The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it - at his death he left a detailed list of ?Unpublished pieces for an eventual complete edition'.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material. / Score

Erste Leipziger Fassung. Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkündigung. Par BACH JOHANN SEBASTIAN. First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation BWV 182/ Répertoire / Score

Les trois compositions solistes ont été très influencés par un début fondamentalement nouvelle dans la composition. Ses oeuvres ne sont plus à être caractérisés par la composition rapide basée sur des impulsions soudaines. Maintenant, contrepoint et fugue plutôt déplacé dans le centre de l'intérêt de Schumann, cette dernière étant surtout inspiré par sa relation étroite avec Mendelssohn qui était un excellent interprète des oeuvres de Bach. Le fait que le contrepoint était loin d'être une relique mort de Schumann peuvent être recueillies auprès de ses commentaires: '. Dans tous les cas, le meilleur de la fugue est toujours celui que le public prend pour une valse de Strauss, [...]' / Score

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance - also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. / Scores

Sept tubes du groupe jazz/rock par excellence, Blood, Sweat & Tears . Chaque note et nuance... lignes vocales, cuivres, sax, clavier, basse et batterie, plus une ligne de synthétiseur pour instruments auxiliaires (chaque son clairement identifié).
Et quand je meurs
Descendez Gamblin'
Dieu bénisse l'enfant
Lucrèce Mac Maléfique
Parfois en hiver
Rouet
Tu m'as rendu tellement heureux
/ Partitions variété - pop - rock / Variété internationale / Scores / HAL LEONARD

Contains six transcriptions, edited by Lionel Grigson, which will be of immense benefit to all jazz musicians, regardless of the instrument (B flat and E flat parts are inserted). Louis Armstrong's contribution to shaping the jazz style was incomparable, and it is important for today's aspiring jazz musician to study his phrasing and melodies. In the words of Miles Davis, 'The whole of jazz can be summed up in two names: Charlie Parker and Louis Armstrong'. The Armstrong transcriptions in this collection, if sympathetically studied, should justify half of that assessment. / Scores

A vocal score with Latin text for this rare work, arranged for SSAATTBB and piano accompaniment. Edited by Watkins Shaw. / Scores

L'ensemble des pièces pour Façades Philippe le travail du verre, ont marqué pour deux flûtes, deux saxophones soprano et cordes. / Scores

Handel's 1743 sacred choral work for SATB soli, SATB chorus and orchestra. This version is edited by Walter Emery and contains a piano reduction of the orchestra accompaniment. / Scores