Orchestra Soli STB, Coro SATB, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2709504

Composed by Charles Francois Gounod. Edited by Frank Hondgen. XL in large print. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Vocal score. CG 56. Duration 45 minutes. Carus Verlag #CV 27.095/04. Published by Carus Verlag (CA.2709504).

ISBN M-007-25274-8. Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.

Soli, SATB choir, orchestra (Soloists, Mixed choir (SATB), Orchestra) Composed by Camille Saint- Saens (1835-1921). Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 12. Baerenreiter Verlag #BA11304. Published by Baerenreiter Verlag

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706014

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706013

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Viola. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Viola. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/13. Published by Carus Verlag (CA.2706013).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 4 flutes, 2 oboes, 2 english horns, 4 bassoons, 4 horns, 4 trombones, 4 harps, grand organ, organ accompaniment, 2 violins, viola, cello, contrabass (reduced version: 2 flutes, 2 oboes, 2 english horns, 2 bassoons, 2 horns, tr

SKU: CA.2731700

Composed by Camille Saint-Saens. Edited by Fritz Naf. Sacred vocal music, Requiem. Requiem Op. 54. Sacred vocal music, Requiem. Full score. Composed 1878. Op. 54. 108 pages. Duration 35 minutes. Carus Verlag #CV 27.317/00. Published by Carus Verlag (CA.2731700).

ISBN 9790007167875. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces.

Soprano solo, Mixed choir (SATB), Saxophone quartet, Organ, Strings

SKU: BA.BA11305

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11305. Published by Baerenreiter Verlag (BA.BA11305).

ISBN 9790006567027. 31 x 24.3 cm inches. Text Language: Latin. Preface: Stahl, Christina M.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Saint-Saà ƒÂ«ns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
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By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: Paperbound. French Sacred Music. Score available separately - see item CA.4045500. Oratorios, Christmas, French Sacred Music. Level 3. Study score. Language: Latin. Opus 12. 64 pages. Duration 40 min. Published by Carus Verlag

By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: paperbound. Full score available separately - see item CA.4045500. Oratorios; French Sacred Music; Use during church year: Christmas. Level 3. Piano/Vocal score. Language: Latin. 12. 52 pages. Duration 40 min

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SC).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

(2+1.2.2.2+1/4.3.3.1,timp ,perc,hp,str,org solo)

SKU: TM.00225SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A8067. Published by Lucks Music Library (TM.00225SC).

Org solo in set.

(2.2.2.2/2.2.3.0,timp,hp, str,vn sol,vc sol)

SKU: TM.00589SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A6994. Published by Lucks Music Library (TM.00589SET).

Trans: Cl 1+2, Tpt 1+2. Hn 1+2 Originally in F. Solo/pf.

(1+1.2.2.2/4.2.3.1,timp,p erc,pf,str)

SKU: TM.06551SET

Composed by Charles-Camille Saint-Saens. Arranged by Moses Tobani. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06551SET).

P/C in set.

(2+1.2+1.2+1.2+1/4.2+2.3. 1,timp,4 perc,hp,str)

SKU: TM.06550SC

Composed by Charles-Camille Saint-Saens. Score. Published by Lucks Music Library (TM.06550SC).

French Engraved. Transposed: Cl 1+2; Bass Cl in Bb, Hns 1+2, Tbn 1+2. Original: Hn 3+4 in F, Tpt 1+2, Cor 1+2 in Bb. Original Clarinets in A. Score shows trumpets in F, but original parts are in Bb, not F.

(2.2.2.2/4.0.0.0,hp,str,M ez solo)

SKU: TM.02147SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A3015. Published by Lucks Music Library (TM.02147SET).

(2.2.2.2/4.0.0.0,timp,2 perc,2 hp,str,2pt womens chorus)

SKU: TM.02698SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A3682. Published by Lucks Music Library (TM.02698SC).

Ed. by Neumann.

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SET).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

(1+1.2.2.2/4.0+2.3.0,timp ,perc,str)

SKU: TM.13985SET

Composed by Charles-Camille Saint-Saens. Arranged by Moses Tobani. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13985SET).

P/C in set. No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 3 La fete du Houblon, No. 4 Danse de la gypsy, No. 5 Scherzetto, No. 6 Gigue et finale.