Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Ernest May and Klaus
Hofmann. This edition:
complete edition, urtext
edition. Linen. New Bach
Edition (NBA) I/20.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05059_01.
Published by Baerenreiter
Verlag (BA.BA05059-01).
ISBN 9790006462919. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Sol...(+)
(Chiemsee-Messe). By
Michael Haydn
(1737-1806). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. This edition:
paperbound. MH 546. Score
available separately -
see item CA.5454600.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1793. 80 pages.
Duration 40 min.
Published by Carus Verlag
Composed by Johann
Sebastian Bach. Edited by
Robert L. Marshall. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/19. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05060_01.
Published by Baerenreiter
Verlag (BA.BA05060-01).
ISBN 9790006462964.
33.8 x 26.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Reinmar Emans. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/11/1. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05071_01.
Published by Baerenreiter
Verlag (BA.BA05071-01).
ISBN 9790006463497.
33.1 x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558223. 27 x 19 cm
inches. Text Language:
French. Preface: Kocevar,
Ã?rik. Text: Charles
Colle.
The heroic
pastoral Daphnis et Egle
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version--which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas--but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed 1771. KV
109 (74e). Duration 11
minutes. Carus Verlag #CV
40.054/05. Published by
Carus Verlag
(CA.4005405).
ISBN
9790007059286. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
available separately -
see item CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Organ. Composed 1771. KV
109 (74e). 8 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/49. Published by
Carus Verlag
(CA.4005449).
ISBN
9790007059330. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/11. Published by
Carus Verlag
(CA.4005411).
ISBN
9790007059309. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1771. KV 109
(74e). 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.054/13. Published
by Carus Verlag
(CA.4005413).
ISBN
9790007059323. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.054/31 trombone 1, 1x
40.054/32 trombone 2, 1x
40.054/33 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1771. KV 109 (74e). 6
pages. Duration 11
minutes. Carus Verlag #CV
40.054/09. Published by
Carus Verlag
(CA.4005409).
ISBN
9790007059293. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and parts available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/12. Published by
Carus Verlag
(CA.4005412).
ISBN
9790007059316. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
