This compilation of 10 alto saxophone solos from the legendary Rubank educational library now includes online access to: · Full-performance and accompaniment-only audio tracks · PDF piano accompaniment files · PLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Allegretto Brillante (Demersseman) · Andante and Allegro (Chailleux) · Badine (Scherzo) (Gabriel-Marie) · Canzonetta (d'Ambrosio) · Carnival of Venice (Davis) · The Duchess (Rehl) · Elegie (Baret) · Estilian Caprice (Paul) · Hungarian Dance #5 (Brahms) · Polovtsian Dance (Borodin) · Solo de L'Arlesienne (Bizet). / Saxophone Alto Et Piano

La référence AL22177 de l'éditeur Leduc dont l'auteur célèbre est Chailleux, qui a pour titre Andante Et Allegro, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition

Par CORNICK MIKE. This set of duos for alto saxophone and piano consists of three movements. The outer movements have an up-tempo Latin American feel whilst the central slow movement is in the style of a Tango. Players have ample opportunity for musical interaction which will prove highly entertaining for audiences. The 'Three Latin Sketches' was composed for Mark Walton, the much respected New Zealand-born clarinettist, saxophonist, composer, arranger and educator. • Ideal concert pieces • Both parts are of equal musical importance • A performance of the first movement from 'Three Latin Sketches' played by Mark Walton and David Helfgott may be viewed at YouTube or at www.universaledition.com/ue21712 • A performance of the 2nd movement, Moderato Tango, from 'Three Latin Sketches' played by Mark Walton and David Miller may be viewed at YouTube or at www.universaledition.com/ue21712/ Recueil / Saxophone Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par MAURY JEAN-MICHEL. Une Pièce originale adaptée pour un examen ou un concert de début de Cycle II - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Alto 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 35 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jean-Michel MAURY - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Saxophone Alto et Piano

Avec cette Sonatine de trois mouvements, l'étudiant Orff Hermann Regner contribue à nouveau sa part de la littérature moderne d'enseignement et de la concurrence. En trois mouvements (Allegro, Larghetto, Animato), cette Sonatine pour piano et saxophone alto fournit une musique joyeuse et variée qui laisse suffisamment de latitude créative. La partie de piano moyennement difficile permet l'accompagnement par un élève ou étudiant. Ainsi, la Sonatine est également parfaitement adapté pour les soirées de récital. / Saxophone Alto Et Piano

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Saxophone Alto Et Piano / niveau : Facile / Partition + Cd

'Pale Blue Ballads' pour saxophones alto ou ténor avec accompagnement de piano. Parties distinctes sont incluses pour les deux Mib alto et saxophone ténor Sib. / Saxophone