By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Messiah kart GA-Format. Oratorios. Full score. Language: English/German. Composed 1742. HWV 56. 328 pages. Duration 150 minutes. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. 256 pages. Duration 150 minutes. Carus Verlag #CV 55.056/02. Published by Carus Verlag (CA.5505602).

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arranged by Volker Blumenthaler. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]. Stuttgart Urtext Edition. German title: Missa longa rev.2005. Latin Masses, Missa brevis in Latin. Complete orchestral parts. Language: Latin. Composed 1775. KV 262. Duration 25 minutes. Published by Carus Verlag

SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5505694

Composed by George Frideric Handel. Carus Choir Coach. Messiah.Ccc (3 Cds). Sacred vocal music, Oratorios. Compact Disc. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/94. Published by Carus Verlag (CA.5505694).

Text language: English. Text: Jennens, Charles.

George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600.

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068200

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Mass, latin. German title: Grosse Orgelsolomesse. Sacred vocal music, Masses, Latin. Full score. 72 pages. Duration 35 minutes. Carus Verlag #CV 40.682/00. Published by Carus Verlag (CA.4068200).

ISBN 9790007088934. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068249

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1808. 24 pages. Duration 35 minutes. Carus Verlag #CV 40.682/49. Published by Carus Verlag (CA.4068249).

ISBN 9790007140069. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068209

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. 1x 40.682/31 trumpet 1, 1x 40.682/32 trumpet 2, 1x 40.682/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/09. Published by Carus Verlag (CA.4068209).

ISBN 9790007220228. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068211

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/11. Published by Carus Verlag (CA.4068211).

ISBN 9790007220235. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068203

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. 48 pages. Duration 35 minutes. Carus Verlag #CV 40.682/03. Published by Carus Verlag (CA.4068203).

ISBN 9790007018771. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068212

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/12. Published by Carus Verlag (CA.4068212).

ISBN 9790007220242. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068205

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Sacred vocal music, Masses, Latin. Choral Score. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/05. Published by Carus Verlag (CA.4068205).

ISBN 9790007110130. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068213

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.682/13. Published by Carus Verlag (CA.4068213).

ISBN 9790007220259. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068219

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 40.682/19. Published by Carus Verlag (CA.4068219).

ISBN 9790007220266. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300713

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/13. Published by Carus Verlag (CA.2300713).

ISBN 9790007037703. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300712

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/12. Published by Carus Verlag (CA.2300712).

ISBN 9790007037697. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300709

Composed by Anton Diabelli. 1x 23.007/21 flute, 1x 23.007/22 clarinet 1, 1x 23.007/23 clarinet 2, 1x 23.007/31 trumpet 1, 1x 23.007/32 trumpet 2, 1x 23.007/33 horn 1, 1x 23.007/34 horn 2, 1x 23.007/41 timpani. German title: Messe in Es 8. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 107. 44 pages. Duration 25 minutes. Carus Verlag #CV 23.007/09. Published by Carus Verlag (CA.2300709).

ISBN 9790007037673. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and parts available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300714

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/14. Published by Carus Verlag (CA.2300714).

ISBN 9790007037710. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300711

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/11. Published by Carus Verlag (CA.2300711).

ISBN 9790007037680. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500513

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/13. Published by Carus Verlag (CA.3500513).

ISBN 9790007212902. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500503

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Vocal score. 20 pages. Duration 14 minutes. Carus Verlag #CV 35.005/03. Published by Carus Verlag (CA.3500503).

ISBN 9790007091699. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500511

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/11. Published by Carus Verlag (CA.3500511).

ISBN 9790007212889. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500500

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Full score. 40 pages. Duration 14 minutes. Carus Verlag #CV 35.005/00. Published by Carus Verlag (CA.3500500).

ISBN 9790007103439. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils.