(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn / Reinhold Kubik. For Soli SATB, SATB Choir, 2 Oboes, 2 Oboe d'Amore, Oboe d'Amore, Violin solo, Strings, Violone, Organ, [3 Trumpets, Timpani]. This edition: paperbound. BWV 80. Full score available separately - see item CA.3108000. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days, Reformation day. Level 3. Piano/Vocal score. Language: German/English. 72 pages. Duration 30 min

By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. Accomplished church, college, community, professional choruses. Moderately difficult. Piano/Vocal Score. 77 pages. Duration c. 22:00. Published by E.C. Schirmer Publishing

(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo. D-Dur (D major). German title: Ein feste Burg. Cantatas, Special days, Reformation day. Level 3. Cello part. Language: German/English. BWV 80. 20 pages. Duration 30 minutes. Published by Carus Verlag

(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo. D-Dur (D major). German title: Ein feste Burg ist unser Gott (rev.2004). Cantatas, Special days, Reformation day. Level 3. Choral score. Language: German/English. BWV 80. Duration 30 minutes. Published by Carus Verlag

By Ralph Vaughan Williams. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116803

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803).

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116819

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819).

ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3116807

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807).

ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SATB/SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo. German title: Ergreifet die Psalter (Kantate). Cantatas, Advent. Complete orchestral parts. Language: German. II.1. Duration 17 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100614

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Cello Solo +. Composed 1725. BWV 6. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.006/14. Published by Carus Verlag (CA.3100614).

ISBN 9790007041762. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100611

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 1. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/11. Published by Carus Verlag (CA.3100611).

ISBN 9790007041731. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Frieder Rempp. Arranged by Paul Horn. For SB vocal soli, SATB choir, 2 oboes, taille (oboe da caccia, english horn), 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Christmas. Study score. Text language: German/English. Composed 1725. BWV 57. 36 pages. Duration 28 minutes. Published by Carus Verlag

(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo. German title: Bleib bei uns, den choral score Cantatas, Easter and Eastertide Morning, midday, evening

(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo. This edition: Paperbound. German Vocal Score Cantatas, Easter and Eastertide Morning, midday, evening

(Easter Monday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo. This edition: Paperbound. German full score Cantatas, Easter and Eastertide Morning, midday, evening

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboes (2), Trumpets (2), Timpani, Violins (2), Viola, Basso continuo)

SKU: BA.BA10722

Ode to St Cecilia. Composed by George Frideric Handel. Edited by Stephan Blaut. This edition: urtext edition. Paperback. Score. HWV 76. Baerenreiter Verlag #BA10722_00. Published by Baerenreiter Verlag (BA.BA10722).

ISBN 9790006567713. 31 x 24.3 cm inches. Text Language: English.

Following upon “Alexander’s Feast” (1736), in 1739 Handel produced a second setting of the “Ode to St Cecilia” (“Song for St Cecilia’s Day”). At its première it was combined with “Alexander’s Feast”. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration.

Thi s edition, based on the Urtext from the “Halle Handel Edition”, offers the version heard at the first performance – the version preferred in today’s concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By George Frideric Handel (1685-1759). Edited by Christine Martin. Arranged by Paul Horn. For Soli ST, SATB Choir, Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. HWV 76. Cantatas; Use during church year: Special Days. Score. Language: English. Composed 1739. 88 pages. Duration 50 min. Published by Carus Verlag

(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn / Reinhold Kubik. For Soli SATB, SATB Choir, 2 Oboes, 2 Oboe d'Amore, Oboe d'Amore, Violin solo, Strings, Violone, Organ, [3 Trumpets, Timpani]. This edition: paperbound. BWV 80. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days, Reformation day. Level 3. Score. Language: German/English. 152 pages. Duration 30 min. Published by Carus Verlag

(Kantate zum Reformationsfest). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SAB, SATB Choir, [2 Flutes], 2 Oboes, 2 Horns, Timpani, Strings, Organ. This edition: paperbound. BWV 79. Full score available separately - see item CA.3107900. Cantatas, Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks; Use during chuch year: Special Days, Reformation day. Level 3. Piano/Vocal score. Language: German/English. Composed 1725 (?). 32 pages. Duration 17 min

By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.

(Kantate zum 1. Advent). Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SATB/SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo. Score available separately - see item CA.3720500. Cantatas, Advent. Choral score. Language: German. II.1. 12 pages. Duration 17 minutes. Published by Carus Verlag

(Kantate zum 1. Advent). Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SATB/SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Score available separately - see item CA.3720500. Cantatas, Advent. Vocal score. Language: German. II.1. 28 pages. Duration 17 minutes. Published by Carus Verlag