In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Wie der Hirsch schreit). Composed by Felix Bartholdy Mendelssohn (1809-1847). E...(+)
(Wie der Hirsch schreit).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
solo voices, choir,
orchestra (soprano voice
solo/2 tenor voice
solos/2 bass voice
solos/SATB choir/2
flutes/2 oboes/2
clarinets/2 bassoons/4
horns/2 trumpets/3
trombones/timpani/2
violins/viola/cello/doubl
e bass/organ). This
edition: Urtext edition.
Paperback. Score.
Language: German/English,
Text Language:
German/English. Opus 42.
Published by Baerenreiter
Verlag
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged b...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
Arranged by Andrea
Campora. For SATB vocal
soli, SATB choir,
orchestra. This edition:
urtext edition.
Paperback. Vocal score.
Opus 86. Published by
Baerenreiter Verlag
In Terra Pax, Op. 39 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Boosey and Hawkes
In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral...(+)
In terra pax, Op. 39.
(Christmas Scene). By
Gerald Finzi (1901-1956).
For Choral, Chorus,
Orchestra, Piano (Vocal
Score). BH Large Choral.
Book only. 23 pages.
Boosey and Hawkes
#M060030307. Published by
Boosey and Hawkes
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar.
This edition: urtext
edition. Cloth bound.
Barenreiter Urtext.
Score.
Opus 125, No. 9.
Baerenreiter Verlag
#BA09009-01. Published by
Baerenreiter Verlag
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soprano voice solo, SATB choir, and piano - Intermediate SKU: MN.56-0055 ...(+)
Soprano voice solo, SATB
choir, and piano -
Intermediate
SKU:
MN.56-0055
Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 4 minutes, 4
seconds. MorningStar
Music Publishers
#56-0055. Published by
MorningStar Music
Publishers (MN.56-0055).
UPC: 688670220586.
English.
Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
For soprano solo and SATB
choir, this movement
begins with the choir on
the English text by
Phineas Fletcher (1633).
A 32-measure soprano solo
follows, which covers the
majority of the English
text. The soloist then
begins the
ââ¬ÅRecordare,
¢â¬Â a calm,
descending melodic line
with the choir singing
the opening
ââ¬ÅDrop,
dropââ¬Â motif
as accompaniment. The
choir then concludes with
the slow, descending
lines ââ¬ÅJesu
pie, Jesu
pie.ââ¬Â
Duration 4:04.
Study Score. Composed by Ludwig van Beethoven (1770- 1827). Edited by Helga Lu...(+)
Study Score. Composed by
Ludwig van Beethoven
(1770-
1827). Edited by Helga
Luhning. Henle Study
Scores.
Classical, Opera.
Softcover.
58 pages. G. Henle
#HN9046.
Published by G. Henle
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
Ave verum, op. 65/1 N 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Facile Barenreiter
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or...(+)
Solo voices, SATB
chorus,organ,double bass
ad lib (Soprano solo or
Alto solo (or Female
choir (2voices)) or Tenor
solo, Baritone solo,
Organ, Double bass ad
libitum) - Level 2
SKU: BA.BA25144
Motet for Soprano or
Alto (or two-part Female
Choir) or Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 65/1. 4 pages.
Baerenreiter Verlag
#BA25144_00. Published by
Baerenreiter Verlag
(BA.BA25144).
ISBN
9790006575107. 29.7 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio. Composed
by Felix Bartholdy
Mendelssohn. Carus Choir
Coach. Paulus.Ccc.
Compact Disc. Composed
1834-1836. Op. 36, MWV A
14. Duration 145 minutes.
Carus Verlag #CV
40.129/91. Published by
Carus Verlag
(CA.4012991).
ISBN
9790007171834. Language:
German.
Mendelssohn
composed his first
oratorio Paulus under the
impression of his own
revival of J. S. Bach's
St. Matthew Passion in
1829. He integrated
chorale settings into St.
Paul, for which he was
accused by his
contemporaries of making
a stylistic break, using
an element unsuitable to
church music. In spite of
these reservations,
during Mendelssohn's
lifetime St. Paul was one
of his most popular
works, which received
numerous performances
throughout Europe. Robert
Schuman praised the
inextinguishable color of
the instrumentation and
the brilliant play with
all the forms of
composition. He described
it as a jewel of the
present.. Score available
separately - see item
CA.4012900.
Mass in Blue Soli, choeur mixte et accompagnement [Vocal Score] Oxford University Press
By Will Todd. For soprano voice solo, SATB choir, and piano, bass, and drums (an...(+)
By Will Todd. For soprano
voice solo, SATB choir,
and piano, bass, and
drums (and opt. alto
saxophone). Contemporary.
Vocal score. Duration 40
minutes. Published by
Oxford University Press
(1.1.2.1/2.2.1.0,perc,str ) SKU: TM.07228SET Composed by Jacques Offenbac...(+)
(1.1.2.1/2.2.1.0,perc,str
)
SKU: TM.07228SET
Composed by Jacques
Offenbach. Arranged by
Moses Tobani. Set Type:
C. Set of parts.
Published by Lucks Music
Library (TM.07228SET).
P/C in set. No
specific titles listed;
Medley form –
individual titles cannot
be played alone.
Perichole –
Allegro ma non troppo,
Poco moderato, Andante,
Andantino; La Belle
Helene – Allegro
moderato, Allegretto,
Tempo di Valse; Parisien
Life – Allegro
moderato, Maestoso,
Allegretto, Tempo di
Galop; Generiere de
Brabauf – Allegro
moderato.