SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703611

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 16 pages. Carus Verlag #CV 27.036/11. Published by Carus Verlag (CA.2703611).

ISBN 9790007199227. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

Composed by Otto Nicolai (1810-1849). Edited by Eva Neumayr. For SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass. This edition: Paperbound. D-Dur (D major). Score available separately - see item CA.2703600. Latin Masses. Vocal score. Language: Latin. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703609

Composed by Otto Nicolai. Edited by Eva Neumayr. 1x 27.036/21 clarinet 1, 1x 27.036/22 clarinet 2, 1x 27.036/23 bassoon 1, 1x 27.036/24 bassoon 2, 1x 27.036/31 horn 1, 1x 27.036/32 horn 2, 1x 27.036/33 trumpet 1, 1x 27.036/34 trumpet 2, 1x 27.036/41 timpani. Messe In D. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 88 pages. Carus Verlag #CV 27.036/09. Published by Carus Verlag (CA.2703609).

ISBN 9790007199210. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and parts available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703605

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Choral Score. Carus Verlag #CV 27.036/05. Published by Carus Verlag (CA.2703605).

ISBN 9790007130350. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703619

Composed by Otto Nicolai. Edited by Eva Neumayr. German title: Messe In D. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1940. Carus Verlag #CV 27.036/19. Published by Carus Verlag (CA.2703619).

ISBN 9790007133870. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and parts available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703612

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 16 pages. Carus Verlag #CV 27.036/12. Published by Carus Verlag (CA.2703612).

ISBN 9790007199234. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703614

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Single Part, Cello. 12 pages. Carus Verlag #CV 27.036/14. Published by Carus Verlag (CA.2703614).

ISBN 9790007199258. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703615

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Single Part, Double Bass. 12 pages. Carus Verlag #CV 27.036/15. Published by Carus Verlag (CA.2703615).

ISBN 9790007199265. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703600

Composed by Otto Nicolai. Edited by Eva Neumayr. This edition: Paperbound. German title: Messe In D. Sacred vocal music, Masses, Latin. Full score. Carus Verlag #CV 27.036/00. Published by Carus Verlag (CA.2703600).

ISBN 9790007094942. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass.

SATB vocal soli, SATB choir, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.2703613

Composed by Otto Nicolai. Edited by Eva Neumayr. Messe In D. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Carus Verlag #CV 27.036/13. Published by Carus Verlag (CA.2703613).

ISBN 9790007199241. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

(1.1.2.1/2.0+2.1.0,timp,p erc,str,vn obligato)

SKU: TM.06072SET

Composed by Franz Lehar. Arranged by Gast. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06072SET).

P/C in set.

(2.2.2.2/2.0.0.0,hp,str,v oice solo)

SKU: TM.02117SET

Composed by Eva Dell'acqua. Set Type: D. Set of parts. Published by Lucks Music Library (TM.02117SET).

Key of Eb.

(2.2.2.2/2.0.0.0,hp,str,v oice solo)

SKU: TM.02117SC

Composed by Eva Dell'acqua. Score. Published by Lucks Music Library (TM.02117SC).

Key of Eb.

Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str)

SKU: BA.BA04590-01

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01).

ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.

On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124582

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582).

ISBN 9790007211448. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116803

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803).

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.4033140

Version IV. Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Johannes-Passion Bwv 245. Post card. Composed 1749. BWV 245. 100 pages. Duration 120 minutes. Carus Verlag #CV 40.331/40. Published by Carus Verlag (CA.4033140).

ISBN 9790007104825. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.4033100.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070511

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Violin 1. 32 pages. Duration 63 minutes. Carus Verlag #CV 50.705/11. Published by Carus Verlag (CA.5070511).

ISBN 9790007224431. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.