By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound.
Score available
separately - see item
CA.4065000. Latin Masses.
Level 3. Study score.
Language: Latin. Composed
1863. 184 pages. Duration
90 min. Published by
Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound. Full
score available
separately - see item
CA.4065000. Masses,
Latin. Level 3. Part:
Harmonium. Language:
Latin. Composed 1863. 56
pages. Duration 90 min
Composed
by Gioachino Rossini.
Edited by Klaus Doge.
Carus sheet music series:
Vocal scores XL. Petite
Messe Solennelle Kart.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1863. Duration 90
minutes. Carus Verlag #CV
40.650/19. Published by
Carus Verlag
(CA.4065019).
ISBN
9790007096984. Language:
Latin.
Next to the
Stabat Mater, the Petite
Messe solennelle of 1863
is Rossini's second
extensive sacred
composition. Ostensibly,
the work was an
occasional piece, written
for the dedication of a
private chapel for the
once well-to-do Parisian
nobility. This explains
the reduced instrumental
accompaniment for two
pianos and harmonium. Of
course this instrumental
garb, reminiscent of
decent, elevated salon
music, produces an
unmistakable timbre which
through its typical
Rossini rhythm obtains an
additional flair. Score
and parts available
separately - see item
CA.4065000.
Solo voices, choir, 2 pianos, timpani With timpani part. Composed by Johannes ...(+)
Solo voices, choir, 2
pianos,
timpani
With timpani part.
Composed
by Johannes Brahms (1833-
1897). Edited by Heinrich
Poos. Arranged by
Heinrich
Poos. Score. Breitkopf
and
Haertel #PB 5697.
Published
by Breitkopf and Haertel
Composed
by George Gershwin.
Edited by Grofe. Score.
Published by Lucks Music
Library (TM.12652SC).
Orchestrated
for Piano and (smaller)
Theatre Orchestra by
Grofe; sol/pf (2 piano 4
hand edition, pianos
together in score form -
2 copies required if
performing as 2 pianos).
See #05589 for 1942
Symphonic Orchestra
version; solo is the same
for both editions.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chÂœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s most
frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Composed
by George Gershwin.
Edited by Grofe. Set
Type: D. Set of parts.
Published by Lucks Music
Library (TM.12652SET).
Orchestrated
for Piano and (smaller)
Theatre Orchestra by
Grofe; sol/pf (2 piano 4
hand edition, pianos
together in score form -
2 copies required if
performing as 2 pianos).
See #05589 for 1942
Symphonic Orchestra
version; solo is the same
for both editions.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chÂœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version – including
Bruckner’s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Bruckner’s most
frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.