Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061093

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061093. Published by Carus Verlag (CA.4061093).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061092

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061092. Published by Carus Verlag (CA.4061092).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061094

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061094. Published by Carus Verlag (CA.4061094).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061091

Missa in B. Composed by Franz Joseph Haydn. CD-Reihen bei Carus: Carus Choir Coach. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061091. Published by Carus Verlag (CA.4061091).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Maunder, Richard. For Soli SATB, SATB/SATB Choir, Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. KV 427. Masses, Latin. Level 4. Score. Language: Latin. Composed 1783. 196 pages. Duration 57 min

Orchestra SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118107

Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Study score. Composed 1724. BWV 181. 52 pages. Duration 14 minutes. Carus Verlag #CV 31.181/07. Published by Carus Verlag (CA.3118107).

ISBN 9790007050177. Key: E minor / b minor. Language: German/English.

Sco re available separately - see item CA.3118100.

(Cantata for the Sunday Sexagesima). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo. This edition: Paperbound. German title: Leichtgesinnte Flattergeister. Cantatas, Special days. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 181. 28 pages. Duration 14 minutes. Published by Carus Verlag

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboes (2), Trumpets (2), Timpani, Violins (2), Viola, Basso continuo)

SKU: BA.BA10722

Ode to St Cecilia. Composed by George Frideric Handel. Edited by Stephan Blaut. This edition: urtext edition. Paperback. Score. HWV 76. Baerenreiter Verlag #BA10722_00. Published by Baerenreiter Verlag (BA.BA10722).

ISBN 9790006567713. 31 x 24.3 cm inches. Text Language: English.

Following upon “Alexander’s Feast” (1736), in 1739 Handel produced a second setting of the “Ode to St Cecilia” (“Song for St Cecilia’s Day”). At its première it was combined with “Alexander’s Feast”. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration.

Thi s edition, based on the Urtext from the “Halle Handel Edition”, offers the version heard at the first performance – the version preferred in today’s concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117309

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. 2x 31.173/21 flute. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1728ca. BWV 173. Duration 15 minutes. Carus Verlag #CV 31.173/09. Published by Carus Verlag (CA.3117309).

ISBN 9790007209575. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and parts available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117349

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/49. Published by Carus Verlag (CA.3117349).

ISBN 9790007209629. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117314

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/14. Published by Carus Verlag (CA.3117314).

ISBN 9790007209612. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117312

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/12. Published by Carus Verlag (CA.3117312).

ISBN 9790007209599. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117313

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/13. Published by Carus Verlag (CA.3117313).

ISBN 9790007209605. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117311

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/11. Published by Carus Verlag (CA.3117311).

ISBN 9790007209582. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117303

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1728ca. BWV 173. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.173/03. Published by Carus Verlag (CA.3117303).

ISBN 9790007144135. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3117307

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1728ca. BWV 173. 40 pages. Duration 15 minutes. Carus Verlag #CV 31.173/07. Published by Carus Verlag (CA.3117307).

ISBN 9790007165710. Language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061611

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/11. Published by Carus Verlag (CA.4061611).

ISBN 9790007073657. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061619

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. Duration 27 minutes. Carus Verlag #CV 40.616/19. Published by Carus Verlag (CA.4061619).

ISBN 9790007133313. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061607

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Study score. Composed 1775-1777. KV 257. 76 pages. Duration 27 minutes. Carus Verlag #CV 40.616/07. Published by Carus Verlag (CA.4061607).

ISBN 9790007073862. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061649

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/49. Published by Carus Verlag (CA.4061649).

ISBN 9790007073688. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061605

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Choral Score. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/05. Published by Carus Verlag (CA.4061605).

ISBN 9790007073633. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061609

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. 1x 40.616/21 oboe 1, 1x 40.616/22 oboe 2, 1x 40.616/31 clarino 1, 1x 40.616/32 clarino 2, 1x 40.616/33 trombone 1, 1x 40.616/34 trombone 2, 1x 40.616/35 trombone 3, 1x 40.616/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. 52 pages. Duration 27 minutes. Carus Verlag #CV 40.616/09. Published by Carus Verlag (CA.4061609).

ISBN 9790007073640. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061612

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/12. Published by Carus Verlag (CA.4061612).

ISBN 9790007073664. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012919

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/19. Published by Carus Verlag (CA.4012919).

ISBN 9790007097158. Language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and parts available separately - see item CA.4012900.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012905

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/05. Published by Carus Verlag (CA.4012905).

ISBN 9790007186524. Text language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.