Soloists, Choir, Orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05077-01

Composed by Johann Sebastian Bach. Edited by Christine Fröde. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/32/2. Complete edition, Score, anthology. Baerenreiter Verlag #BA05077_01. Published by Baerenreiter Verlag (BA.BA05077-01).

ISBN 9790006463763. 33.1 x 25.8 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103005

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/05. Published by Carus Verlag (CA.3103005).

ISBN 9790007205386. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103012

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/12. Published by Carus Verlag (CA.3103012).

ISBN 9790007205416. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103009

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. 1x 31.030/21 flute 1, 1x 31.030/22 flute 2, 1x 31.030/23 oboe 1, 1x 31.030/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/09. Published by Carus Verlag (CA.3103009).

ISBN 9790007205393. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103013

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/13. Published by Carus Verlag (CA.3103013).

ISBN 9790007205423. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103014

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed 1738(?). BWV 30. 16 pages. Duration 40 minutes. Carus Verlag #CV 31.030/14. Published by Carus Verlag (CA.3103014).

ISBN 9790007205430. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103019

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/19. Published by Carus Verlag (CA.3103019).

ISBN 9790007140229. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103049

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Special days. Single Part, Organ. Composed 1738(?). BWV 30. 24 pages. Duration 40 minutes. Carus Verlag #CV 31.030/49. Published by Carus Verlag (CA.3103049).

ISBN 9790007205447. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

(For Soli, Choir, Organ, Orchestra or Choir and Organ). By Hans Klier. For choir and soli. Choral music. Sacred. Op. 250. Published by Doblinger Music Publishers . sacred.

(For Soli, Choir, Organ, Orchestra or Choir and Organ). By Hans Klier. For choir and soli. Choral music. Sacred. Choral score. Op. 250. 15 pages. Published by Doblinger Music Publishers . choral score. sacred.

SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo

SKU: CA.3115019

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nach dir, Herr, verlanget mich. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1706. BWV 150. Duration 17 minutes. Carus Verlag #CV 31.150/19. Published by Carus Verlag (CA.3115019).

ISBN 9790007136819. Key: B minor. Language: German/English.

The cantata Nach dir, Herr, verlanget mich (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Muhlhausen period. Its authenticity was long disputed, partly because of the stylistic characteristics of this early work, but also because the cantata only survives in sources dating from the period after Bach's death. However, in recent years a hidden dedication to Conrad Meckbach, a member of the Muhlhausen town council and patron of Bach, has been deciphered: the initial letters of the free poetry reveal the acrostic Doctor Conrad Meckbach (in the 18th century spelling), revealing a link to the city of Muhlhausen and almost certainly confirming Bach's authorship of the cantata. The occasion of the composition of the work is still unknown. The small instrumental scoring for just two violins, bassoon, and continuo, plus the fact that only the soprano is given a solo movement, suggest a performance with modest resources. Score and parts available separately - see item CA.3115000.

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112014

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Praise and thanks. Single Part, basso continuo. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/14. Published by Carus Verlag (CA.3112014).

ISBN 9790007207311. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112000

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Full score. Composed 1742. BWV 120. 60 pages. Duration 26 minutes. Carus Verlag #CV 31.120/00. Published by Carus Verlag (CA.3112000).

ISBN 9790007164829. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, solo violin, 2 violins, viola, basso continuo

SKU: CA.3112019

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/19. Published by Carus Verlag (CA.3112019).

ISBN 9790007164522. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112012

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Praise and thanks. Single Part, Violin 2. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/12. Published by Carus Verlag (CA.3112012).

ISBN 9790007207298. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112049

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Praise and thanks. Single Part, Organ. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/49. Published by Carus Verlag (CA.3112049).

ISBN 9790007207328. Language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112011

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Praise and thanks. Single Part, Violin 1. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/11. Published by Carus Verlag (CA.3112011).

ISBN 9790007207281. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112009

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. 1x 31.120/21 oboe d'amore 1, 1x 31.120/22 oboe d'amore 2, 4x 31.120/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/09. Published by Carus Verlag (CA.3112009).

ISBN 9790007207274. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112013

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/13. Published by Carus Verlag (CA.3112013).

ISBN 9790007207304. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112003

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Vocal score. Composed 1742. BWV 120. 28 pages. Duration 26 minutes. Carus Verlag #CV 31.120/03. Published by Carus Verlag (CA.3112003).

ISBN 9790007164539. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score available separately - see item CA.3112000.

(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. For alto voice solo/tenor voice solo/baritone voice solo/bass voice solo/SATB choir/2 flutes/piccolo/2 oboes/2 clarinets/2 bassoons/2 horns/2 trumpets/3 trombones/timpani/concert drum/cymbal/2 violins/viola/cello/contr abass. This edition: Urtext edition. Level 3. Piano reduction (paperbound). Language: German/English, Text language: German/English. Opus 60. Published by Baerenreiter Verlag

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068703

Composed by Robert Schumann. Edited by Hansjörg Ewert. Vocal score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068703. Published by Carus Verlag (CA.4068703).

ISBN 9790007239718. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score. Carus has also produced an arrangement of the work for choir & organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068700

Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700).

ISBN 9790007239701. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâ??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be â??fashioned with great loveâ?. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâ??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068814

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/14. Published by Carus Verlag (CA.4068814).

ISBN 9790007220365. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068813

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/13. Published by Carus Verlag (CA.4068813).

ISBN 9790007220358. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068809

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. 1x 40.688/21 flute 1, 1x 40.688/22 flute 2, 1x 40.688/23 oboe 1, 1x 40.688/24 oboe 2, 1x 40.688/25 clarinet 1, 1x 40.688/26 clarinet 2, 1x 40.688/27 bassoon 1, 1x 40.688/28 bassoon 2, 1x 40.688/31 horn 1, 1x 40.688/32 horn 2, 1x 40.688/33 trumpet 1, 1x 40. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. 120 pages. Duration 50 minutes. Carus Verlag #CV 40.688/09. Published by Carus Verlag (CA.4068809).

ISBN 9790007220327. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068815

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Double Bass. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/15. Published by Carus Verlag (CA.4068815).

ISBN 9790007220372. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.