Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Beyer. K. 626. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext. With choral notation, piano reduction and introductory text. D Minor. Text language Latin. 83 pages. Published by Edition Kunzelmann.

(2D1.1.2.1/2.2.1.0,timp,7 perc,hp,banda,str,(va d'amore))

SKU: TM.04670SC

Composed by Giacomo Puccini. Edited by Panizza. Score. Lucks Music Library #A6175. Published by Lucks Music Library (TM.04670SC).

Reduced orchestration by Panizza. Banda=campanelle giapponesi, 2 perc,campanelli A tastiera, Tam-Tam, Tam-Tam-Giapponesi,Tambur o,Triangle,Campane Tubolari,Fischi D'uccelli,Tam-Tam Grave,Viola D'amore. 7 percussion parts = 2 players.

Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.2302007

Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007).

ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber.

In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000.

German, Italian Language Edition. Composed by Wolfgang Amadeus Mozart (1756-1791). Complete Score. Kalmus Edition. Classical; Masterwork. Score. 300 pages. Kalmus Classic Edition #00-K06504. Published by Kalmus Classic Edition

(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo. This edition: Paperbound. E-Moll (E minor). German title: Jesus schlaft, was soll ich hoffen. Cantatas, Epiphany. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 81. 32 pages. Duration 19 minutes. Published by Carus Verlag

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Piano/Vocal score. Language: German/English. Composed 1724. 40 pages. Duration 26 min

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Score. Language: German/English. Composed 1724. 96 pages. Duration 26 min

Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, Bassi(Vc, double bass, bassoon, Lt-B, harpisc., Org))

SKU: BA.BA04099

Oratorio in three acts. Composed by George Frideric Handel. Edited by Hans Dieter Clausen. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Voume 18, Nos. 1 2. Complete edition, Score. Composed 1743. HWV 57. Duration 3 hours. Baerenreiter Verlag #BA04099_00. Published by Baerenreiter Verlag (BA.BA04099).

ISBN 9790006550111. 33 x 25.7 cm inches. Text Language: English. Preface: Hans Dieter Clausen. Text: Newburgh Hamilton.

Handel composed Samson directly after completing the Messiah.
After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composerâ??s most successful oratorios alongside Esther and Judas Maccabaeus. This probably had as much to do with the popular Old Testament story of the libretto as with Handelâ??s masterly shaping of the arias and choruses.

By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version.
The edition is based on the complete edition volume of the Halle Handel Edition (BA 4099), offering the complete music text of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Study score. Language: German/English. Composed 1724. 96 pages. Duration 26 min

Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hendrik, Sara Elisa / Schulze, and Stangalino. This edition: Edition of selected works, Urtext edition. Cloth bound. Francesco Cavalli. Opere. Venice 1655. Edition of Selected Works , Score. Baerenreiter Verlag #BA08915- 01. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, SATB/SATB choir, soprano voice in ripieno (Cantus-firmus-Chor fur Sopran), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/double. This edition: Clothbound edition. Stuttgart Urtext editions. Passions, Lent and Passiontide. Full score (clothbound edition). Language: German/English. BWV 244. 296 pages. Duration 175 min. Published by Carus Verlag

New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Michael Ostrzyga. This edition: Urtext. Paperback Binding. Baerenreiter Urtext. Classical Period. Score. Baerenreiter Verlag #BA11310. Published by Baerenreiter Verlag

(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: linen cover. Genres: Oratorios; Stuttgart Urtext Editions; Use / Occasion: Psalms. Level 4. Score (Linen Envelope). Language: German/English. Composed 1844-1846. 70. 496 pages. Duration 130 min. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Vocal score. Language: Latin. BWV 232. 184 pages. Duration 100 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912812

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Violin 2. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/12. Published by Carus Verlag (CA.3912812).

ISBN 9790007055899. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912813

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Viola. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/13. Published by Carus Verlag (CA.3912813).

ISBN 9790007055905. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912814

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Cello/Double Bass. TVWV 1:1316. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.128/14. Published by Carus Verlag (CA.3912814).

ISBN 9790007055912. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912805

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Choral Score. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/05. Published by Carus Verlag (CA.3912805).

ISBN 9790007055875. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912811

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Violin 1. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/11. Published by Carus Verlag (CA.3912811).

ISBN 9790007055882. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912819

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Set of Orchestra Parts. TVWV 1:1316. Duration 15 minutes. Carus Verlag #CV 39.128/19. Published by Carus Verlag (CA.3912819).

ISBN 9790007139759. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and parts available separately - see item CA.3912800.

Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str)

SKU: BA.BA04590-01

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01).

ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.

On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding