(Symphonie dramatique). Composed by Hector Berlioz (1803-1869). Edited by D. Kern Holoman. For alto voice solo, tenor voice solo, bass voice solo, double ATB choir, double STB choir, piccolo, 2 flutes, piccolo, 2 oboes, english horn, 2 clarinets, 4 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, 2 timpani, percussion, 2 harps, st. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 18. Score. Opus 17, Hol. 73. Published by Baerenreiter Verlag

Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4

SKU: BA.BA05448

Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448).

ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.

In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.

Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre acts”, which comes very close to the spirit of Goethe's presentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ. Stuttgart Urtext Edition. Score available separately - see item CA.4007600. Praise and thanks. Level 3. Complete orchestral parts. Language: German/English. Composed 1840. Op. 52. Duration 65 minutes. Published by Carus Verlag

Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Emil Platen. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Oboe (2), Strings, Basso continuo. Score; Urtext Edition. BWV 236. Duration 30'. Published by Baerenreiter-Ausgaben (German import). ISBN M006466641.

By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Piccolo, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Contrabassoon, Horn (4), Trumpet (2), Trombone (3), Kettledrum, Drums, Strings. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Op. 125. Duration 65'. Published by Baerenreiter-Taschenparti turen (German import).

(Offertorium in festo Sti Benedicti). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Eberhard Kraus. For Soprano Voice Solo, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Score available separately - see item CA.4004200. Cantatas, Special days. Level 3. Vocal score. Language: Latin. Composed circa 1766/76. KV 34. 12 pages. Duration 4 min. Published by Carus Verlag

Cantata/Oratorio 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor

SKU: AP.36-A249302

Arranged by Johann Sebastian Bach and ed./arr. by Moritz Hauptmann/ German libretto by Martin Luther. Orchestra. Kalmus Choral Library. Score and Part(s). LudwigMasters Publications #36-A249302. Published by LudwigMasters Publications (AP.36-A249302).

UPC: 659359553233. English.

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. This edition by Moritz Hauptmann was created in 1851 as part of the Bach-Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SC).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SET).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

Composed by Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For SMTB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 4 trumpets, 4 offstage trumpets, 3 trombones, ophicleide, timpani, percussion, 2 violins, viola, cello, contrabass. Stuttgart Urtext Edition. German title: Requiem kartoniert. Requiem, Mourning, death. Full score. Language: Latin. 320 pages. Duration 90 minutes. Published by Carus Verlag

Cantata/Oratorio 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor

SKU: AP.36-A249391

Arranged by Johann Sebastian Bach and ed./arr. by Gustav Schreck/ John Ebenezer West/ German libretto by Martin Luther. English translation by Paul England. Choral Octavo. Kalmus Choral Library. Score. LudwigMasters Publications #36-A249391. Published by LudwigMasters Publications (AP.36-A249391).

ISBN 9781932419481. UPC: 659359518904. English.

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. The piano reduction for this vocal score was completed by Gustav Schreck, and the edition was edited by John Ebenezer West.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

(2+1.2.2.2/4.2.3.0,timp,p erc,str)

SKU: TM.10319SET

Composed by Antonin Dvorak. Edited by Sourek. Set Type: D. Set of parts. Lucks Music Library #A6963. Published by Lucks Music Library (TM.10319SET).

Musette, Rigaudon et Menuet, Gavotta. Ed. Kretzschmar.

(2.0.3.3/0.0+1.1.1,4 perc,str=0.0.4.4.4,vn solo)

SKU: TM.13968SC

Composed by Paul Hindemith. Score. Published by Lucks Music Library (TM.13968SC).

(1.2.2.2/2.2.0.0,timp,str ,4 violin soli)

SKU: TM.11180SET

Composed by Louis W. Maurer. Set Type: D. Set of parts. Published by Lucks Music Library (TM.11180SET).

No score.

(2.2.2.2/4.2.3.0,timp,str ,trb solo)

SKU: TM.00724SC

Composed by Ferdinand David. Score. Lucks Music Library #A4274. Published by Lucks Music Library (TM.00724SC).

Solo in set. Transposed: Hn 1-4,Tpt 1&2,Tbn 1&2. Cl 1&2 orginally in Bb. Score typeset.

(2.2.2.2/4.2.3.0,timp,str ,trb solo)

SKU: TM.00724SET

Composed by Ferdinand David. Set Type: D. Set of parts. Lucks Music Library #A4274. Published by Lucks Music Library (TM.00724SET).

Solo in set. Transposed: Hn 1-4,Tpt 1&2,Tbn 1&2. Cl 1&2 orginally in Bb. Score typeset.

(2+1.2.2.0/0.0.0.0,perc,s tr=4.4.0.0.0)

SKU: TM.06906SET

Composed by Peter Illich Tschaikowsky. Set Type: M. Set of parts. Lucks Music Library #A2170. Published by Lucks Music Library (TM.06906SET).

Transposed: Cl 1+2, Hn 1+2, Tpt 1+2.

(2D1.2.2.4/4.2.3.1.timp,p erc,str)

SKU: TM.05620SET

Composed by Benjamin Godard. Set Type: D. Set of parts. Lucks Music Library #A7606. Published by Lucks Music Library (TM.05620SET).