| Prelude, Chorale and Fugue Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,str ) SKU: TM.05062SC Composed by Johann Sebastian ...(+)
(2.2.2.2/4.2.3.0,timp,str
) SKU: TM.05062SC
Composed by Johann
Sebastian Bach. Arranged
by Abert. Score. Lucks
Music Library #A1222.
Published by Lucks Music
Library (TM.05062SC).
Arr. and with
Chorale by Abert.
Praeludium (No. 4
Wohltemperirtes Clavier).
Choral (brass only). Fuga
(Orgelfuge No. 12
Bachausgabe 15ter
Jahrgang). $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prelude, Chorale and Fugue Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,str ) SKU: TM.05062SET Composed by Johann Sebastian...(+)
(2.2.2.2/4.2.3.0,timp,str
) SKU: TM.05062SET
Composed by Johann
Sebastian Bach. Arranged
by Abert. Set Type: D.
Set of parts. Lucks Music
Library #A1222. Published
by Lucks Music Library
(TM.05062SET).
Arr. and with
Chorale by Abert.
Praeludium (No. 4
Wohltemperirtes Clavier).
Choral (brass only). Fuga
(Orgelfuge No. 12
Bachausgabe 15ter
Jahrgang). $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasia and Fugue in c, BWV 537 Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.2+1./4.3.3.1 ,timp,perc,2hp,str) SKU: TM.12324SC Composed by...(+)
(2+1.2+1.2+1.2+1./4.3.3.1
,timp,perc,2hp,str)
SKU: TM.12324SC
Composed by Johann
Sebastian Bach. Arranged
by Edward Elgar. Score.
Lucks Music Library
#A8427. Published by
Lucks Music Library
(TM.12324SC).
#2-Damis
#5-Clymene. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Seasonings Soli, choeur mixte et accompagnement [Vocal Score] Theodore Presser Co.
By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet...(+)
By PDQ Bach. Arranged by
Peter Schickele. Text by
Peter Schickele. For 2
Trumpet, 2 Violin, Viola,
Violoncello, Contrabass,
2 Slide Whistles, 2
Kazoos, Tromboon,
Windbreaker, Shower Hose,
Foghorn, Soprano, Alto,
Tenor, Bass, SATB,
Timpani. Piano/Vocal
Score. S. 1! tsp.
Duration 20:0. Published
by Theodore Presser
Company.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasia and Fugue in c, BWV 537 Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.2+1./4.3.3.1 ,timp,perc,2hp,str) SKU: TM.12324SET Composed b...(+)
(2+1.2+1.2+1.2+1./4.3.3.1
,timp,perc,2hp,str)
SKU: TM.12324SET
Composed by Johann
Sebastian Bach. Arranged
by Edward Elgar. Set
Type: D. Set of parts.
Lucks Music Library
#A8427. Published by
Lucks Music Library
(TM.12324SET).
$155.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107609 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609). ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107605 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605). ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 ...(+)
Orchestra SATB vocal
soli, SATB choir, oboe
I/oboe d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107607 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607). ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107611 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611). ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, Fg, 2 Cor, 2 Vl, Va, Bc, [3 Tr, Timp] ...(+)
Soli SATB Voices, SATB
Choir, 2 Fl, 2 Ob, Fg, 2
Cor, 2 Vl, Va, Bc, [3 Tr,
Timp] - Level 3 SKU:
CA.3321504 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. Carus plus:
Innovative practice aids;
Sacred vocal music,
Magnificats; use during
church year: Advent,
Christmas; Carus sheet
music series: Vocal
scores XL; Stuttgart
Editions (Urtext):
Stuttgart Bach Edition -
Bach vocal; occasions:
Feasts of the Blessed.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Vocal score.
Composed 1749. BR-CPEB E
4 (Wq 215). 80 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/04. Published by
Carus Verlag
(CA.3321504). ISBN
9790007240929. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score
available separately -
see item CA.3321500. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107612 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612). ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107613 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613). ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107619 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Set of Orchestra
Parts. Composed 1723. BWV
76. Duration 35 minutes.
Carus Verlag #CV
31.076/19. Published by
Carus Verlag
(CA.3107619). ISBN
9790007134082. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $148.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321549 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Organ.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Organ.
Composed 1749. BR-CPEB E
4 (Wq 215). 40 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/49. Published by
Carus Verlag
(CA.3321549). ISBN
9790007051716. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321514 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1749.
BR-CPEB E 4 (Wq 215). 32
pages. Duration 42
minutes. Carus Verlag #CV
33.215/14. Published by
Carus Verlag
(CA.3321514). ISBN
9790007051709. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321513 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Viola.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Viola.
Composed 1749. BR-CPEB E
4 (Wq 215). 32 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/13. Published by
Carus Verlag
(CA.3321513). ISBN
9790007051693. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321509 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. 1x 33.215/21
flute 1, 1x 33.215/22
flute 2, 1x 33.215/23
oboe 1, 1x 33.215/24 oboe
2, 1x 33.215/25 bassoon,
1x 33.215/31 horn 1, 1x
33.215/32 horn 2, 1x
33.215/33 trumpet 1, 1x
33.215/34 trumpet 2, 1x
33.215/35 trumpet 3, 1x
33.215/41 timpani.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. Harmony parts.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Set of Orchestra Parts.
Composed 1749. BR-CPEB E
4 (Wq 215). 128 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/09. Published by
Carus Verlag
(CA.3321509). ISBN
9790007051662. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and
parts available
separately - see item
CA.3321500. $86.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321505 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Choral Score. Composed
1749. BR-CPEB E 4 (Wq
215). Duration 42
minutes. Carus Verlag #CV
33.215/05. Published by
Carus Verlag
(CA.3321505). ISBN
9790007051655. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score
available separately -
see item CA.3321500. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, bassoon,
2 horns, 2 violins,
viola, basso continuo [3
trumpets, timpani] -
Grade 3 SKU:
CA.3321512 Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Violin
2. Innovative practice
aids, Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 2.
Composed 1749. BR-CPEB E
4 (Wq 215). 32 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/12. Published by
Carus Verlag
(CA.3321512). ISBN
9790007051686. Language:
Latin. C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048311 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Violin 1.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Violin 1.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/11. Published by
Carus Verlag
(CA.4048311). ISBN
9790007218768. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048319 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Gloria. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. Duration 21 minutes.
Carus Verlag #CV
40.483/19. Published by
Carus Verlag
(CA.4048319). ISBN
9790007137953. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300. $201.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048314 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314). ISBN
9790007218799. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048313 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313). ISBN
9790007218782. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048309 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext. 1x
40.483/21 flute 1, 1x
40.483/22 flute 2, 1x
40.483/23 oboe 1, 1x
40.483/24 oboe 2, 1x
40.483/25 clarinet 1, 1x
40.483/26 clarinet 2, 1x
40.483/27 bassoon 1, 1x
40.483/28 bassoon 2, 1x
40.483/31 horn 1, 1x
40.483/32 horn 2, 1x
40.483/33 trumpet 1, 1x
40. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. 42 pages. Duration 21
minutes. Carus Verlag #CV
40.483/09. Published by
Carus Verlag
(CA.4048309). ISBN
9790007218751. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048307 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas.
Study score. Composed
1821/22. MWV A 1.
Duration 21 minutes.
Carus Verlag #CV
40.483/07. Published by
Carus Verlag
(CA.4048307). ISBN
9790007092597. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score
available separately -
see item CA.4048300. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) SKU:
BA.BA11310-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90). ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin. This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
You will
find a detailed brochure
on the new completion of
Mozart's Requiem
here.
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