Wolfgang Amadeus Mozart: Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Kunzelmann
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Beyer. K. 626. ...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Franz Beyer. K. 626.
Vocal score for SATB
solos, SATB choir and
piano accompaniment.
Urtext. With choral
notation, piano reduction
and introductory text. D
Minor. Text language
Latin. 83 pages.
Published by Edition
Kunzelmann.
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007).
ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber.
In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000.
German, Italian Language Edition. Composed by Wolfgang Amadeus Mozart (1756-1791...(+)
German, Italian Language
Edition. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Complete
Score. Kalmus Edition.
Classical; Masterwork.
Score. 300 pages. Kalmus
Classic Edition
#00-K06504. Published by
Kalmus Classic Edition
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinh...(+)
(Kantate zum
Johannistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
ATB, SATB Choir, 2 Oboe
d'Amore, 2 Violins solo,
Strings, Organ. This
edition: paperbound. BWV
7. Full score available
separately - see item
CA.3100700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 40 pages.
Duration 26 min
(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinh...(+)
(Kantate zum
Johannistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
ATB, SATB Choir, 2 Oboe
d'Amore, 2 Violins solo,
Strings, Organ. This
edition: paperbound. BWV
7. Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days. Level 3.
Score. Language:
German/English. Composed
1724. 96 pages. Duration
26 min
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinh...(+)
(Kantate zum
Johannistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
ATB, SATB Choir, 2 Oboe
d'Amore, 2 Violins solo,
Strings, Organ. This
edition: paperbound. BWV
7. Full score available
separately - see item
CA.3100700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Level 3. Study
score. Language:
German/English. Composed
1724. 96 pages. Duration
26 min
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Mic...(+)
New Completion. Composed
by
Wolfgang Amadeus Mozart
(1756-
1791). Edited by Michael
Ostrzyga. This edition:
Urtext. Paperback
Binding.
Baerenreiter Urtext.
Classical
Period. Score.
Baerenreiter
Verlag #BA11310.
Published by
Baerenreiter Verlag
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 2.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/12. Published by
Carus Verlag
(CA.3912812).
ISBN
9790007055899. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Viola. TVWV
1:1316. 4 pages. Duration
15 minutes. Carus Verlag
#CV 39.128/13. Published
by Carus Verlag
(CA.3912813).
ISBN
9790007055905. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Cello/Double
Bass. TVWV 1:1316. 8
pages. Duration 15
minutes. Carus Verlag #CV
39.128/14. Published by
Carus Verlag
(CA.3912814).
ISBN
9790007055912. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Choral Score. TVWV
1:1316. 4 pages. Duration
15 minutes. Carus Verlag
#CV 39.128/05. Published
by Carus Verlag
(CA.3912805).
ISBN
9790007055875. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score available
separately - see item
CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 1.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/11. Published by
Carus Verlag
(CA.3912811).
ISBN
9790007055882. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun. Set
of Orchestra Parts. TVWV
1:1316. Duration 15
minutes. Carus Verlag #CV
39.128/19. Published by
Carus Verlag
(CA.3912819).
ISBN
9790007139759. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and parts
available separately -
see item CA.3912800.
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding