Oratorio in six scenes. Composed by George Frideric Handel (1685-1759). Edited by Howard Serwer. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 8. First version. Score. Composed 1720. HWV 50a. Baerenreiter Verlag #BA04047-01. Published by Baerenreiter Verlag

(Kantate zum 1. Advent). Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SATB/SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo. Score available separately - see item CA.3720500. Cantatas, Advent. Choral score. Language: German. II.1. 12 pages. Duration 17 minutes. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05019-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr and Arthur Mendel. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/14. Complete edition, Score, anthology. Baerenreiter Verlag #BA05019_01. Published by Baerenreiter Verlag (BA.BA05019-01).

ISBN 9790006461790. 33 x 26.5 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3115112

Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/12. Published by Carus Verlag (CA.3115112).

ISBN 9790007049393. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100.

(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For SB vocal soli, SATB choir, oboe, violin, basso continuo. This edition: Paperbound. Score available separately - see item CA.3115800. Cantatas, Special days, Easter and Eastertide. Level 2. Vocal score (G/E). Language: German/English. Composed 1723/1735. BWV 158. 12 pages. Duration 12 min. Published by Carus Verlag

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo. D-Dur (D major). German title: Ein feste Burg. Cantatas, Special days, Reformation day. Level 3. Cello part. Language: German/English. BWV 80. 20 pages. Duration 30 minutes. Published by Carus Verlag

(Kantate zum 11. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Oboes/2 Oboe d'Amore, Strings, Organ. This edition: paperbound. BWV 179. Full score available separately - see item CA.3117900. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Study score. Language: German/English. Composed 1723. 48 pages. Duration 19 min

(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Frieder Rempp. Arranged by Paul Horn. For SB vocal soli, SATB choir, 2 oboes, taille (oboe da caccia, english horn), 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Christmas. Study score. Text language: German/English. Composed 1725. BWV 57. 36 pages. Duration 28 minutes. Published by Carus Verlag

(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Tobias Rimek. For SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Whitsun. Vocal score. Text language: German/English. Composed 1732. BWV 177. 36 pages. Duration 28 minutes. Published by Carus Verlag

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo, [3 Trombones]. This edition: paperbound. KV 49 (47d). Missa brevis, Latin; Stuttgart Urtext editions. Level 2. Score. Language: Latin. Composed 1768. 48 pages. Duration 18 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Maunder, Richard. For Soli SATB, SATB/SATB Choir, Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. KV 427. Masses, Latin. Level 4. Score. Language: Latin. Composed 1783. 196 pages. Duration 57 min

(Cantata for the 1st day of Pentecost). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For SATB vocal soli, SATB choir, [flute, oboe(d'amore)], bassoon, 3 trumpets, timpani, 2 violins, 2 violas, basso continuo, organ obligato (oboe, cello). This edition: Paperbound. C-Dur (C major). Stuttgart Urtext Edition. German title: Erschallet, ihr Lieder. Whitsun. Vocal score. Language: German/English. Composed 1714. BWV 172. 24 pages. Duration 25 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Vocal score. Language: Latin. BWV 232. 184 pages. Duration 100 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2707114

Messe in A. Composed by Franz Xaver Richter. Edited by Michael Diorio. Messe In A 1788 (Hyemalis). Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.071/14. Published by Carus Verlag (CA.2707114).

ISBN 9790007199982. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112414

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 124. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.124/14. Published by Carus Verlag (CA.3112414).

ISBN 9790007207564. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.