(Matthaus-Passion) Composed by Johann Sebastian Bach (1685-1750), edited by Kurt...(+)
(Matthaus-Passion)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Kurt Soldan, Siegfried
Ochs. BWV 244. For SATB
solos, 2 SATB choirs and
piano accompaniment.
Urtext. Format: vocal
score. With choral
notation and piano
reduction. Baroque. Text
language German. 175
pages. 7.5x10.5 inches.
Published by C.F. Peters.
Requiem in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Johann Ernst Eberlin (1702-1762). Edited by Wolfgang Furlinger. For Soli SATB...(+)
By Johann Ernst Eberlin
(1702-1762). Edited by
Wolfgang Furlinger. For
Soli SATB, SATB Choir, 2
Violins, Basso continuo.
This edition: paperbound.
South German church music
of the Baroque. Score.
Language: Latin. 44
pages. Published by Carus
Verlag
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Soprano, Alto,
Tenor, Bass Soli, SSATB
Chorus, Piano. Baroque,
Sacred, Choral. Sheet
Music. 204 pages.
Published by Novello and
Co Ltd.
Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorb...(+)
Soli e Coro SST(A)TB, 2
Fl, 2 Ob, 2 Tr, Timp, 2
Vl, 2 Va (Va, Vl), Vc/
Fg/ Tiorba, Bc
SKU:
CA.2103203
Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. Sacred
vocal music, Motets,
Praise and thanks. Vocal
score. H 146. 48 pages.
Duration 25 minutes.
Carus Verlag #CV
21.032/03. Published by
Carus Verlag
(CA.2103203).
ISBN
9790007186142. Language:
Latin.
In 1953,
with timpani and trumpets
a la Marseillaise, a
French piece of music
once again captured
public attention
(Eurovision Hymn) and a
composer was
rediscovered: the first
recording of Marc-Antoine
Charpentier's Te Deum H
146 was released. The
introductory fanfare not
only praised God but the
Sun King Louis XIV, and
it opens one of the
greatest works of French
Baroque music.
Magnificent celebration
and ardent pleading,
effective choruses, arias
and small ensembles, plus
instrumental interludes
combine to create a
harmonious whole, drawing
its higher meaning from
Charpentier's
musical-theological
interpretation of the
Latin hymn of praise that
it is based on. Score
available separately -
see item CA.2103200.
Urtext der Neuen Bach-Ausgabe. Kritischer Bericht siehe BA 5078 41. By Johann Se...(+)
Urtext der Neuen
Bach-Ausgabe. Kritischer
Bericht siehe BA 5078 41.
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Soli, Mixed
Choir, Orchestra. Neue
Bach-Ausgabe. Serie I.
Band 8/2. Kantaten,
Barock (Cantatas,
Baroque). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5079
01)
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Sopranos, Alto soli, SATB...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Sopranos, Alto
soli, SATB Choir, Piano
Accompaniment. Baroque,
Sacred. Sheet Music. 144
pages. Published by
Novello and Co Ltd.
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
As Pants The Hart Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Novello & Co Ltd.
By George Frideric Handel. For Soprano, 2 Alto, Tenor, 2 Bass, SATB Choir, Piano...(+)
By George Frideric
Handel. For Soprano, 2
Alto, Tenor, 2 Bass, SATB
Choir, Piano. Baroque,
Sacred, Choral. Sheet
Music. 52 pages.
Published by Novello and
Co Ltd.
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part, basso
continuo. MH 13. 28
pages. Duration 55
minutes. Carus Verlag #CV
54.013/13. Published by
Carus Verlag
(CA.5401313).
ISBN
9790007225896. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Choral Score. MH
13. 32 pages. Duration 55
minutes. Carus Verlag #CV
54.013/05. Published by
Carus Verlag
(CA.5401305).
ISBN
9790007165307. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. MH 13. 40 pages.
Duration 55 minutes.
Carus Verlag #CV
54.013/49. Published by
Carus Verlag
(CA.5401349).
ISBN
9790007165314. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.013/31 clarino 1, 1x
54.013/32 clarino 2, 1x
54.013/33 trumpet 1, 1x
54.013/34 trumpet 2, 1x
54.013/35 trombone 1, 1x
54.013/36 trombone 2, 1x
54.013/37 trombone 3, 1x
54.013/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/09. Published by
Carus Verlag
(CA.5401309).
ISBN
9790007225865. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/19. Published by
Carus Verlag
(CA.5401319).
ISBN
9790007140403. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Full score. MH 13.
124 pages. Duration 55
minutes. Carus Verlag #CV
54.013/00. Published by
Carus Verlag
(CA.5401300).
ISBN
9790007097554. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Vocal score. MH
13. 88 pages. Duration 55
minutes. Carus Verlag #CV
54.013/03. Published by
Carus Verlag
(CA.5401303).
ISBN
9790007140731. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Composed
by Wolfgang Amadeus
Mozart. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Missa Brevis In D
Kv 194 Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin, Missa
brevis in Latin. Set of
Orchestra Parts. Composed
1774. KV 194. Duration 18
minutes. Carus Verlag #CV
40.625/19. Published by
Carus Verlag
(CA.4062519).
ISBN
9790007138097. Key: D
major. Language:
Latin.
During the
summer of 1774 Mozart
wrote two Masses within a
few weeks: the Missa
brevis in F major, K.
192, and the Missa brevis
in D major, K. 194. A
feature common to both
compositions as well as
to the Dixit et
Magnificat K. 193,
written at about the same
time, and the Trinitias
Mass K. 167 of the
previous year, is a more
or less strongly evident
tendency towards
contrapuntal writing.
However, while the Dixit
et Magnificat and the
Trinitas Mass approach
the late-baroque style,
in these two brevis
Masses Mozart sought to
combine traditional
polyphonic techniques
with a more modern
musical language. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
(2.2.2.2/2.2.3.0,timp,per c,hp,str) SKU: TM.12307SET Composed by Franz Le...(+)
(2.2.2.2/2.2.3.0,timp,per
c,hp,str)
SKU:
TM.12307SET
Composed
by Franz Lehar. Set Type:
D. Set of parts. Lucks
Music Library #A8025.
Published by Lucks Music
Library (TM.12307SET).
Sandra Dackow
Little Known Gem - Grade
V. Prelude, In Minuet
Style, Sarabande,
Caprice, Pastoral, Air,
Frolic. Containing seven
fun to play sections,
each movement in An
English Suite has
approachable technical
demands while not being
too lengthy. The Prelude
is neo-Baroque, where
Baroque rhythms are
combined with Victorian
harmonies. Sounding more
difficult than it
actually is to play, this
movement is busy with
violin passages that
reach high G's. In Minuet
Style has lovely lines
for viola and charmingly
couples an older form
with more advanced
harmonic language. The
Saraband offers drama and
resembles the style and
writing of Elgar. There
are high G's for both
cello and bass, but the
passages are logical and
fall under the hand
easily. Most technically
difficult, the Caprice is
a diversion requiring
precision, speed, and
technique to maneuver
through changing
harmonies and tonalities.
The retro Pastoral was
written in a manner
similar to the Gavotte
from Grieg's Holberg
Suite, while the Air
contains effective
alternation of solo notes
with tutti textures. The
final Frolic movement is
a fun fiddle tune that is
great for featuring the
first and second violin
sections. It has also
served as a theme song
for one of New York's
classical music stations.
Keep arco accompaniments
at the frog and off the
string during repetitive
rhythmic passages and in
pizzicato sections, as
they can easily be
rushed.