevorderde saxofonisten
die zo’n vier tot
vijf jaar les hebben
gehad. Zijn stijl is
toegankelijk voor de
leerling, maar ook
aantrekkelijk voor het
publiek; daardoor is dit
stuk ideaal voor een
optreden of
wedstrijd.
Ein
Spaziergang auf dem
Lande, ausgelassene
Spiele, so manches
Abenteuer welches
Instrument könnte all
dies besser ausdrücken
als das
Saxophon? Pascal
Proust zählt zu den
renommiertesten
französischen
Komponisten auf dem
Gebiet der
Instrumentalpädagogik.
Bei De Haske hat er
inzwischen eine ganze
Serie mit
Instrumentalstücken
vorgelegt, die laufend
erweitert wird. Proust
schrieb SaxBallad
für fortgeschrittenere
Flötenschüler mit
etwa 4 5 Jahren
Unterrichtserfahrung.
Prousts Stil ist leicht
verständlich für
den Schüler und
zugleich attraktiv für
das Publikum, sodass das
Stück sich besonders
gut als Vortrags- oder
auchWettbewerbsstück
eignet.
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
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