(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For SB vocal soli, SATB choir, oboe, violin, basso continuo. This edition: Paperbound. Score available separately - see item CA.3115800. Cantatas, Special days, Easter and Eastertide. Level 2. Vocal score (G/E). Language: German/English. Composed 1723/1735. BWV 158. 12 pages. Duration 12 min. Published by Carus Verlag

(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 recorders f1, flute, oboe I / oboe d'amore, oboe II, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. D-Dur (D major). Stuttgart Urtext Edition. Score available separately - see item CA.3124900. Oratorios, Easter and Eastertide. Complete orchestral parts. Language: German/English. Composed 1725. BWV 249. Duration 40 minutes. Published by Carus Verlag

(Kantate zum ersten Ostertag). By Johann Sebastian Bach (1685-1750). Edited by Marker, Michael. For Soli STB, Choir SSATB, Oboe, 3 Trumpet, Timpani, 2 Violin, 2 Viola, Basso Continuo, [2 Oboe, Taille, Bassoon]. This edition: paperbound. BWV 31. Full score available separately - see item CA.3103100. Cantatas; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: German/English. Composed 1715. 32 pages. Duration 24 min

By Sebastian Knupfer (1633-1676). For Soli SATB, SATB Choir, Bassoon, 3 Violins, 2 Violas, Basso continuo. This edition: paperbound. Cantatas; Use / Occasion: Praise and thanks; Use during church year: Easter and Eastertide, Christmas. Level 2. Score. Language: German. 12 pages. Duration 6 min. Published by Carus Verlag

(Sing to the Lord a newmade song). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Stuttgart Urtext editions. Score available separately - see item CA.4007500. Psalms, German, Easter and Eastertide, Praise and thanks, Psalms. Level 3. Study score. Language: German/English. Composed 1843. Opus 91. 48 pages. Duration 8 min. Published by Carus Verlag

By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SATB/SATB Favorit-Chor (Antiphonal/Chamber Choir), [8 Instruements], Basso Continuo. This edition: paperbound. SWV 463. Psalms, German, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during chuch year: Easter and Eastertide. Level 3. Score. Language: German/Latin. Composed 1650-51. 8 pages. Duration 3 min

(Ein Lammlein geht und tragt die Schuld). By Georg Philipp Telemann (1681-1767). Edited by Wolfgang Hirschmann. Arranged by Olga Kroupova. For Soprano Solo (2), Alto Solo, Tenor Solo (3), Bass Solo (3), Mixed Choir-SATB, Piano Str, Basso Continuo. Passionen (Passion Music, Easter). Piano Reduction/Vocal Score; Urtext Edition (paperbound). TWV 5:30

Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1715. BWV 31. 68 pages. Duration 24 minutes. Carus Verlag #CV 31.031/00. Published by Carus Verlag (CA.3103100).

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100614

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Cello Solo +. Composed 1725. BWV 6. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.006/14. Published by Carus Verlag (CA.3100614).

ISBN 9790007041762. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100611

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 1. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/11. Published by Carus Verlag (CA.3100611).

ISBN 9790007041731. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100407

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: Paperbound. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed circa 1707/08 (before 1714). BWV 4. Duration 22 minutes. Carus Verlag #CV 31.004/07. Published by Carus Verlag (CA.3100407).

ISBN 9790007041519. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score available separately - see item CA.3100400.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711003

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Vocal score. 16 pages. Duration 4 minutes. Carus Verlag #CV 27.110/03. Published by Carus Verlag (CA.2711003).

ISBN 9790007088026. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711011

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 1. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/11. Published by Carus Verlag (CA.2711011).

ISBN 9790007200527. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711000

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).

ISBN 9790007087777. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711019

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 27.110/19. Published by Carus Verlag (CA.2711019).

ISBN 9790007138899. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100409

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.004/31 cornett, 1x 31.004/32 trumpet 1, 1x 31.004/33 trumpet 1, 1x 31.004/34 trombone 1, 1x 31.004/35 trombone 2, 1x 31.004/36 trombone 3. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden 6. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed circa 1707/08 (before 1714). BWV 4. 24 pages. Duration 22 minutes. Carus Verlag #CV 31.004/09. Published by Carus Verlag (CA.3100409).

ISBN 9790007041526. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score and parts available separately - see item CA.3100400.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711012

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 2. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/12. Published by Carus Verlag (CA.2711012).

ISBN 9790007200534. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711009

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. 1x 27.110/31 clarino, 1x 27.110/32 trombone 1, 1x 27.110/33 trombone 2, 1x 27.110/34 trombone 3. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. 20 pages. Duration 4 minutes. Carus Verlag #CV 27.110/09. Published by Carus Verlag (CA.2711009).

ISBN 9790007200510. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711005

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Choral Score. Duration 4 minutes. Carus Verlag #CV 27.110/05. Published by Carus Verlag (CA.2711005).

ISBN 9790007108991. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.

(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SB, SATB Choir, Oboe, Violin solo, Cello/Contrabass, Organ. This edition: paperbound. BWV 158. Cantatas; Use during the church year: Special Days, Easter and Eastertide; Stuttgart Urtext Editions. Level 2. Score. Language: German/English. Composed 1723/1735. 24 pages. Duration 12 min. Published by Carus Verlag

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05004-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/10. Complete edition, Score, anthology. Baerenreiter Verlag #BA05004_01. Published by Baerenreiter Verlag (BA.BA05004-01).

ISBN 9790006461387. 33 x 26.5 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Felix Schroeder. For SATBar vocal soli, SATB choir, 2 flutes, oboe (oboe d'amore), 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. German title: Erzittert und fallet F9. Cantatas, Easter and Eastertide. Full score. Language: German/English. Fk 83. Duration 25 minutes. Published by Carus Verlag

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding