Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01).
ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare.
Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume.
A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/10. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05004_01.
Published by Baerenreiter
Verlag (BA.BA05004-01).
ISBN 9790006461387. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantatas on the
Purification of the
Virgin Mary. Composed
by Johann Sebastian Bach.
Edited by Matthias Wendt
and Uwe Wolf. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/28/1. Complete
edition, Score,
anthology. BWV 82, 83,
125, 200. Baerenreiter
Verlag #BA05084_01.
Published by Baerenreiter
Verlag (BA.BA05084-01).
ISBN 9790006464005.
33.1 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Benvenuto
Cellini, premiered in
1838, is inspired by the
life of the legendary
Florentine goldsmith and
Renaissance figure. The
premiere was a disatster
yet even by Berliozâ??s
high standards it
contains music of
exceptional inventiveness
and beauty.
The
work is challenging not
least due to the three
versions which
exist:
I The
original version (Paris
1) as Berlioz composed
it II The version
premiered in Paris (Paris
2) after rehearsal and
copied into an archival
full score III The
Weimar version based on
the revival in 1852
following changes
suggested by
Liszt
Our edition
offers a solution to the
problem of publishing
operas which have been
heavily revised by their
composers, so that any of
its many versions may be
adopted on stage
today.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Full score. TVWV 7:16. 36
pages. Duration 12
minutes. Carus Verlag #CV
39.127/00. Published by
Carus Verlag
(CA.3912700).
ISBN
9790007164416. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep).
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709).
ISBN
9790007215774. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, basso
continuo. TVWV 7:16. 8
pages. Duration 12
minutes. Carus Verlag #CV
39.127/14. Published by
Carus Verlag
(CA.3912714).
ISBN
9790007215811. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Vocal score. TVWV 7:16.
24 pages. Duration 12
minutes. Carus Verlag #CV
39.127/03. Published by
Carus Verlag
(CA.3912703).
ISBN
9790007164423. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score available
separately - see item
CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 2.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/12. Published by
Carus Verlag
(CA.3912712).
ISBN
9790007215798. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Viola. TVWV
7:16. 8 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/13. Published
by Carus Verlag
(CA.3912713).
ISBN
9790007215804. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 1.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/11. Published by
Carus Verlag
(CA.3912711).
ISBN
9790007215781. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Organ. TVWV
7:16. 12 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/49. Published
by Carus Verlag
(CA.3912749).
ISBN
9790007164492. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/19. Published by
Carus Verlag
(CA.3912719).
ISBN
9790007164508. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lyric Fairy Tale in
Three Acts. Composed
by Antonin Dvorak. Edited
by Jonáš Hájek
and Robert Simon. This
edition: urtext edition.
Hardback. Performance
score. Opus 114.
Baerenreiter Verlag
#BA10438. Published by
Baerenreiter Verlag
(BA.BA10438).
ISBN
9790260109384. 31.7 x
25.5 cm inches. Text
Language: Czech, English,
German. Preface: Simon,
Robert. Text: Jaroslav
Kvapil.
Der neue
Klavierauszug einer der
meistgespielten
tschechischen Opern,
Dvoráks Rusalka,
bildet einen Bestandteil
der neuen Urtextedition
des Werkes, in der nach
mehr als sechzig Jahren
der Notentext den
gegenwärtigen
Editionsregeln angepasst
wurde. Anders als bei der
vorangegangenen
kritischen Ausgabe von
Jarmil Burghauser aus dem
Jahre 1960, dokumentiert
der Herausgeber Robert
Simon alle redaktionellen
Eingriffe. Die neue
Edition widmet auch dem
Libretto gebührende
Aufmerksamkeit, unter
sorgfältiger
Auswertung aller
erhaltenen Quellen,
darunter des
Klavierauszuges von Josef
Famera (1883â1914),
der nach Dvoráks Tod
veröffentlicht (1905)
und dessen Manuskript
noch vom Komponisten
autorisiert worden
war.
Dieser
historische Klavierauszug
wurde einer
gründlichen Revision
durch den Arrangeur Petr
Koronthály unterzogen,
der ihn unter maximaler
Berücksichtigung des
Originals und der
Beibehaltung von dessen
Qualitäten in eine
Bearbeitung gebracht hat,
die einer neuen
Urtextedition und den
aktuellen Bedürfnissen
der Aufführungspraxis
entspricht. Die
Neuausgabe enthält das
Vorwort des Herausgebers
zur Entstehung der Oper
und ihres historisch
ersten Klavierauszugs,
auÃerdem werden in der
Einleitung Hinweise zur
Aussprache des
tschechischen
Gesangstextes
veröffentlicht.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Christine Fröde. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/32/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05077_01.
Published by Baerenreiter
Verlag (BA.BA05077-01).
ISBN 9790006463763.
33.1 x 25.8 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio Jauchze,
jubilier und singe -
Serenata Zu Walle ruft
alle. Composed by
Georg Philipp Telemann.
Edited by Willi Maertens.
This edition: Edition of
selected works, Urtext
edition. Linen. Telemann
Musical Works. Volume 27.
Edition of selected
works, Score. Composed
1730. TWV 15.
Baerenreiter Verlag
#BA05308_00. Published by
Baerenreiter Verlag
(BA.BA05308).
ISBN
9790006467075. 33.1 x
25.8 cm inches. Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/2. Complete
edition, Score,
anthology. 235 pages.
Baerenreiter Verlag
#BA05007_01. Published by
Baerenreiter Verlag
(BA.BA05007-01).
ISBN
9790006461448. 33 x 26.5
cm inches. Language:
German. Preface: Dürr,
Alfred.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding