For Alto Saxophone and Piano. Par SAY FAZIL. Suite, consisting of six short pieces for alto saxophone and piano, is a virtuoso work for this duo. I composed my Suite in 2014 in commission of the legendary saxophone virtuoso Mr. Sugawa with whom I played the world premiere in Tokyo in 2014. The pieces are very much inspired by Turkish music, rhythms, dances, folklore... and composed in modal and sometimes atonal character. Fazil Say / Niveau : 5 / Répertoire / Saxophone Alto et Piano

The 14 Most Famous Songs by The Beatles. Par BEATLES THE. 'The Long And Winding Road'' aucun autre groupe n'aura autant influencé la musique pop que le groupe à coupe au bol de Liverpool! Leurs chansons on ne peut plus variées, souvent accompagnées d'une belle note d'humour, ont rendu les Beatles immortels. Le saxophoniste Dirko Juchem présente sa propre sélection de leurs plus gands succès. Comme d'habitude, l'attrait de ces arrangements élégants réside dans la facilité avec laquelle ils peuvent être appris et joués./ Recueil / Saxophone Alto et Piano

Inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDaand downloadable backing tracks./ Recueil / Saxophone Alto et Piano

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

Par HAMPTON ANDY. Ideal supplementary material for the landmark Basics method series. Saxophone Basics Repertoire has both varied and carefully-chosen original repertoire as well as arrangements of well-known favourites such as the themes from James Bond, The Pink Panther, The Great Escape and Harry Potter. Devised for the Grade 1+ to Grade 4 level, each stage focuses on a different technique with related exercises and studies, there are also plenty of opportunities for pupils to explore improvisation and composition. Ensemble skills are encouraged through duet playing and simple piano accompaniments suit almost every teacher. Written, selected and edited by Andy Hampton, one of the leading figures in instrumental education, this is the best possible start for every musician! / Date parution : 2006-01-05/ Méthode / Saxophone Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano

Huit pièces de compositeurs français pour saxophone, compilés par Nicole Roman pour saxophone alto et piano, ou solo de saxophone alto. Sommaire : Eugène Bozza : Aria, Improvisation and Caprice, Jacques Ibert : Aria, André Jolivet : Fantaisie-Impromptu, Pierre Lantier : Sicilienne, Maurice Ravel : Pièce en forme de Habanera (trans. Viard), Jeanine Rueff : Chanson et Passepied, et Henri Tomasi : Introduction et Danse.

Lewin Gordon (Ed). Par LEWIN GORDON. The Light Touch is a fabulous collection of graded pieces for Alto Saxophone and Piano. The two volumes have been edited by Gordon Lewin. This is the second book for intermediate to advanced players from grade 4 all the way to grade 8. There are five glorious examples of Light saxophone music in various styles all of which are characterised by the light touch !/ Recueil / Saxophone Alto et Piano

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Alto Saxophone with a Piano accompaniment suitable for Grade 2-5 students, as well as teachers. With a Piano score, separate Alto Saxophone part and performance hints and tips, these fun pieces will hone your skills and develop ensemble playing.These pieces present a fun alternative to graded exam material, and many are suitable for GCSE performance exams. The tunes will be familiar to most players, with classics like Simon and Garfunkel\'s Bridge Over Troubled Water and Elton John\'s Your Song, as well as contemporary pop songs like Adele\'s When We Were Young and Katy Perry\'s Firework. These 10 songs can be played in instrumental lessons, in the classroom and, of course, on stage. The separate booklet with the Alto Saxophone part features tips by professional musicians, with some fingering guidance, while the Piano score also includes the tips, along with chord symbols and helpful fingering suggestions. / Saxophone Alto Et Piano

Un privé à Brooklyn est un cycle de quatre pièces pour saxophone alto et piano reliées par une trame narrative, Les personnages mis en musique, un détective privé, une serveuse de bar fatiguée, un voyou cambrioleur amateur, une secrétaire irascible, sont ceux des films noirs des années 50, Le style musical se situe à mi-chemin entre le jazz et la musique de film, La dernière pièce est d'ailleurs proposée en écriture classique à 12/8 et en écriture jazz à 4/4 avec croches inégales,  1, Dernier verre avec Rita (3'05)2, Cambriolage (2'45)3, Bobby Pearl, détective (3'00)4, Filature (deux versions : écriture classique, écriture jazz) (2'15) Collection Notes de Sax / Saxophone Et Piano

Par CORNICK MIKE. This set of duos for alto saxophone and piano consists of three movements. The outer movements have an up-tempo Latin American feel whilst the central slow movement is in the style of a Tango. Players have ample opportunity for musical interaction which will prove highly entertaining for audiences. The 'Three Latin Sketches' was composed for Mark Walton, the much respected New Zealand-born clarinettist, saxophonist, composer, arranger and educator. • Ideal concert pieces • Both parts are of equal musical importance • A performance of the first movement from 'Three Latin Sketches' played by Mark Walton and David Helfgott may be viewed at YouTube or at www.universaledition.com/ue21712 • A performance of the 2nd movement, Moderato Tango, from 'Three Latin Sketches' played by Mark Walton and David Miller may be viewed at YouTube or at www.universaledition.com/ue21712/ Recueil / Saxophone Alto et Piano

Par RUEFF JANINE. Composed by Jeanine Rueff, Chanson Et Passepied for Saxophone is a piece for advanced players written in two parts. The first part, ?Chanson? (Song) is a lyrical part written in Andantino Tempo, starting with a very simple yet beautiful melody, and organised in the format of a Question/Answer. It is then followed by a second melody with the same organisation and by the first melody that is played by the piano. The second part, ?Passepied?, which refers to a Baroque dance, is composed in Allegretto and has an A/B/A structure. A is quite melodic while B is more like a Valse. Wonderfully composed, very technical yet also lyrical, this piece is really enjoyable and can be used forrecital or contests. Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet./ Répertoire / Saxophone en Mib et Piano