Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hendrik, Sara Elisa / Schulze, and Stangalino. This edition: Edition of selected works, Urtext edition. Cloth bound. Francesco Cavalli. Opere. Venice 1655. Edition of Selected Works , Score. Baerenreiter Verlag #BA08915- 01. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710419

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/19. Published by Carus Verlag (CA.3710419).

ISBN 9790007134310. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710405

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/05. Published by Carus Verlag (CA.3710405).

ISBN 9790007127442. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401313

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Single Part, basso continuo. MH 13. 28 pages. Duration 55 minutes. Carus Verlag #CV 54.013/13. Published by Carus Verlag (CA.5401313).

ISBN 9790007225896. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and part available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401305

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Choral Score. MH 13. 32 pages. Duration 55 minutes. Carus Verlag #CV 54.013/05. Published by Carus Verlag (CA.5401305).

ISBN 9790007165307. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401349

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Single Part, Organ. MH 13. 40 pages. Duration 55 minutes. Carus Verlag #CV 54.013/49. Published by Carus Verlag (CA.5401349).

ISBN 9790007165314. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and part available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401309

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.013/31 clarino 1, 1x 54.013/32 clarino 2, 1x 54.013/33 trumpet 1, 1x 54.013/34 trumpet 2, 1x 54.013/35 trombone 1, 1x 54.013/36 trombone 2, 1x 54.013/37 trombone 3, 1x 54.013/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 13. Duration 55 minutes. Carus Verlag #CV 54.013/09. Published by Carus Verlag (CA.5401309).

ISBN 9790007225865. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and parts available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401319

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 13. Duration 55 minutes. Carus Verlag #CV 54.013/19. Published by Carus Verlag (CA.5401319).

ISBN 9790007140403. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and parts available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401300

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Full score. MH 13. 124 pages. Duration 55 minutes. Carus Verlag #CV 54.013/00. Published by Carus Verlag (CA.5401300).

ISBN 9790007097554. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401303

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Vocal score. MH 13. 88 pages. Duration 55 minutes. Carus Verlag #CV 54.013/03. Published by Carus Verlag (CA.5401303).

ISBN 9790007140731. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score available separately - see item CA.5401300.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030519

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1758-1760. MH 15. Duration 30 minutes. Carus Verlag #CV 50.305/19. Published by Carus Verlag (CA.5030519).

ISBN 9790007145477. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030549

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed circa 1758-1760. MH 15. 24 pages. Duration 30 minutes. Carus Verlag #CV 50.305/49. Published by Carus Verlag (CA.5030549).

ISBN 9790007223762. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068814

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/14. Published by Carus Verlag (CA.4068814).

ISBN 9790007220365. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068813

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/13. Published by Carus Verlag (CA.4068813).

ISBN 9790007220358. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068809

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. 1x 40.688/21 flute 1, 1x 40.688/22 flute 2, 1x 40.688/23 oboe 1, 1x 40.688/24 oboe 2, 1x 40.688/25 clarinet 1, 1x 40.688/26 clarinet 2, 1x 40.688/27 bassoon 1, 1x 40.688/28 bassoon 2, 1x 40.688/31 horn 1, 1x 40.688/32 horn 2, 1x 40.688/33 trumpet 1, 1x 40. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. 120 pages. Duration 50 minutes. Carus Verlag #CV 40.688/09. Published by Carus Verlag (CA.4068809).

ISBN 9790007220327. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068815

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Double Bass. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/15. Published by Carus Verlag (CA.4068815).

ISBN 9790007220372. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068819

Messe in C op. 86. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/19. Published by Carus Verlag (CA.4068819).

ISBN 9790007097219. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068805

Messe in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Choral Score. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/05. Published by Carus Verlag (CA.4068805).

ISBN 9790007131012. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA08708-01

Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01).

ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert.

WithL'Etoil e, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.

The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.

This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais.

- Authoritative Urtext edition based on the seriesL'Opera francais
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)

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Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, 2 violins, viola, cello, contrabass, organ - Grade 4

SKU: CA.4013019

An Oratorio Based on the old Testament Text. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. German title: Elias. Innovative practice aids, Oratorios. Set of Orchestra Parts. Composed 1845-1846. MWV A 25, Op. 70. Duration 130 minutes. Carus Verlag #CV 40.130/19. Published by Carus Verlag (CA.4013019).

ISBN 9790007097165. Language: German/English.

Eli jah is regarded as a milestone in Mendelssohn's compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year before his premature death. This excitingly dramatic work also expresses a fervent belief in God, a belief which in the 19th century was no longer self-evident. Mendelssohn transposed the visible world of the Old Testament into numerous musical expressive possibilities in which Old Testament texts, including psalm texts and commentaries from the words of the Prophets, were shaped into biblical dramas. For a subject like Elijah ... the drama must reign supreme ... the characters must be introduced speaking and acting like living people ... a quite vivid world of the sort we find in every chapter of the Old Testament. Mendelssohn to his librettist. Score and parts available separately - see item CA.4013000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, 2 violins, viola, cello, contrabass, organ - Grade 4

SKU: CA.4013005

An Oratorio Based on the old Testament Text. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. German/ english. Innovative practice aids, Oratorios. Choral Score. Composed 1845-1846. MWV A 25, Op. 70. Duration 130 minutes. Carus Verlag #CV 40.130/05. Published by Carus Verlag (CA.4013005).

ISBN 9790007217754. Text language: German/English.

Eli jah is regarded as a milestone in Mendelssohn's compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year before his premature death. This excitingly dramatic work also expresses a fervent belief in God, a belief which in the 19th century was no longer self-evident. Mendelssohn transposed the visible world of the Old Testament into numerous musical expressive possibilities in which Old Testament texts, including psalm texts and commentaries from the words of the Prophets, were shaped into biblical dramas. For a subject like Elijah ... the drama must reign supreme ... the characters must be introduced speaking and acting like living people ... a quite vivid world of the sort we find in every chapter of the Old Testament. Mendelssohn to his librettist. Score available separately - see item CA.4013000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, 2 violins, viola, cello, contrabass, organ - Grade 4

SKU: CA.4013008

An Oratorio Based on the old Testament Text. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. German title: Elias. Innovative practice aids, Oratorios. Lyrics. Composed 1845-1846. MWV A 25, Op. 70. 6 pages. Duration 130 minutes. Carus Verlag #CV 40.130/08. Published by Carus Verlag (CA.4013008).

ISBN 9790007217761. Language: German/English.

Eli jah is regarded as a milestone in Mendelssohn's compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year before his premature death. This excitingly dramatic work also expresses a fervent belief in God, a belief which in the 19th century was no longer self-evident. Mendelssohn transposed the visible world of the Old Testament into numerous musical expressive possibilities in which Old Testament texts, including psalm texts and commentaries from the words of the Prophets, were shaped into biblical dramas. For a subject like Elijah ... the drama must reign supreme ... the characters must be introduced speaking and acting like living people ... a quite vivid world of the sort we find in every chapter of the Old Testament. Mendelssohn to his librettist. Score available separately - see item CA.4013000.

(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: linen cover. Genres: Oratorios; Stuttgart Urtext Editions; Use / Occasion: Psalms. Level 4. Score (Linen Envelope). Language: German/English. Composed 1844-1846. 70. 496 pages. Duration 130 min. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.