(2.2.2.2/4.2.0.0,4 perc,hp,str)

SKU: TM.05333SET

Composed by Claude Debussy. Edited by Andre Caplet. Set Type: D. Set of parts. Lucks Music Library #A6135. Published by Lucks Music Library (TM.05333SET).

Dr. Gradus As Parnassum, Jimbo's Lullaby, Serenade for the Doll, The Snow is Dancing, The Little Shepherd, Golliwogg's Cakewalk. Clothbound score.

(2.2.2.2/4.2.0.0,4 perc,hp,str)

SKU: TM.05333SC

Composed by Claude Debussy. Edited by Andre Caplet. Score. Lucks Music Library #A6135. Published by Lucks Music Library (TM.05333SC).

Dr. Gradus As Parnassum, Jimbo's Lullaby, Serenade for the Doll, The Snow is Dancing, The Little Shepherd, Golliwogg's Cakewalk. Clothbound score.

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged by Andrea Campora. For SATB vocal soli, SATB choir, orchestra. This edition: urtext edition. Paperback. Vocal score. Opus 86. Published by Baerenreiter Verlag

(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag

(2.2.2.2/2.3.3.1,timp,per c,str,SS solo,women's chorus)

SKU: TM.06235SET

Composed by Felix Bartholdy Mendelssohn. Set Type: D. Set of parts. Lucks Music Library #A1714. Published by Lucks Music Library (TM.06235SET).

Chorus in English (no piano reduction); Vocal Score I in French/English; Vocal Score II in German. Score in German/English. Narrator in score and vocal score only. Clothbound score. Overture, No. 1 Scherzo, No. 2 Melodram, Elfenmarsch (A March of Fairies), No. 3 Lied mit Chor (Song with Chorus), No. 4 Melodram, No. 5 Intermezzo, No. 6 Melodram, No. 7 Notturno, No. 8 Melodram, No. 9 Hochzeitmarsch (Wedding March), No. 10 Melodram, No. 11 Ein Tanz Von Ruplein (Dance of Clowns), No. 12 Melodram, No. 13 Finale.

(2.2.2.2/2.3.3.1,timp,per c,str,SS solo,women's chorus)

SKU: TM.06235SC

Composed by Felix Bartholdy Mendelssohn. Score. Lucks Music Library #A1714. Published by Lucks Music Library (TM.06235SC).

Chorus in English (no piano reduction); Vocal Score I in French/English; Vocal Score II in German. Score in German/English. Narrator in score and vocal score only. Clothbound score. Overture, No. 1 Scherzo, No. 2 Melodram, Elfenmarsch (A March of Fairies), No. 3 Lied mit Chor (Song with Chorus), No. 4 Melodram, No. 5 Intermezzo, No. 6 Melodram, No. 7 Notturno, No. 8 Melodram, No. 9 Hochzeitmarsch (Wedding March), No. 10 Melodram, No. 11 Ein Tanz Von Ruplein (Dance of Clowns), No. 12 Melodram, No. 13 Finale.

(2.2.2.2/2.2.0.0,timp,str )

SKU: TM.06325SET

Composed by Wolfgang Amadeus Mozart. Edited by Andre. Set Type: D. Set of parts. Lucks Music Library #A1735. Published by Lucks Music Library (TM.06325SET).

Concert Ending by Johann Andre; Transposed: cl, hn, tpt.

(2.2.2.2/2.2.0.0,timp,str )

SKU: TM.06325SC

Composed by Wolfgang Amadeus Mozart. Edited by Andre. Score. Lucks Music Library #A1735. Published by Lucks Music Library (TM.06325SC).

Concert Ending by Johann Andre; Transposed: cl, hn, tpt.

(1D1.2.2.2/2.2.0.0,timp,p erc,str)

SKU: TM.06323SET

Composed by Wolfgang Amadeus Mozart. Edited by Andre. Set Type: D. Set of parts. Lucks Music Library #A1740. Published by Lucks Music Library (TM.06323SET).

Transposed: Cl 1&2, Hn 1&2, Tpt 1&2. Concert ending by Andre.

(1D1.2.2.2/2.2.0.0,timp,p erc,str)

SKU: TM.06323SC

Composed by Wolfgang Amadeus Mozart. Edited by Andre. Score. Lucks Music Library #A1740. Published by Lucks Music Library (TM.06323SC).

Transposed: Cl 1&2, Hn 1&2, Tpt 1&2. Concert ending by Andre.

(2+1.2D1.2.2/4.2.3.1,timp ,perc,hp,str,SMez)

SKU: TM.05897SC

Composed by Engelbert Humperdinck. Score. Lucks Music Library #A1593. Published by Lucks Music Library (TM.05897SC).

Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.

(2+1.2D1.2.2/4.2.3.1,timp ,perc,hp,str,SMez)

SKU: TM.05897SET

Composed by Engelbert Humperdinck. Set Type: D. Set of parts. Lucks Music Library #A1593. Published by Lucks Music Library (TM.05897SET).

Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.

(2.2+1.2+1.2+1/4.2.3.1,ti mp,str,T solo)

SKU: TM.14587SET

Composed by Edward Elgar. Set Type: D. Set of parts. Published by Lucks Music Library (TM.14587SET).

Transposed to lower key of Ab. Inserts into the complete Dream of Gerontius (#07345) at reh. 39-57, in place of the original Bb version.

By Edward Elgar. For Mezzo-Soprano, Tenor, Bass, SATB Choir, Piano. Romantic, Sacred, Choral. Sheet Music. 180 pages. Published by Novello and Co Ltd.

(2.2+1.2+1.2+1/4.2.3.1,ti mp,str,T solo)

SKU: TM.14587SC

Composed by Edward Elgar. Score. Published by Lucks Music Library (TM.14587SC).

Transposed to lower key of Ab. Inserts into the complete Dream of Gerontius (#07345) at reh. 39-57, in place of the original Bb version.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113205

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege, bereitet die Bahn. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1715. BWV 132. 2 pages. Duration 22 minutes. Carus Verlag #CV 31.132/05. Published by Carus Verlag (CA.3113205).

ISBN 9790007103163. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113213

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1715. BWV 132. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.132/13. Published by Carus Verlag (CA.3113213).

ISBN 9790007207946. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.