SATB vocal soli, SATB choir, bassoon col basso, 2 violins, 3 viola (4 violin, viola), basso continuo

SKU: CA.1018805

Composed by Johann Philipp Krieger. Edited by Wilhelm Heinrichs. German title: Singet dem Herrn. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Trinity. Choral Score. 4 pages. Carus Verlag #CV 10.188/05. Published by Carus Verlag (CA.1018805).

ISBN 9790007021665. Language: German.

Score available separately - see item CA.1018800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720806

Schlusschoral aus der gleichnamigen Kantate. Composed by Gottfried August Homilius. Edited by Uwe Wolf. Ein Hoher Tag Kommt/Schlusschoral. Sacred vocal music, Advent, Christmas. Playing score. HoWV. 4 pages. Carus Verlag #CV 37.208/06. Published by Carus Verlag (CA.3720806).

ISBN 9790007171261. Text language: German.

Score available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720805

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Choral Score. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/05. Published by Carus Verlag (CA.3720805).

ISBN 9790007131784. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710405

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/05. Published by Carus Verlag (CA.3710405).

ISBN 9790007127442. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113905

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Choral Score. Composed 1724. BWV 139. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.139/05. Published by Carus Verlag (CA.3113905).

ISBN 9790007181093. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710419

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/19. Published by Carus Verlag (CA.3710419).

ISBN 9790007134310. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720812

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Violin 2. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/12. Published by Carus Verlag (CA.3720812).

ISBN 9790007214647. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720819

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Set of Orchestra Parts. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/19. Published by Carus Verlag (CA.3720819).

ISBN 9790007137014. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and parts available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720809

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. 1x 37.208/21 oboe 1, 1x 37.208/22 oboe 2, 1x 37.208/31 horn 1, 1x 37.208/32 horn 2, 1x 37.208/33 trumpet 1, 1x 37.208/34 trumpet 1, 1x 37.208/35 trumpet 3, 1x 37.208/41 timpani. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Set of Orchestra Parts. HoWV II.9. 28 pages. Duration 18 minutes. Carus Verlag #CV 37.208/09. Published by Carus Verlag (CA.3720809).

ISBN 9790007214623. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and parts available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720813

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Viola. HoWV II.9. 8 pages. Duration 18 minutes. Carus Verlag #CV 37.208/13. Published by Carus Verlag (CA.3720813).

ISBN 9790007214654. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720849

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Organ. Composed 1765. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/49. Published by Carus Verlag (CA.3720849).

ISBN 9790007214678. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720814

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Cello/Double Bass. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/14. Published by Carus Verlag (CA.3720814).

ISBN 9790007214661. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720800

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Full score. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/00. Published by Carus Verlag (CA.3720800).

ISBN 9790007095734. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720811

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Violin 1. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/11. Published by Carus Verlag (CA.3720811).

ISBN 9790007214630. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108089

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Harmony parts. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/89. Published by Carus Verlag (CA.3108089).

ISBN 9790007206840. Key: D major. Text language: German/English. Text: Luther, Martin.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and parts available separately - see item CA.3108000.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911519

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Uns ist ein Kind geboren. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. TVWV 1:1452. Duration 22 minutes. Carus Verlag #CV 39.115/19. Published by Carus Verlag (CA.3911519).

ISBN 9790007139346. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and parts available separately - see item CA.3911500.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911500

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Uns ist ein Kind geboren. Sacred vocal music, Cantatas, Christmas. Full score. TVWV 1:1452. 36 pages. Duration 22 minutes. Carus Verlag #CV 39.115/00. Published by Carus Verlag (CA.3911500).

ISBN 9790007059828. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113949

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Organ. Composed 1724. BWV 139. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.139/49. Published by Carus Verlag (CA.3113949).

ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113914

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello piccolo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Cello piccol. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/14. Published by Carus Verlag (CA.3113914).

ISBN 9790007208271. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113900

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Full score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/00. Published by Carus Verlag (CA.3113900).

ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113915

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, basso continuo. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/15. Published by Carus Verlag (CA.3113915).

ISBN 9790007208288. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113911

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/11. Published by Carus Verlag (CA.3113911).

ISBN 9790007208240. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113912

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Violin 2. Composed 1724. BWV 139. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.139/12. Published by Carus Verlag (CA.3113912).

ISBN 9790007208257. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113909

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. 1x 31.139/21 oboe d'amore 1, 1x 31.139/22 oboe d'amore 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/09. Published by Carus Verlag (CA.3113909).

ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113913

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Viola. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/13. Published by Carus Verlag (CA.3113913).

ISBN 9790007208264. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.