Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arr...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Christine Martin.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina coeli in B
rev.2002. Easter and
Eastertide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily
hours. Complete
orchestral parts. KV 127.
Duration 17 minutes.
Published by Carus Verlag
(CA.4004819).
Harmoniemesse in B Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Andreas Traub. For SATB
Soli, SATB Choir, Flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
clarinos/trumpets,
timpani, 2 Violin, viola,
basso continuo. This
edition: Paperbound.
B-Dur (B-flat major).
Stuttgart Urtext Edition.
German title:
Harmoniemesse in B
XXII:14. Masses, Latin.
Full score. Language:
Latin. Hob. XXII:14. 216
pages. Duration 45
minutes. Published by
Carus Verlag
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Soprano, Alto,
Tenor, Bass Soli, SSATB
Chorus, Piano. Baroque,
Sacred, Choral. Sheet
Music. 204 pages.
Published by Novello and
Co Ltd.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
Edition of selected
works, Urtext edition.
Linen. New Bach Edition -
Revised (NBArev) 1. New
revised version. Edition
of selected works, Score.
BWV 232. Duration 2
hours, 15 minutes.
Baerenreiter Verlag
#BA05935_01. Published by
Baerenreiter Verlag
(BA.BA05935-01).
ISBN
9790006556304. 33 x 26 cm
inches. Key: B minor.
Text Language: Latin.
Preface: Uwe
Wolf.
New revised
version.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 109 (74e). Litanies;
Stuttgart Urtext
Editions; Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Score.
Language: Latin. Composed
1771. 24 pages. Duration
11 min. Published by
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 109 (74e). Score
available separately -
see item CA.4005400.
Litanies; Stuttgart
Urtext Editions; Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary.
Piano/Vocal score.
Language: Latin. Composed
1771. 20 pages. Duration
11 min. Published by
Carus Verlag
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061093<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061093
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061093. Published by
Carus Verlag
(CA.4061093).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed 1771. KV
109 (74e). Duration 11
minutes. Carus Verlag #CV
40.054/05. Published by
Carus Verlag
(CA.4005405).
ISBN
9790007059286. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
available separately -
see item CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Organ. Composed 1771. KV
109 (74e). 8 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/49. Published by
Carus Verlag
(CA.4005449).
ISBN
9790007059330. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061092<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061092
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061092. Published by
Carus Verlag
(CA.4061092).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/11. Published by
Carus Verlag
(CA.4005411).
ISBN
9790007059309. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Franz
Schubert. Edited by
Manuela Jahrmarker. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Messe In B Rev.2001.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1815. D 324. 16 pages.
Duration 30 minutes.
Carus Verlag #CV
40.657/12. Published by
Carus Verlag
(CA.4065712).
ISBN
9790007085292. Key: B
flat major. Language:
Latin.
With a total
duration of about 30
minutes, Schubert's Mass
in B flat major (D 324),
written in 1815, is
considerably longer than
Mozart's and Haydn's
classical Brevis masses,
and its large
instrumental ensemble
with strings, woodwinds,
brass and timpani even
gives it a clearly solemn
character. Overall,
Schubert was inspired by
the late Haydn style of
the symphonic mass (e.g.,
the division into six
large movements, the
omission of arias for the
vocal soloists who are
instead juxtaposed with
the choir, singing short
passages either singly or
as a group) without, of
course, achieving its
temporal expansion. This
is a representative,
musically appealing work
that excels with its
multi-layered, detailed
text treatment. It is,
therefore, suitable for
special occasions and the
high feasts of the church
year and can be mastered
well by experienced
church choirs. Score and
part available separately
- see item
CA.4065700.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1771. KV 109
(74e). 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.054/13. Published
by Carus Verlag
(CA.4005413).
ISBN
9790007059323. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061094<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061094
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061094. Published by
Carus Verlag
(CA.4061094).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Requiem In B Mh 838.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
MH 838. Duration 55
minutes. Carus Verlag #CV
54.838/19. Published by
Carus Verlag
(CA.5483819).
ISBN
9790007133696. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert. Score and parts
available separately -
see item CA.5483800.
By Franz Schubert (1797-1828). Edited by Manuela Jahrmarker. For Soli SATB, SATB...(+)
By Franz Schubert
(1797-1828). Edited by
Manuela Jahrmarker. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ,
[2 Horns, 3 Trombones].
This edition: paperbound.
D 324. Full score
available separately -
see item CA.4065700.
Latin Masses; Stuttgart
Urtext editions.
Piano/Vocal score.
Language: Latin. Composed
1815. 60 pages. Duration
30 min. Published by
Carus Verlag
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.838/21 oboe 1, 1x
54.838/22 oboe 2, 1x
54.838/23 bassoon 1, 1x
54.838/24 bassoon 2, 1x
54.838/31 horn 1, 1x
54.838/32 horn 2, 1x
54.838/33 trumpet 1, 1x
54.838/34 trumpet 2, 1x
54.838/35 trombone 1, 1x
54.838/36 trombone 2, 1x
54.838/37 trombone 3, .
Stuttgart Urtext Edition:
Johann Michael Haydn.
Requiem In B Mh 838.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
MH 838. 192 pages.
Duration 55 minutes.
Carus Verlag #CV
54.838/09. Published by
Carus Verlag
(CA.5483809).
ISBN
9790007226336. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert. Score and parts
available separately -
see item CA.5483800.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.054/31 trombone 1, 1x
40.054/32 trombone 2, 1x
40.054/33 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1771. KV 109 (74e). 6
pages. Duration 11
minutes. Carus Verlag #CV
40.054/09. Published by
Carus Verlag
(CA.4005409).
ISBN
9790007059293. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and parts available
separately - see item
CA.4005400.