(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by Christine Blanken. For Soli SATB, SSAATTBB Choir, 3 Contrabassons, Timpani, 3 Oboes, 3 Bassoon, 2 Violin, Viola, Basso Continuo. This edition: paperbound. Full score available separately - see item CA.1038600. Oratorios; Use during church year: Christmas. Piano/Vocal score. Language: German. 48 pages. Duration 40 min. Published by Carus Verlag

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068300

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. This edition: Paperbound. German title: Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Full score. Composed 1808. 44 pages. Duration 16 minutes. Carus Verlag #CV 40.683/00. Published by Carus Verlag (CA.4068300).

ISBN 9790007087319. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068309

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. 1x 40.683/21 bassoon, 1x 40.683/31 clarino. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/09. Published by Carus Verlag (CA.4068309).

ISBN 9790007220273. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068319

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. German title: Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1808. Duration 16 minutes. Carus Verlag #CV 40.683/19. Published by Carus Verlag (CA.4068319).

ISBN 9790007138158. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068305

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Choral Score. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/05. Published by Carus Verlag (CA.4068305).

ISBN 9790007112486. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068312

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/12. Published by Carus Verlag (CA.4068312).

ISBN 9790007220297. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068313

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/13. Published by Carus Verlag (CA.4068313).

ISBN 9790007220303. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068311

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/11. Published by Carus Verlag (CA.4068311).

ISBN 9790007220280. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 2 Oboes, 2 Recorders f1, 2 Violins, Viola, Basso continuo. TVWV 9:18. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Score. Language: German/English. 72 pages. Duration 25 min. Published by Carus Verlag (German import).

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113309

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309).

ISBN 9790007207977. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113319

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319).

ISBN 9790007141127. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso continuo

SKU: CA.3113300

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Full score. Composed 1724. BWV 133. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.133/00. Published by Carus Verlag (CA.3113300).

ISBN 9790007097486. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113349

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349).

ISBN 9790007207984. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300.

(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 recorders f1, flute, oboe I / oboe d'amore, oboe II, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. D-Dur (D major). Stuttgart Urtext Edition. Score available separately - see item CA.3124900. Oratorios, Easter and Eastertide. Complete orchestral parts. Language: German/English. Composed 1725. BWV 249. Duration 40 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118600

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Full score. Composed 1716. BWV 186a. Duration 20 minutes. Carus Verlag #CV 31.186/00. Published by Carus Verlag (CA.3118600).

ISBN 9790007050641. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50).

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118613

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Viola. Composed 1716. BWV 186a. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.186/13. Published by Carus Verlag (CA.3118613).

ISBN 9790007050702. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118614

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Cello/Double Bass. Composed 1716. BWV 186a. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.186/14. Published by Carus Verlag (CA.3118614).

ISBN 9790007050719. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118649

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Organ. Composed 1716. BWV 186a. 24 pages. Duration 20 minutes. Carus Verlag #CV 31.186/49. Published by Carus Verlag (CA.3118649).

ISBN 9790007050726. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118605

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Choral Score. Composed 1716. BWV 186a. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.186/05. Published by Carus Verlag (CA.3118605).

ISBN 9790007050665. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score available separately - see item CA.3118600.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118619

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Set of Orchestra Parts. Composed 1716. BWV 186a. Duration 20 minutes. Carus Verlag #CV 31.186/19. Published by Carus Verlag (CA.3118619).

ISBN 9790007136970. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and parts available separately - see item CA.3118600.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118609

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. 1x 31.186/21 oboe 1, 1x 31.186/22 oboe 2, 1x 31.186/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Set of Orchestra Parts. Composed 1716. BWV 186a. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.186/09. Published by Carus Verlag (CA.3118609).

ISBN 9790007050672. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and parts available separately - see item CA.3118600.