(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition. 1x
37.104/21 flute 1, 1x
37.104/22 flute 2, 1x
37.104/23 oboe 1, 1x
37.104/24 oboe 2, 2x
37.104/25 2 bassoons.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide. Set
of Orchestra Parts. HoWV
I.2. 96 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/09. Published
by Carus Verlag
(CA.3710409).
ISBN
9790007214289. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and parts available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. Passionskantate I
Ein Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Single Part, Organ. HoWV
I.2. 60 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/49. Published
by Carus Verlag
(CA.3710449).
ISBN
9790007091347. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and part available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. German title:
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Full score (complete
edition / selected
edition). HoWV I.2.
Duration 95 minutes.
Carus Verlag #CV
37.104/00. Published by
Carus Verlag
(CA.3710400).
ISBN
9790007090821. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide. Set
of Orchestra Parts. HoWV
I.2. Duration 95 minutes.
Carus Verlag #CV
37.104/19. Published by
Carus Verlag
(CA.3710419).
ISBN
9790007134310. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and parts available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Choral Score. HoWV I.2.
Duration 95 minutes.
Carus Verlag #CV
37.104/05. Published by
Carus Verlag
(CA.3710405).
ISBN
9790007127442. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score available
separately - see item
CA.3710400.
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214).
ISBN
9790007208936. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211).
ISBN
9790007208905. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Viola.
Composed 1716. BWV 162. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.162/13. Published by
Carus Verlag
(CA.3116213).
ISBN
9790007208929. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 2. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/12. Published by
Carus Verlag
(CA.3116212).
ISBN
9790007208912. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/19. Published
by Carus Verlag
(CA.3116219).
ISBN
9790007172244. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, Organ. Composed
1716. BWV 162. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/49. Published by
Carus Verlag
(CA.3116249).
ISBN
9790007208943. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203).
ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. 1x 31.162/21
flute, 1x 31.162/31 horn.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/09. Published
by Carus Verlag
(CA.3116209).
ISBN
9790007208899. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext, paperback.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Full
score. Composed 1716. BWV
162. 28 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/00. Published
by Carus Verlag
(CA.3116200).
ISBN
9790007171452. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki.
Cantatas on the
Purification of the
Virgin Mary. Composed
by Johann Sebastian Bach.
Edited by Matthias Wendt
and Uwe Wolf. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/28/1. Complete
edition, Score,
anthology. BWV 82, 83,
125, 200. Baerenreiter
Verlag #BA05084_01.
Published by Baerenreiter
Verlag (BA.BA05084-01).
ISBN 9790006464005.
33.1 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
My Boy Jack Soli, choeur mixte et accompagnement Galaxy Music Corporation
Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 ...(+)
Composed by David Ashley
White (1944-). 21st
Century.
Duration 3 minutes, 30
seconds. Galaxy Music
Corporation #1.3429.
Published by Galaxy Music
Corporation
Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863).
ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic.
“The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding