Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edited by Jan Kachlik / Miroslav Srnka. This edition: urtext edition. Paperback. Barenreiter Urtext. Version in 10 movements. Classical. Vocal score. With Language: Latin, Text Language: Czech/English/German. Opus 58. Duration 1 hour, 27 minutes. Editio Baerenreiter Praha #H07920. Published by Editio Baerenreiter Praha

A Sacred Cantata for Soli, Chorus and Orchestra. By Francois Clement Theodore Dubois. Arranged by Nicholas Douty. Published by Theodore Presser Company.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705305

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Sacred vocal music, Masses, Latin. Choral Score. Duration 35 minutes. Carus Verlag #CV 27.053/05. Published by Carus Verlag (CA.2705305).

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705314

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.053/14. Published by Carus Verlag (CA.2705314).

ISBN 9790007199593. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705319

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. German title: Schopfungsmesse. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 27.053/19. Published by Carus Verlag (CA.2705319).

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705349

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 24 pages. Duration 35 minutes. Carus Verlag #CV 27.053/49. Published by Carus Verlag (CA.2705349).

ISBN 9790007199616. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705309

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. 1x 27.053/21 flute 1, 1x 27.053/22 flute 2, 1x 27.053/31 horn 1, 1x 27.053/32 horn 2, 1x 27.053/33 trumpet 1, 1x 27.053/34 trumpet 2, 1x 27.053/41 timpani. Sacred music from Salzburg. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 60 pages. Duration 35 minutes. Carus Verlag #CV 27.053/09. Published by Carus Verlag (CA.2705309).

ISBN 9790007199555. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705313

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/13. Published by Carus Verlag (CA.2705313).

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705315

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/15. Published by Carus Verlag (CA.2705315).

ISBN 9790007199609. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705311

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/11. Published by Carus Verlag (CA.2705311).

ISBN 9790007199562. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705312

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/12. Published by Carus Verlag (CA.2705312).

ISBN 9790007199579. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hendrik, Sara Elisa / Schulze, and Stangalino. This edition: Edition of selected works, Urtext edition. Cloth bound. Francesco Cavalli. Opere. Venice 1655. Edition of Selected Works , Score. Baerenreiter Verlag #BA08915- 01. Published by Baerenreiter Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100614

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Cello Solo +. Composed 1725. BWV 6. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.006/14. Published by Carus Verlag (CA.3100614).

ISBN 9790007041762. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100611

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 1. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/11. Published by Carus Verlag (CA.3100611).

ISBN 9790007041731. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voice solo, SATB choir, large orchestra/chamber orchestra. Mixed Voices. Vocal score. Duration 30 minutes. Published by Oxford University Press

(2+1.2D1.2.2/4.2.3.1,timp ,perc,hp,str,SMez)

SKU: TM.05897SC

Composed by Engelbert Humperdinck. Score. Lucks Music Library #A1593. Published by Lucks Music Library (TM.05897SC).

Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.

(2+1.2D1.2.2/4.2.3.1,timp ,perc,hp,str,SMez)

SKU: TM.05897SET

Composed by Engelbert Humperdinck. Set Type: D. Set of parts. Lucks Music Library #A1593. Published by Lucks Music Library (TM.05897SET).

Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(1.0.1.0/1.0+1.1.0,perc,c imbalon,str=1.1.1.0.1)

SKU: TM.11858SET

Composed by Igor Stravinsky. Set Type: M. Set of parts. Lucks Music Library #A4541. Published by Lucks Music Library (TM.11858SET).

Solo/pf.

(1.0.1.0/1.0+1.1.0,perc,c imbalon,str=1.1.1.0.1)

SKU: TM.11858SC

Composed by Igor Stravinsky. Score. Lucks Music Library #A4541. Published by Lucks Music Library (TM.11858SC).