I cry to thee, Lord Jesus Christ Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 4th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Tobias Rimek. For SATB
vocal soli, SATB choir, 2
oboes, oboe da caccia,
bassoon solo, violin
solo, strings, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition. Cantatas,
Whitsun. Vocal score.
Text language:
German/English. Composed
1732. BWV 177. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Alcina Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0nd...(+)
Dramma per musica in tre
atti. Klavierauszug nach
dem Urtext der Hallischen
H0ndel-Ausgabe
(italienisch/deutsch). By
George Frideric Handel.
Edited by Siegfried
Flesch. Arranged by
Kroupova, Olga;T!Pel,
Michael. For soprano solo
(3), mezzo-soprano solo,
alto solo, tenor solo,
bass solo, mixed
choir-SSATB, piccolo,
alto recorder (f,g) (2),
oboe (2), bassoon, horn
(2), Violin Solo, Cello
Solo, strings, basso
continuo. Piano
Reduction/Vocal Score
(paperbound). HWV 34.
Duration 195'. Published
by Baerenreiter-Ausgaben
(German import). (BA4061
90)
Idomeneo Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Opera seria in 3 acts. Vocal Score (Italian/German) based on the Urtext of the N...(+)
Opera seria in 3 acts.
Vocal Score
(Italian/German) based on
the Urtext of the New
Mozart Edition. By
Wolfgang Amadeus Mozart.
Edited by Heartz, Daniel.
Arranged by Kluge,
Hans-Georg. For Soprano
solo (2), Soprano/ Tenor
solo, Tenor solo (3),
Bass solo, Mixed Choir,
Ball, Piccolo, Flute (2),
Oboe (2), Clarinet (b
flat) (2), Bassoon (2),
Horn (4), Trumpet (2),
Trombone (3), Kettledrum,
Strings, Basso continuo.
Piano Reduction/Vocal
Score; Urtext Edition
(hard bound). KV 366.
Duration 210`. Published
by Baerenreiter-Ausgaben
(German import). (BA4562
90)
The newly born child Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday
after Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christiane Hausmann.
Arranged by Paul Horn.
For SATB vocal soli, 3
recorders, 2 oboes,
english horn, 2 violins,
viola, basso continuo.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Das
neugeborne Kindelein.
Cantatas, Christmas.
Vocal score. Language:
German/English. Composed
1724. BWV 122. 20 pages.
Duration 16 minutes.
Published by Carus Verlag
Te Deum in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For SATB...(+)
Composed by Joseph Haydn
Johann Michael Haydn.
Edited by Hans Ryschawy.
For SATB vocal soli, SATB
choir, 2
clarinos/trumpets,
timpani, 2 violins, basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum in C.
Choral score. Language:
Latin. MH deest..
Duration 7 minutes.
Published by Carus Verlag
Te Deum in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...(+)
By Joseph Haydn Johann
Michael Haydn. Edited by
Hans Ryschawy. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum
(Esterhazy) (3). Set of
instrumental parts
(except strings).
Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
Te Deum in C Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...(+)
By Joseph Haydn Johann
Michael Haydn. Edited by
Hans Ryschawy. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum in C.
Vocal score. Language:
Latin. 16 pages. Duration
7 min
Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
This edition: Paperbound.
German title: La Passione
di Gesu Cristo. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed 1776. 272 pages.
Duration 105 minutes.
Carus Verlag #CV
40.942/00. Published by
Carus Verlag
(CA.4094200).
ISBN
9790007078423. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition.
By Antonio Salieri (1750-1825). Edited by Kelber, Rudolf. For SATB Soli, SATB Ch...(+)
By Antonio Salieri
(1750-1825). Edited by
Kelber, Rudolf. For SATB
Soli, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Horns, 2
Contrabassoons, Timpani,
2 Violins, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.4094200.
Passions; Use during
church year: Lent and
Passiontide, Holy Week.
Piano/Vocal score.
Language: Latin. Composed
1776. 160 pages. Duration
105 min
Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
1776. 16 pages. Duration
105 minutes. Carus Verlag
#CV 40.942/05. Published
by Carus Verlag
(CA.4094205).
ISBN
9790007078447. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition. Score
available separately -
see item CA.4094200.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. BWV BWV 69a. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.069/64. Published by
Carus Verlag
(CA.3106964).
ISBN
9790007206727. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas,
Advent. Single Part,
basso continuo. Composed
1723. BWV 186. 20 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/64. Published by
Carus Verlag
(CA.3118664).
ISBN
9790007209933. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, basso continuo.
Composed 1715(?). BWV
165. 8 pages. Duration 13
minutes. Carus Verlag #CV
31.165/14. Published by
Carus Verlag
(CA.3116514).
ISBN
9790007209117. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Dialogus von der Geburt Christi Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...(+)
(Weihnachtsoratorium in
drei Teilen). By Reinhard
Keiser (1674-1739).
Edited by Christine
Blanken. For Soli SATB,
SSAATTBB Choir, 3
Contrabassons, Timpani, 3
Oboes, 3 Bassoon, 2
Violin, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.1038600.
Oratorios; Use during
church year: Christmas.
Piano/Vocal score.
Language: German. 48
pages. Duration 40 min.
Published by Carus Verlag
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Bassoon. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/21. Published by
Carus Verlag
(CA.3116521).
Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas.
Single Part, basso
continuo. Composed 1724.
BWV 130. 12 pages.
Duration 14 minutes.
Carus Verlag #CV
31.130/14. Published by
Carus Verlag
(CA.3113014).
ISBN
9790007207861. Text
language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and part available
separately - see item
CA.3113000.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext. 1x
31.177/21 oboe 1, 1x
31.177/22 oboe 2, 1x
31.177/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1732. BWV 177.
16 pages. Duration 13
minutes. Carus Verlag #CV
31.177/09. Published by
Carus Verlag
(CA.3117709).
ISBN
9790007209803. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and parts available
separately - see item
CA.3117700.
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...(+)
(Weihnachtsoratorium in
drei Teilen). By Reinhard
Keiser (1674-1739).
Edited by Blanken,
Christine. For Soli SATB,
SSAATTBB Choir, 3
Contrabassons, Timpani, 3
Oboes, 3 Bassoon, 2
Violin, Viola, Basso
Continuo. This edition:
paperbound. Oratorios;
Use during church year:
Christmas. Score.
Language: German. 80
pages. Duration 40 min
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...(+)
(Weihnachtsoratorium in
drei Teilen). By Reinhard
Keiser (1674-1739).
Edited by Christine
Blanken. For Soli SATB,
SSAATTBB Choir, 3
Contrabassons, Timpani, 3
Oboes, 3 Bassoon, 2
Violin, Viola, Basso
Continuo. Full score
available separately -
see item CA.1038600.
Oratorios; Use during
church year: Christmas.
Choral score. Language:
German. 8 pages. Duration
40 min. Published by
Carus Verlag
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Viola. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/13. Published by
Carus Verlag
(CA.3116513).
ISBN
9790007209100. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Composed by Sebastian
Knupfer. German title:
Ich will singen von der
Gnade. Sacred vocal
music, Cantatas, Easter
and Eastertide,
Christmas, Praise and
thanks. Single Part,
basso continuo. 2 pages.
Duration 6 minutes. Carus
Verlag #CV 10.081/16.
Published by Carus Verlag
(CA.1008116).
ISBN
9790007018368. Key: F
major. Language:
German.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, basso continuo. 28
pages. Duration 63
minutes. Carus Verlag #CV
50.705/14. Published by
Carus Verlag
(CA.5070514).
ISBN
9790007224462. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/11. Published by
Carus Verlag
(CA.3116511).
ISBN
9790007209087. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.