(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebas...(+)
(Kantate zum
Reformationsfest
(Rekonstruktion: Reinhold
Kubik)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn / Reinhold
Kubik. For Soli SATB,
SATB Choir, 2 Oboes, 2
Oboe d'Amore, Oboe
d'Amore, Violin solo,
Strings, Violone, Organ,
[3 Trumpets, Timpani].
This edition: paperbound.
BWV 80. Full score
available separately -
see item CA.3108000.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days, Reformation
day. Level 3. Piano/Vocal
score. Language:
German/English. 72 pages.
Duration 30 min
(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Ed...(+)
(Cantata for Reformation
Day). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
oboes/2 oboe d'amore,
oboe d'caccia, [3
trumpets, timpani], 2
violins, viola, basso
continuo. D-Dur (D
major). German title: Ein
feste Burg. Cantatas,
Special days, Reformation
day. Level 3. Cello part.
Language: German/English.
BWV 80. 20 pages.
Duration 30 minutes.
Published by Carus Verlag
(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Ed...(+)
(Cantata for Reformation
Day). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
oboes/2 oboe d'amore,
oboe d'caccia, [3
trumpets, timpani], 2
violins, viola, basso
continuo. D-Dur (D
major). German title: Ein
feste Burg ist unser Gott
(rev.2004). Cantatas,
Special days, Reformation
day. Level 3. Choral
score. Language:
German/English. BWV 80.
Duration 30 minutes.
Published by Carus Verlag
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803).
ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819).
ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809).
ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805).
ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo.
The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807).
ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SA...(+)
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. For ST vocal
soli, SATB/SATB choir, 2
oboes, 3 trumpets,
timpani, 2 violin, viola,
basso continuo. German
title: Ergreifet die
Psalter (Kantate).
Cantatas, Advent.
Complete orchestral
parts. Language: German.
II.1. Duration 17
minutes. Published by
Carus Verlag
Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613).
ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Cello Solo +.
Composed 1725. BWV 6. 12
pages. Duration 26
minutes. Carus Verlag #CV
31.006/14. Published by
Carus Verlag
(CA.3100614).
ISBN
9790007041762. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609).
ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611).
ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 2. Composed
1725. BWV 6. 4 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/12. Published by
Carus Verlag
(CA.3100612).
ISBN
9790007041748. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik....(+)
(Easter Monday). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboes, oboe
d'caccia (viola), 2
violins, viola, cello
piccolo, basso continuo.
German title: Bleib bei
uns, den choral score
Cantatas, Easter and
Eastertide Morning,
midday, evening
(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik....(+)
(Easter Monday). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboes, oboe
d'caccia (viola), 2
violins, viola, cello
piccolo, basso continuo.
This edition: Paperbound.
German Vocal Score
Cantatas, Easter and
Eastertide Morning,
midday, evening
(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik....(+)
(Easter Monday). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboes, oboe
d'caccia (viola), 2
violins, viola, cello
piccolo, basso continuo.
This edition: Paperbound.
German full score
Cantatas, Easter and
Eastertide Morning,
midday, evening
Ode to
St Cecilia. Composed
by George Frideric
Handel. Edited by Stephan
Blaut. This edition:
urtext edition.
Paperback. Score. HWV 76.
Baerenreiter Verlag
#BA10722_00. Published by
Baerenreiter Verlag
(BA.BA10722).
ISBN
9790006567713. 31 x 24.3
cm inches. Text Language:
English.
Following
upon
“Alexander’s
Feast†(1736), in
1739 Handel produced a
second setting of the
“Ode to St
Ceciliaâ€
(“Song for St
Cecilia’s
Dayâ€). At its
première it was
combined with
“Alexander’s
Feastâ€. Rather than
a dramatic plot
presentable in the
theatre, the Ode, in its
seven sections, offers a
general hymn of praise to
music and its impact.
Accordingly, it largely
consists of emotion-laden
arias and festive
orchestration.
Thi
s edition, based on the
Urtext from the
“Halle Handel
Editionâ€, offers
the version heard at the
first performance
– the version
preferred in
today’s concert
life. The foreword
(Ger/Eng) provides many
detailed notes on
performance practice with
regard to
orchestration.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra Soli STB, Coro SATB, 3 Ob, Fg, 2 Vl, Va, Bc SKU: CA.3119407 ...(+)
Orchestra Soli STB, Coro
SATB, 3 Ob, Fg, 2 Vl, Va,
Bc
SKU: CA.3119407
Cantata for Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Angelika
Tasler. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Study
score. Composed 1724. BWV
194. 80 pages. Duration
39 minutes. Carus Verlag
#CV 31.194/07. Published
by Carus Verlag
(CA.3119407).
ISBN
9790007245146. Language:
German/English.
The
cantata Hochsterwunschtes
Freudenfest BWV 194 was
composed for an organ
dedication on 2 November
1723 in Stormthal,
Saxony. A year later, and
with just a few
alterations, the cantata
was performed again in
Leipzig on Trinity
Sunday. Our edition takes
this Leipzig version of
1724 as its source. The
special occasion of its
composition is reflected
in the extent of the
composition which has
twelve, instead of the
usual six, movements. The
orchestral scoring is for
strings and three
obbligato oboes. A
special feature of the
cantata is its structure
as an orchestral suite.
The beginning is a
spirited opening chorus
in the style of a French
overture. The bass aria
in the third movement has
the character of a
pastorale, and the
following aria (movement
5) in turn has the
character of a gavotte,
etc. A simple four-part
chorale concludes this
multifaceted composition,
marked by some extremely
heartfelt moments. Score
available separately -
see item CA.3119400.
Ode for St. Cecilia's Day Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Christine Martin. Arranged by P...(+)
By George Frideric Handel
(1685-1759). Edited by
Christine Martin.
Arranged by Paul Horn.
For Soli ST, SATB Choir,
Flute, 2 Oboes, 2
Trumpets, Timpani, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. HWV 76.
Cantatas; Use during
church year: Special
Days. Score. Language:
English. Composed 1739.
88 pages. Duration 50
min. Published by Carus
Verlag
(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebas...(+)
(Kantate zum
Reformationsfest
(Rekonstruktion: Reinhold
Kubik)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn / Reinhold
Kubik. For Soli SATB,
SATB Choir, 2 Oboes, 2
Oboe d'Amore, Oboe
d'Amore, Violin solo,
Strings, Violone, Organ,
[3 Trumpets, Timpani].
This edition: paperbound.
BWV 80. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days, Reformation day.
Level 3. Score. Language:
German/English. 152
pages. Duration 30 min.
Published by Carus Verlag
(Kantate zum Reformationsfest). By Johann Sebastian Bach (1685-1750). Edited by ...(+)
(Kantate zum
Reformationsfest). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SAB, SATB Choir, [2
Flutes], 2 Oboes, 2
Horns, Timpani, Strings,
Organ. This edition:
paperbound. BWV 79. Full
score available
separately - see item
CA.3107900. Cantatas,
Psalms, German; Stuttgart
Urtext editions;
Occasions: Praise and
thanks; Use during chuch
year: Special Days,
Reformation day. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1725 (?). 32
pages. Duration 17 min
(Kantate zum 1. Advent). Composed by Gottfried August Homilius. Edited by Uwe Wo...(+)
(Kantate zum 1. Advent).
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. For ST vocal
soli, SATB/SATB choir, 2
oboes, 3 trumpets,
timpani, 2 violin, viola,
basso continuo. Score
available separately -
see item CA.3720500.
Cantatas, Advent. Choral
score. Language: German.
II.1. 12 pages. Duration
17 minutes. Published by
Carus Verlag