Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Viola. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/13. Published by
Carus Verlag
(CA.3116513).
ISBN
9790007209100. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Bassoon. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/21. Published by
Carus Verlag
(CA.3116521).
Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Soli SATB, SATB Choir, 2 Vl, Va, Fg, Bc SKU: CA.3116549 Cantata for th...(+)
Soli SATB, SATB Choir, 2
Vl, Va, Fg, Bc
SKU:
CA.3116549
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Organ. Composed
1715(?). BWV 165. 12
pages. Duration 13
minutes. Carus Verlag #CV
31.165/49. Published by
Carus Verlag
(CA.3116549).
ISBN
9790007209131. Language:
German/English. Text:
Franck, Salomo.
The
cantata O heilges Geist-
und Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/11. Published by
Carus Verlag
(CA.3116511).
ISBN
9790007209087. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/12. Published by
Carus Verlag
(CA.3116512).
ISBN
9790007209094. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, basso continuo.
Composed 1715(?). BWV
165. 8 pages. Duration 13
minutes. Carus Verlag #CV
31.165/14. Published by
Carus Verlag
(CA.3116514).
ISBN
9790007209117. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version –
including
Bruckner’s Te
Deum. Unfortunately, only
a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Bruckner’s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
