| Lucio Silla, KV 135 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir,
orchestra (4 Soprano
Voice Solo, 2 Tenor Voice
Solo, Mixed choir, 2 Fl,
2 Ob, 2 bassoon, 2 Hn, 2
Trp, timpani, harpisc.,
Str) SKU:
BA.BA04590-01
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01). ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra. On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$463.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La damnation de Faust, op. 24 Holoman 111 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Intermédiaire/avancé Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir,
orchestra (Mezzo Voice
Solo, Tenor Voice Solo,
BarSolo, Bass Voice Solo,
Mixed choir: SSTTBB,
children choir: SS, 3Fl,
2 Ob, 2 clarinet,
clarinet-B, 4bassoon,
4Hn, 2 Trp, 2 Pist,
3trombone, Op, Tb,
timpani, percussion, 8,
10harp, Str) - Level 4
SKU: BA.BA05448
Lègende dramatique
in four parts.
Composed by Hector
Berlioz. Edited by Julian
Rushton. This edition:
complete edition, urtext
edition. Linen. New
Berlioz Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 8a/b. Complete
edition, Score. Opus 24.
453/556 pages. Duration 2
hours. Baerenreiter
Verlag #BA05448_00.
Published by Baerenreiter
Verlag (BA.BA05448).
ISBN 9790006471478.
33.2 x 26.5 cm inches.
Text Language: French.
Text: Berlioz, Hector /
Nerval, Gérard
de. In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$872.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB
choir, congregation, 2
violins, viola, cello,
contrabass, organ SKU:
CA.5040515 Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Double Bass. Composed
1903. Op. WoO V/4 Nr. 2.
2 pages. Duration 15
minutes. Carus Verlag #CV
50.405/15. Published by
Carus Verlag
(CA.5040515). ISBN
9790007081751. Key: D
minor. Language:
German/English. The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3103649 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3103649 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649). ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.3103603 Cantata f...(+)
SATB vocal soli, SATB
choir, piano reduction
SKU: CA.3103603
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Vocal score.
Composed 1731. BWV 36. 44
pages. Duration 31
minutes. Carus Verlag #CV
31.036/03. Published by
Carus Verlag
(CA.3103603). ISBN
9790007171605. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal
soli, SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3103607
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Study score.
Composed 1731. BWV 36. 52
pages. Duration 31
minutes. Carus Verlag #CV
31.036/07. Published by
Carus Verlag
(CA.3103607). ISBN
9790007244910. Language:
German/English. Bac
h's well-known church
cantata Schwingt freudig
euch empor BWV 36 (Up
joyous raise your song),
first heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3103619 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3103619 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent, Christmas. Set of
Orchestra Parts. Composed
1731. BWV 36. Duration 31
minutes. Carus Verlag #CV
31.036/19. Published by
Carus Verlag
(CA.3103619). ISBN
9790007172237. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and parts
available separately -
see item CA.3103600. $132.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
SATB vocal soli, SATB choir SKU: CA.3103605 Cantata for the 1st Sunday...(+)
SATB vocal soli, SATB
choir SKU:
CA.3103605 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Choral Score.
Composed 1731. BWV 36. 8
pages. Duration 31
minutes. Carus Verlag #CV
31.036/05. Published by
Carus Verlag
(CA.3103605). ISBN
9790007172275. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $5.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Divi Xaverii ZWV 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Avancé Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
Mixed choir-SATB,
orchestra (Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed choir
(SATB), Orchestra) -
Level 5 SKU:
BA.BA09594 Composed
by Jan Dismas Zelenka.
Edited by Václav Luks.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. ZWV 12.
Baerenreiter Verlag
#BA09594_00. Published by
Baerenreiter Verlag
(BA.BA09594). ISBN
9790260107526. 31 x 24.3
cm inches. Text language:
Czech, English, German.
Preface: Stockigt, Janice
B. / Luks,
Václav. The
â??Missa Divi
Xaveriiâ? ZWV 12, an
expansive and unusually
richly scored work, marks
a highlight in the uvre
of Jan Dismas Zelenka
(1679-1745). It was
composed in 1729 while he
was working at the
Dresden court.
The
principal source of this
first edition is the
damaged autograph score
which had long been kept
under lock and key.
Passages missing because
of its damaged condition
have been supplemented
using secondary sources
or reconstructed by
Václav Luks, clearly
marked as such in the
musical text.
The
first performance to use
the present new edition
took place in the summer
of 2014, when it was
performed at the Utrecht
Early Music Festival. A
CD recording by Collegium
1704, conducted by
Václav Luks, has been
released by the label
Accent (ACC
24301).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$92.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Esther, HWV 50a (First Version 1720) Soli, choeur mixte et accompagnement [Conducteur] Barenreiter
Oratorio in six scenes. Composed by George Frideric Handel (1685-1759). Edited...(+)
Oratorio in six scenes.
Composed by George
Frideric
Handel (1685-1759).
Edited by
Howard Serwer. This
edition:
complete edition, urtext
edition. Linen. Halle
Handel
Edition (HHA) Series I,
Volume 8. First version.
Score. Composed 1720. HWV
50a. Baerenreiter Verlag
#BA04047-01. Published by
Baerenreiter Verlag
$306.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Barber of Seville Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra (singing voice, choir, Orchestra) SKU: BA.BA10506-...(+)
Soloists, Choir,
Orchestra (singing voice,
choir, Orchestra) SKU:
BA.BA10506-01
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01). ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare. Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume. A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$1088.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ascanio in Alba Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeu...(+)
(Festspiel in zwei Teilen
(Italienisch), mit
Anhang: Ballo.). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Luigi Ferdinando
Tagliavini. For Soprano
Solo (3), Mezzo-Soprano
Solo, Tenor Solo, Mixed
Choir, Ball, Flute (2),
Oboe 1, Oboe 2/English
Horn, Bassoon (2), Horn
(4), Trumpet (2),
Kettledrum, Strings,
Basso Continuo. Neue
Mozart-Ausgabe. Serie II,
Werkgruppe 5/5.
Musiktheater, Tanz,
Klassik (Concert Music,
Dance, Classical). Score;
Urtext Edition; Complete
Edition (cloth bound). KV
111. Duration 150'
$266.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Te Deum Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Composed by Anton Bruckner (1824-1896). For SATB vocal soli, SATB choir, 2 flute...(+)
Composed by Anton
Bruckner (1824-1896). For
SATB vocal soli, SATB
choir, 2 flutes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, tuba, timpani,
2 violins, viola, cello,
double bass, organ.
Stuttgart Urtext Edition.
Sacred vocal music;
occasions: Praise and
thanks. Vocal score. Text
language: Latin. Duration
25 minutes. Carus Verlag
#CV 27.190/03. Published
by Carus Verlag
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550214
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214). ISBN
9790007213459. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550249
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249). ISBN
9790007141202. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550213
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213). ISBN
9790007213442. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550205
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205). ISBN
9790007213411. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550219
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219). ISBN
9790007139629. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550200
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200). ISBN
9790007096106. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horn...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
Tuba, timpani, 2 violins,
viola, cello, contrabass,
organ SKU:
CA.2719014 Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014). ISBN
9790007200770. Text
language:
Latin. Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048311 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Violin 1.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Violin 1.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/11. Published by
Carus Verlag
(CA.4048311). ISBN
9790007218768. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048319 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Gloria. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. Duration 21 minutes.
Carus Verlag #CV
40.483/19. Published by
Carus Verlag
(CA.4048319). ISBN
9790007137953. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300. $201.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048314 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314). ISBN
9790007218799. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048313 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313). ISBN
9790007218782. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048309 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext. 1x
40.483/21 flute 1, 1x
40.483/22 flute 2, 1x
40.483/23 oboe 1, 1x
40.483/24 oboe 2, 1x
40.483/25 clarinet 1, 1x
40.483/26 clarinet 2, 1x
40.483/27 bassoon 1, 1x
40.483/28 bassoon 2, 1x
40.483/31 horn 1, 1x
40.483/32 horn 2, 1x
40.483/33 trumpet 1, 1x
40. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. 42 pages. Duration 21
minutes. Carus Verlag #CV
40.483/09. Published by
Carus Verlag
(CA.4048309). ISBN
9790007218751. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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