SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104209

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. 1x 31.042/21 oboe 1, 1x 31.042/22 oboe 2, 1x 31.042/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. 20 pages. Duration 28 minutes. Carus Verlag #CV 31.042/09. Published by Carus Verlag (CA.3104209).

ISBN 9790007205836. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104214

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/14. Published by Carus Verlag (CA.3104214).

ISBN 9790007205874. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104213

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola. Composed 1725. BWV 42. 4 pages. Duration 28 minutes. Carus Verlag #CV 31.042/13. Published by Carus Verlag (CA.3104213).

ISBN 9790007205867. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104219

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. Duration 28 minutes. Carus Verlag #CV 31.042/19. Published by Carus Verlag (CA.3104219).

ISBN 9790007140175. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104211

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 1. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/11. Published by Carus Verlag (CA.3104211).

ISBN 9790007205843. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104212

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 2. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/12. Published by Carus Verlag (CA.3104212).

ISBN 9790007205850. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104207

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/07. Published by Carus Verlag (CA.3104207).

ISBN 9790007142711. Text language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104200

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/00. Published by Carus Verlag (CA.3104200).

ISBN 9790007134617. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement.

(0.2.0.0/2.0.0.0,str)

SKU: TM.05260SC

Composed by Giovanni Paisiello. Score. Lucks Music Library #A7415. Published by Lucks Music Library (TM.05260SC).

Chorus I = S/A; Chorus II = T/B.

(0.2.0.0/2.0.0.0,str,va & db solo)

SKU: TM.10628SET

Composed by Karl Dittersdorf. Edited by Altmann. Set Type: D. Set of parts. Lucks Music Library #A6117. Published by Lucks Music Library (TM.10628SET).

Cembalo and organ in set. Alto solo (no chorus). Possibly by Hoffmann, attributed to Bach.

(2.2.2.2/4.2.3.1,timp,str ,chorus)

SKU: TM.10666SC

Composed by Antonin Dvorak. Score. Lucks Music Library #A5318. Published by Lucks Music Library (TM.10666SC).

Ed. by Wolff. Also called Sinfonia No. IX in C Major. Music begins in c minor, then modulates to C major.

(2.2.2.2/4.2.3.1,timp,str ,chorus)

SKU: TM.10666SET

Composed by Antonin Dvorak. Set Type: A. Set of parts. Lucks Music Library #A5318. Published by Lucks Music Library (TM.10666SET).

Ed. by Wolff. Also called Sinfonia No. IX in C Major. Music begins in c minor, then modulates to C major.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527919

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Set of Orchestra Parts. Composed 1713. HWV 279. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527919).

ISBN 9790007293062. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and parts available separately - see item CA.5527900.

(0.2.0.1/0.3.0.0,timp,fl tran,2fl a bec,ob d'amore,cem,str,cello solo,SATB soli,SATB chorus)

SKU: TM.01851SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2552. Published by Lucks Music Library (TM.01851SC).

Sinfonia: Cello solo in basson part (German text in preface).

(0.2.0.1/0.3.0.0,timp,fl tran,2fl a bec,ob d'amore,cem,str,cello solo,SATB soli,SATB chorus)

SKU: TM.01851SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2552. Published by Lucks Music Library (TM.01851SET).

Sinfonia: Cello solo in basson part (German text in preface).