| Jesus sleeps, is hope now fading Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100612
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 2. Composed
1725. BWV 6. 4 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/12. Published by
Carus Verlag
(CA.3100612). ISBN
9790007041748. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100611
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611). ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107612 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612). ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100613
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613). ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100614
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Cello Solo +.
Composed 1725. BWV 6. 12
pages. Duration 26
minutes. Carus Verlag #CV
31.006/14. Published by
Carus Verlag
(CA.3100614). ISBN
9790007041762. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107611 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611). ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| B minor Mass Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Linen
cover. Latin Masses. Full
score and DVD. Text
language: Latin. BWV 232.
304 pages. Duration 100
minutes. Published by
Carus Verlag
$285.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107613 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613). ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100609
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609). ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107609 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609). ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107605 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605). ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 ...(+)
Orchestra SATB vocal
soli, SATB choir, oboe
I/oboe d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107607 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607). ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107619 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Set of Orchestra
Parts. Composed 1723. BWV
76. Duration 35 minutes.
Carus Verlag #CV
31.076/19. Published by
Carus Verlag
(CA.3107619). ISBN
9790007134082. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $148.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116809 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809). ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| B minor Mass Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: paperback.
Latin Masses. Full score.
Text language: Latin. BWV
232. 304 pages. Duration
100 minutes. Published by
Carus Verlag
$116.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116805 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805). ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo. The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116803 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803). ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal
soli, SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3116807
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807). ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116819 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819). ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706812...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706812
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. Violin 2. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. 8 pages. Carus
Verlag #CV 27.068/12.
Published by Carus Verlag
(CA.2706812). ISBN
9790007199852. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
and part available
separately - see item
CA.2706800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706811...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706811
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. Violin 1. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. 8 pages. Carus
Verlag #CV 27.068/11.
Published by Carus Verlag
(CA.2706811). ISBN
9790007199845. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
and part available
separately - see item
CA.2706800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706813...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706813
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. Viola. Sacred
vocal music, Masses,
Latin. Single Part,
Viola. 8 pages. Carus
Verlag #CV 27.068/13.
Published by Carus Verlag
(CA.2706813). ISBN
9790007199869. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
and part available
separately - see item
CA.2706800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706814...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706814
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
8 pages. Carus Verlag #CV
27.068/14. Published by
Carus Verlag
(CA.2706814). ISBN
9790007199876. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
and part available
separately - see item
CA.2706800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706800...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706800
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. This edition:
Paperbound. German title:
Missa in D. Sacred vocal
music, Masses, Latin.
Full score. Carus Verlag
#CV 27.068/00. Published
by Carus Verlag
(CA.2706800). ISBN
9790007090692. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706803...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706803
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. Carus Verlag
#CV 27.068/03. Published
by Carus Verlag
(CA.2706803). ISBN
9790007090708. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
available separately -
see item CA.2706800. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo SKU: CA.2706819...(+)
SATB vocal soli, SATB
Choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706819
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Carus Verlag #CV
27.068/19. Published by
Carus Verlag
(CA.2706819). ISBN
9790007199883. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
and parts available
separately - see item
CA.2706800. $117.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor (Missa in d) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo SKU: CA.2706805...(+)
SATB vocal soli, SATB
choir, 2 Violins, Viola,
Basso continuo SKU:
CA.2706805
Kyrie-Gloria-Messe
. Composed by Johann
Christoph Altnickol.
Edited by Clemens
Harasim. Sacred vocal
music, Masses, Latin.
Choral Score. Carus
Verlag #CV 27.068/05.
Published by Carus Verlag
(CA.2706805). ISBN
9790007113537. Language:
Latin. The Missa in
d, composed around 1750,
is one of the few
surviving compositions of
Altnickol. He was the
student and later
son-in-law of Johann
Sebastian Bach. The
wealth of forms and at
the same time, the
clarity of this
composition show the
influence of his teacher,
but above all it shows
the expression of an
individual style of
church music. With its
contrapuntal mastery and
musical depth this
Kyrie-Gloria Mass,
presented here in a first
edition, represents a
high point in this widely
disseminated genre. Score
available separately -
see item CA.2706800. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You shall be weeping and crying Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Sunday
of Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For AT
vocal soli, SATB choir,
recorder d2 (flute or
violin), 2 oboe d'amore,
trumpet, 2 violins,
viola, basso continuo.
This edition: Paperbound.
H-Moll (B minor). German
title: Ihr werdet weinen.
Cantatas, Special days,
Easter and Eastertide.
Level 3. Study score.
Language: German/English.
Composed 1725. BWV 103.
72 pages. Duration 18
minutes. Published by
Carus Verlag
$14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You shall be weeping and crying Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Sunday
of Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For AT
vocal soli, SATB choir,
recorder d2 (flute or
violin), 2 oboe d'amore,
trumpet, 2 violins,
viola, basso continuo.
This edition: Paperbound.
H-Moll (B minor). German
title: Ihr werdet weinen
und heulen. Cantatas,
Special days, Easter and
Eastertide. Level 3.
Vocal score. Language:
German/English. Composed
1725. BWV 103. 40 pages.
Duration 18 minutes.
Published by Carus Verlag
$11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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