Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1715. BWV 31. 68 pages. Duration 24 minutes. Carus Verlag #CV 31.031/00. Published by Carus Verlag (CA.3103100).

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711003

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Vocal score. 16 pages. Duration 4 minutes. Carus Verlag #CV 27.110/03. Published by Carus Verlag (CA.2711003).

ISBN 9790007088026. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711011

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 1. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/11. Published by Carus Verlag (CA.2711011).

ISBN 9790007200527. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711000

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).

ISBN 9790007087777. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711019

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 27.110/19. Published by Carus Verlag (CA.2711019).

ISBN 9790007138899. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711012

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 2. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/12. Published by Carus Verlag (CA.2711012).

ISBN 9790007200534. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711009

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. 1x 27.110/31 clarino, 1x 27.110/32 trombone 1, 1x 27.110/33 trombone 2, 1x 27.110/34 trombone 3. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. 20 pages. Duration 4 minutes. Carus Verlag #CV 27.110/09. Published by Carus Verlag (CA.2711009).

ISBN 9790007200510. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711005

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Choral Score. Duration 4 minutes. Carus Verlag #CV 27.110/05. Published by Carus Verlag (CA.2711005).

ISBN 9790007108991. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102649

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig Pod. Sacred vocal music, End of the church year, Mourning, death. Single Part, Organ. Composed 1724. BWV 26. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.026/49. Published by Carus Verlag (CA.3102649).

ISBN 9790007205300. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102600

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Full score. Composed 1724. BWV 26. 40 pages. Duration 17 minutes. Carus Verlag #CV 31.026/00. Published by Carus Verlag (CA.3102600).

ISBN 9790007090784. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity..

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102609

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. 1x 31.026/21 flute, 1x 31.026/22 oboe 1, 1x 31.026/23 oboe 2, 1x 31.026/24 oboe 3, 1x 31.026/31 horn. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig 5. Sacred vocal music, End of the church year, Mourning, death. Set of Orchestra Parts. Composed 1724. BWV 26. 26 pages. Duration 17 minutes. Carus Verlag #CV 31.026/09. Published by Carus Verlag (CA.3102609).

ISBN 9790007205256. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and parts available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102613

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, Viola. Composed 1724. BWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.026/13. Published by Carus Verlag (CA.3102613).

ISBN 9790007205287. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102619

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Set of Orchestra Parts. Composed 1724. BWV 26. Duration 17 minutes. Carus Verlag #CV 31.026/19. Published by Carus Verlag (CA.3102619).

ISBN 9790007136048. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and parts available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102605

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Choral Score. Composed 1724. BWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.026/05. Published by Carus Verlag (CA.3102605).

ISBN 9790007115227. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102611

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, Violin 1. Composed 1724. BWV 26. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.026/11. Published by Carus Verlag (CA.3102611).

ISBN 9790007205263. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102614

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, basso continuo. Composed 1724. BWV 26. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.026/14. Published by Carus Verlag (CA.3102614).

ISBN 9790007205294. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102612

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, Violin 2. Composed 1724. BWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.026/12. Published by Carus Verlag (CA.3102612).

ISBN 9790007205270. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.