(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo. This edition: Paperbound. E-Moll (E minor). German title: Jesus schlaft, was soll ich hoffen. Cantatas, Epiphany. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 81. 32 pages. Duration 19 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710419

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/19. Published by Carus Verlag (CA.3710419).

ISBN 9790007134310. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710405

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/05. Published by Carus Verlag (CA.3710405).

ISBN 9790007127442. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, organ obligato

SKU: CA.3102905

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Choral Score. Composed 1731. BWV 29. 8 pages. Duration 28 minutes. Carus Verlag #CV 31.029/05. Published by Carus Verlag (CA.3102905).

ISBN 9790007042394. Key: D major. Language: German/English.

Bac h's cantata Wir danken dir, Gott, wir danken dir of 1731, composed for the inauguration of the Leipzig town council, is one of the cantatas which has an obbligato organ part. In the introductory Sinfonia (an arrangement of the opening movement of the Partita in E for solo violin) and the final aria, the organ has a prominent solo part. The final aria is a transposed repetition of the first aria in the cantata, which frames its central section as a motto Halleluja, Stark und Macht sei dem allerhochsten Namen. However, the high point of the cantata is the magnificent choral movement which precedes the first Halleluja. Bach also re-used this music later in the Gratias and Dona nobis pacem sections of the Mass in B minor. New revised edition. Score available separately - see item CA.3102900.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Study score. Composed 1731. BWV 29. 64 pages. Duration 28 minutes. Carus Verlag #CV 31.029/07. Published by Carus Verlag (CA.3102907). 0.5