(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Choral
score. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Full
score. Language:
German/English. Composed
1829. A 7. 32 pages.
Duration 12 minutes.
Published by Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst.
Cantatas. Level 3.
Complete orchestral
parts. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
(2.2.2.2/4.2.3.0,timp,str ) SKU: TM.05062SET Composed by Johann Sebastian...(+)
(2.2.2.2/4.2.3.0,timp,str
)
SKU: TM.05062SET
Composed by Johann
Sebastian Bach. Arranged
by Abert. Set Type: D.
Set of parts. Lucks Music
Library #A1222. Published
by Lucks Music Library
(TM.05062SET).
Arr. and with
Chorale by Abert.
Praeludium (No. 4
Wohltemperirtes Clavier).
Choral (brass only). Fuga
(Orgelfuge No. 12
Bachausgabe 15ter
Jahrgang).
Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar...(+)
Weihnachtskantate. By
Felix Mendelssohn. Edited
by Lehmann, Karen. For
Soli SBar, SSATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets,
Timpani, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018900.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Christmas. Study score.
Language: German/English.
Composed 1831. 72 pages.
Duration 16 min.
Published by Carus Verlag
(German import).
Composed
by Bobbi Fischer. Vocal
score. Duration 40
minutes. Carus Verlag
#2718803. Published by
Carus Verlag
(CA.2718803).
ISBN
9790007250911. Language:
LAT/EN/DT.
After
Missa Latina and
Magnificat, Te Deum is
now the third major
composition by musician
and composer Karl
Albrecht
âBobbiâ Fischer
published by Carus.
Fischerâs musical
roots lie in classical
music, which he combines
with jazz elements and
Latin American
rhythms.
All three
styles appear in the Te
Deum. In keeping with the
proclamation âTe
Deum laudamusâ (We
praise thee, O God), the
work begins with the
festive (Cuban) energy,
propelled by timpani and
trumpet; the choir can
also be heard imitating
fanfares. Later, a
cappella choruses become
a recurring element, in
which phrases set as
Gregorian chant are
presented against an
ever-changing chordal
background. But the score
also features elements of
swing and rhythm and
blues, frenetic choral
outbursts of joy, as well
as moments of mystic
contemplation. Moreover,
the instrumentalists are
given ample opportunity
for improvised solos.
Interwoven into the
otherwise Latin text is
the well-known German
chorale GroÃer Gott,
wir loben dich. Here
several verses can be
sung with the
congregation; alongside
the original German text,
the score features the
English translation
âHoly God, we praise
thy nameâ.
-
An exciting combination
of classical choral music
with elements of jazz and
Latin American
music
- The
congregation can take
part in the performance
(chorale)
-
Singers can choose
between Latin/German or
Latin/English
Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
By Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB Choir, 2 V...(+)
By Dietrich Buxtehude
(1637-1707). Edited by
Thomas Schlage. For SATB
Choir, 2 Violins, Violone
(Violoncello), Basso
continuo. This edition:
Paperbound. Cantatas.
Full score. Language:
German. BuxWV 27. 24
pages. Duration 6 min.
Published by Carus Verlag
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Separate
instruments. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 138.
Duration 20 minutes.
Carus Verlag #CV
31.138/19. Published by
Carus Verlag
(CA.3113819).
ISBN
9790007208219. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Full score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/00. Published by
Carus Verlag
(CA.3113800).
ISBN
9790007183332. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. 1x
31.138/21 oboe d'amore 1,
1x 31.138/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. Composed 1723. BWV
138. Duration 20 minutes.
Carus Verlag #CV
31.138/09. Published by
Carus Verlag
(CA.3113809).
ISBN
9790007208165. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/12. Published by
Carus Verlag
(CA.3113812).
ISBN
9790007208189. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
138. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.138/13. Published by
Carus Verlag
(CA.3113813).
ISBN
9790007208196. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata for the 15th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/07. Published by
Carus Verlag
(CA.3113807).
ISBN
9790007242282. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/05. Published by
Carus Verlag
(CA.3113805).
ISBN
9790007183356. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/11. Published by
Carus Verlag
(CA.3113811).
ISBN
9790007208172. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Organ. Composed 1723. BWV
138. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.138/49. Published
by Carus Verlag
(CA.3113849).
ISBN
9790007208226. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1723. BWV 138. 36 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/03. Published by
Carus Verlag
(CA.3113803).
ISBN
9790007183349. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 138. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/14. Published by
Carus Verlag
(CA.3113814).
ISBN
9790007208202. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613).
ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.