In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.054/31 trombone 1, 1x
40.054/32 trombone 2, 1x
40.054/33 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1771. KV 109 (74e). 6
pages. Duration 11
minutes. Carus Verlag #CV
40.054/09. Published by
Carus Verlag
(CA.4005409).
ISBN
9790007059293. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and parts available
separately - see item
CA.4005400.
Composed
by Johann Valentin
Rathgeber. Edited by
Wilfried Dotzauer.
Arranged by Wilfried
Dotzauer.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1721. Op. 1, No.
3. 6 pages. Duration 12
minutes. Carus Verlag #CV
40.633/13. Published by
Carus Verlag
(CA.4063313).
ISBN
9790007074944. Key: A
major. Language:
Latin.
The
technical demands made on
the vocal soloists (and
also on the
instrumentalists) are no
greater in the soli than
in the tutti sections.
Therefore there ist no
need for highly
accomplished solo
singers; members of the
choir can take the solo
parts. This Mass can also
be performed accompanied
only by an organ. Score
and part available
separately - see item
CA.4063300.
(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Ja...(+)
(Passionskantate). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Mathias Siedel. For
Soli SB, SATB Choir, 2
Oboes, 2 Horns, 2
Violins, 2 Violas, Basso
continuo. This edition:
paperbound. KV 42 (35a).
Full score available
separately - see item
CA.5104200. Cantatas; Use
during church year: Holy
Week. Piano/Vocal score.
Language: German.
Composed 1767. 36 pages.
Duration 12 min.
Published by Carus Verlag
Vesperpsalm.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.968/21 oboe 1, 1x
40.968/22 oboe 2. German
title: Confitebor (Psalm
110). Sacred vocal music,
Psalms, Daily hours. Set
of Orchestra Parts.
Composed circa 1737-1756.
6 pages. Duration 7
minutes. Carus Verlag #CV
40.968/09. Published by
Carus Verlag
(CA.4096809).
ISBN
9790007221560. Key: F
major. Language:
Latin.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. 1x 50.344/31
clarino 1, 1x 50.344/32
clarino 2, 1x 50.344/41
timpani. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Set of
Orchestra Parts. Composed
1761. MH 39. 6 pages.
Duration 5 minutes. Carus
Verlag #CV 50.344/09.
Published by Carus Verlag
(CA.5034409).
ISBN
9790007081324. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Paul Horn. This
edition: urtext. 1x
31.124/21 oboe d'amore,
1x 31.124/31 horn.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meinen Jesum lass ich
nicht 2. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 124. 6 pages.
Duration 17 minutes.
Carus Verlag #CV
31.124/09. Published by
Carus Verlag
(CA.3112409).
ISBN
9790007207526. Key: E
major. Language:
German/English. Text:
Keymann, Christian. Text:
Christian
Keymann.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609).
ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600.
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext. 1x
31.248/91 oboe 1, 1x
31.248/92 oboe 2, 1x
31.248/93 horn 1, 1x
31.248/94 horn 2, 4x
31.248/95
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred, Stuttgart
Urtext editions; Use
during church year:
Christmas. Set of
Orchestra Parts. Composed
1734. BWV 248. 96 pages.
Carus Verlag #CV
31.248/79. Published by
Carus Verlag
(CA.3124879).
ISBN
9790007211585. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609).
ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.
Easter
Sunday. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.004/31
cornett, 1x 31.004/32
trumpet 1, 1x 31.004/33
trumpet 1, 1x 31.004/34
trombone 1, 1x 31.004/35
trombone 2, 1x 31.004/36
trombone 3. Hymns by
Martin Luther: Christ lag
in Todes Banden. German
title: Christ lag in
Todes Banden 6. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Set of Orchestra Parts.
Composed circa 1707/08
(before 1714). BWV 4. 24
pages. Duration 22
minutes. Carus Verlag #CV
31.004/09. Published by
Carus Verlag
(CA.3100409).
ISBN
9790007041526. Key: E
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
The
cantata Christ lag in
Todesbanden is among
Bach's earliest preserved
vocal compositions. The
text is based Martin
Luther's Easter chorale
of the same name. Score
and parts available
separately - see item
CA.3100400.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. 1x
27.702/21 bassoon, 1x
27.702/31 clarino 1, 1x
27.702/32 clarino 2, 1x
27.702/33 trombone 1, 1x
27.702/34 trombone 2, 1x
27.702/41 timpani. Music
from Vienna. German
title: Veni Sancte
Spiritus Set (6). Sacred
vocal music, Motets,
Whitsun. Set of Orchestra
Parts. Composed circa
1725. 12 pages. Duration
5 minutes. Carus Verlag
#CV 27.702/09. Published
by Carus Verlag
(CA.2770209).
ISBN
9790007202620. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200.
Cantata
for the 1st day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.091/21 oboe 1, 1x
31.091/22 oboe 2, 1x
31.091/23 oboe 3, 1x
31.091/31 horn 1, 1x
31.091/32 horn 2, 1x
31.091/41 timpani. Hymns
by Martin Luther: Gelobet
seist du, Jesu Christ.
German title: Gelobet
seist du, Jesu Christ 6.
Sacred vocal music,
Cantatas, Christmas. Set
of Orchestra Parts.
Composed 1724. BWV 91. 22
pages. Duration 19
minutes. Carus Verlag #CV
31.091/09. Published by
Carus Verlag
(CA.3109109).
ISBN
9790007046385. Key: G
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605).
ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607).
ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
Composed
by Anton Cajetan
Adlgasser. Awards /
Prizes:
Adlgasser-Kulturpreis.
Sacred music from
Salzburg. German title:
Litaniae de Venerabili
Sacramento 6. Sacred
vocal music. Set of
Orchestra Parts. 26
pages. Duration 19
minutes. Carus Verlag #CV
27.114/09. Published by
Carus Verlag
(CA.2711409).
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611).
ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Missa Sancti Nicolai Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Set de Parties séparées] - Facile Carus Verlag
(Nicolai-Messe). By Franz Joseph Haydn (1732-1809). Edited by Volker Kalisch. Fo...(+)
(Nicolai-Messe). By Franz
Joseph Haydn (1732-1809).
Edited by Volker Kalisch.
For Soli SATB, SATB
Choir, 2 Oboes, 2 Horns,
2 Violins, Viola,
Cello/Contrabass, Organ.
G-Dur (G major).
Stuttgart Urtext
editions. Score available
separately - see item
CA.4060500. Masses,
Latin. Level 3. Set of
instrumental parts
(except strings).
Language: Latin. Composed
1772. Hob. XXII:6. 16
pages. Duration 27 min.
Published by Carus Verlag
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred, Stuttgart
Urtext editions; Use
during church year:
Christmas. Single Part,
Organ. Composed 1734. BWV
248. 60 pages. Carus
Verlag #CV 31.248/99.
Published by Carus Verlag
(CA.3124899).
ISBN
9790007085421. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and part
available separately -
see item CA.3124800.
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred, Stuttgart
Urtext editions; Use
during church year:
Christmas. Choral Score.
Composed 1734. BWV 248.
24 pages. Carus Verlag
#CV 31.248/75. Published
by Carus Verlag
(CA.3124875).
ISBN
9790007211578. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score available
separately - see item
CA.3124800.
(Cantata for the inauguration of a new town council). Composed by Johann Sebasti...(+)
(Cantata for the
inauguration of a new
town council). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Hans Grischkat. For SATB
vocal soli, SATB choir, 2
oboes, 3 trumpets,
timpani, 2 violins,
viola, organ obligato.
D-Dur (D major).
Stuttgart Urtext Edition.
German title: Wir danken
dir, Gott, wir danken dir
6. Cantatas, Praise and
thanks. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1731. BWV 29. 32
pages. Duration 28
minutes. Published by
Carus Verlag
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612).
ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613).
ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
By Franz Schubert (1797-1828). Edited by Reinhold Kubik. For Soli SATB, SATB Cho...(+)
By Franz Schubert
(1797-1828). Edited by
Reinhold Kubik. For Soli
SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, [3
Trombones, Organ]. D 49.
Full score available
separately - see item
CA.2300900. Mass
Sections. Set of
instrumental parts
(except strings).
Language: Latin. Composed
1813. 16 pages. Duration
6 min
Vesperpsalm.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.969/21 oboe 1, 1x
40.969/22 oboe 2. German
title: Beatus Vir (Psalm
111). Sacred vocal music,
Psalms, Daily hours. Set
of Orchestra Parts.
Composed circa 1737-1756.
4 pages. Duration 6
minutes. Carus Verlag #CV
40.969/09. Published by
Carus Verlag
(CA.4096909).
ISBN
9790007221614. Key: A
minor. Language:
Latin.