| The Lord your God you shall now be loving (Du sollt Gott, deinen Herren, lieben) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba (da tirarsi), 2 violins, ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, tromba (da
tirarsi), 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3107719 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Du Sollst
Gott, Deinen Herren,
Lieben. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 77.
Duration 17 minutes.
Carus Verlag #CV
31.077/19. Published by
Carus Verlag
(CA.3107719). ISBN
9790007134099. Key: C
major / d minor.
Language: German/English.
Text: Knauer, Johann
Oswald. Text: Johann
Oswald Knauer. The
closing chorale of the
cantata is given without
text in the autograph. In
this edition, the
recommendation of the
Neuen Bachausgabe (NBA
1/21) is followed. Score
and parts available
separately - see item
CA.3107700. $102.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lord your God you shall now be loving (Du sollt Gott, deinen Herren, lieben) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba (da tirarsi), 2 violins, ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, tromba (da
tirarsi), 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3107705 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Du Sollst
Gott, Deinen Herren,
Lieben. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1723. BWV 77. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.077/05. Published by
Carus Verlag
(CA.3107705). ISBN
9790007045029. Key: C
major / d minor.
Language: German/English.
Text: Knauer, Johann
Oswald. Text: Johann
Oswald Knauer. The
closing chorale of the
cantata is given without
text in the autograph. In
this edition, the
recommendation of the
Neuen Bachausgabe (NBA
1/21) is followed. Score
available separately -
see item CA.3107700. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Glagolitic Mass Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III mu...(+)
Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863). ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic. “The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$289.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass E-flat major D 950 Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA05576 Composed by Franz Schube...(+)
Soloists, Mixed choir,
Orchestra SKU:
BA.BA05576 Composed
by Franz Schubert. Edited
by Rudolf Faber. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA05576. Published by
Baerenreiter Verlag
(BA.BA05576). ISBN
9790006575954. 31 x 24.3
cm inches. Key: E-flat
major. Text Language:
Latin. We know
relatively little about
the genesis of
Schubertâ??s Mass in
E-flat major (D 950)
which he completed in
1828, a few months before
his death. The work was
not performed during his
lifetime and we can only
speculate what might have
caused the composer to
write this Missa
solemnis.
In the
preface to this volume of
the New Schubert Edition,
editor Rudolf Faber
assembles all documented
facts. Furthermore, he
focuses on the accents,
which are such a
characteristic element of
Schubertâ??s autograph
scores, and explains how
Schubert used them in a
very differentiated
manner, in particular in
the Mass in E-flat major.
In order to do justice to
these subtle differences,
the New Schubert Edition
has introduced a new
symbol: an accent which
is flexible with regard
to its length and which
makes it possible to
visualize Schubertâ??s
sophisticated employment
of emphasis and
accentuation.
The
work is scored for large
orchestra (without
flutes), chorus, and one
soprano as well as two
tenors as soloists. In
Schubertâ??s autograph
the organ is not
explicitly called for,
but Ferdinand Schubert
added an organ part for
the posthumous premiere
on 4 October 1829 at the
Dreifaltigkeitskirche of
Vienna
Alservorstadt.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$127.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) SKU:
BA.BA11310-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90). ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin. This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
You will
find a detailed brochure
on the new completion of
Mozart's Requiem
here.
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Psalm Monodies Soli, choeur mixte et accompagnement Zimbel Press
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s)...(+)
Soloist(s), Choir, and/or
Congregation SKU:
SU.80101330 For
Soloist(s), Choir, and/or
Congregation.
Composed by Carson
Cooman. Vocal/Choral,
Sacred Choral.
Interactive audience.
Choral Octavo. Zimbel
Press #80101330.
Published by Zimbel Press
(SU.80101330).
Soloist(s),
Choir, and/or
Congregation Composed:
2012 Published by: Zimbel
PressThese three brief
pieces were inspired by
the Shakers, whose many
thousands of songs were
sung unaccompanied. For
the first hundred years
of their society, Shaker
songs were always
monophonic. Though the
music of these monodies
is not in a Shaker style,
they are meant to be sung
by soloists, choirs,
and/or congregations
without accompaniment.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
carson@carsoncooman.com
b> (include the
organization name with
your request). To order
quantities fewer than
8. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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