| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550214
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214). ISBN
9790007213459. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550249
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249). ISBN
9790007141202. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550213
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213). ISBN
9790007213442. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550205
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205). ISBN
9790007213411. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550219
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219). ISBN
9790007139629. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550200
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200). ISBN
9790007096106. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044). ISBN
9790007303327.
Latin. In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. Unfortunately,
only a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is
Brucknerââ¬â¢s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046). ISBN
9790007310875.
Latin. In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur] - Facile Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709244 Arrange...(+)
Soli SATB, Coro SATB, 2
Pfte, [Timp] - Grade 3
SKU: CA.2709244
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Carus digital:
Extra digital products.
Full Score. WAB 26.
Duration 45 minutes.
Carus Verlag #2709244.
Published by Carus Verlag
(CA.2709244). ISBN
9790007303358. Key: D
minor. Latin. In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerâ??s symphonic
approach becomes evident
for the first time in the
Mass in D minor from
1864, the work does not
place the same high
demands on the performers
as the two later masses.
This arrangement for
soloists, choir and 2
pianos has an air of
transparency, rather like
a work of chamber
music.. Score
available separately -
see item CA.2709200. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in D minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur et Parties séparées] - Facile Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, [Timp] - Grade 3 SKU: CA.2709246 Arrange...(+)
Soli SATB, Coro SATB, 2
Pfte, [Timp] - Grade 3
SKU: CA.2709246
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709246.
Published by Carus Verlag
(CA.2709246). ISBN
9790007310868. Key: D
minor. Latin. In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerââ¬â¢s
symphonic approach
becomes evident for the
first time in the Mass in
D minor from 1864, the
work does not place the
same high demands on the
performers as the two
later masses. This
arrangement for soloists,
choir and 2 pianos has an
air of transparency,
rather like a work of
chamber music.. Score
and parts available
separately - see item
CA.2709200. $122.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067805
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Choral Score.
20 pages. Duration 37
minutes. Carus Verlag #CV
40.678/05. Published by
Carus Verlag
(CA.4067805). ISBN
9790007106263. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score available
separately - see item
CA.4067800. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067814
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Cello/Double Bass. 16
pages. Duration 37
minutes. Carus Verlag #CV
40.678/14. Published by
Carus Verlag
(CA.4067814). ISBN
9790007076528. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, flute, Cor da
tirarsi, 2 violins,
viola, basso continuo
SKU: CA.3116214
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214). ISBN
9790007208936. Text
language:
German/English. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, flute, Cor da
tirarsi, 2 violins,
viola, basso continuo
SKU: CA.3116211
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211). ISBN
9790007208905. Text
language:
German/English. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lass dir unser Lob gefallen Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 contrabas...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 2
contrabassoons, timpani,
2 violins, viola, basso
continuo SKU:
CA.4094200 Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
This edition: Paperbound.
German title: La Passione
di Gesu Cristo. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed 1776. 272 pages.
Duration 105 minutes.
Carus Verlag #CV
40.942/00. Published by
Carus Verlag
(CA.4094200). ISBN
9790007078423. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio. Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition. $132.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116219 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3116219 Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/19. Published
by Carus Verlag
(CA.3116219). ISBN
9790007172244. Language:
German/English.
Scripture: Matthew
22:1-14. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200. $142.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, tim...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067807
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Study score.
240 pages. Duration 37
minutes. Carus Verlag #CV
40.678/07. Published by
Carus Verlag
(CA.4067807). ISBN
9790007135638. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score available
separately - see item
CA.4067800. $43.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067813
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Viola. 20 pages. Duration
37 minutes. Carus Verlag
#CV 40.678/13. Published
by Carus Verlag
(CA.4067813). ISBN
9790007076511. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067811
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Violin 1. 24 pages.
Duration 37 minutes.
Carus Verlag #CV
40.678/11. Published by
Carus Verlag
(CA.4067811). ISBN
9790007076498. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116249 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3116249 Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, Organ. Composed
1716. BWV 162. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/49. Published by
Carus Verlag
(CA.3116249). ISBN
9790007208943. Language:
German/English.
Scripture: Matthew
22:1-14. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.3116203 Cantata f...(+)
SATB vocal soli, SATB
choir, piano reduction
SKU: CA.3116203
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203). ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067819
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Set of
Orchestra Parts. Duration
37 minutes. Carus Verlag
#CV 40.678/19. Published
by Carus Verlag
(CA.4067819). ISBN
9790007133450. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and parts available
separately - see item
CA.4067800. $305.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067800
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Full score.
240 pages. Duration 37
minutes. Carus Verlag #CV
40.678/00. Published by
Carus Verlag
(CA.4067800). ISBN
9790007076467. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in
German. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A mighty fortress is our God (Ein feste Burg ist unser Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes/2 oboes d'amore,
oboe da caccia, 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3108089
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089). ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin. Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3116209 Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. 1x 31.162/21
flute, 1x 31.162/31 horn.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/09. Published
by Carus Verlag
(CA.3116209). ISBN
9790007208899. Language:
German/English.
Scripture: Matthew
22:1-14. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In Ecclesiis Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Novello & Co Ltd.
By Giovanni Gabrieli. For SATB soli, SATB Choir, Organ. Sacred, Choral. Sheet Mu...(+)
By Giovanni Gabrieli. For
SATB soli, SATB Choir,
Organ. Sacred, Choral.
Sheet Music. 28 pages.
Published by Novello and
Co Ltd.
$12.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lass dir unser Lob gefallen Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 contrabas...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 2
contrabassoons, timpani,
2 violins, viola, basso
continuo SKU:
CA.4094205 Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
1776. 16 pages. Duration
105 minutes. Carus Verlag
#CV 40.942/05. Published
by Carus Verlag
(CA.4094205). ISBN
9790007078447. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio. Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition. Score
available separately -
see item CA.4094200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, flute, Cor da
tirarsi, 2 violins,
viola, basso continuo
SKU: CA.3116213
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Viola.
Composed 1716. BWV 162. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.162/13. Published by
Carus Verlag
(CA.3116213). ISBN
9790007208929. Text
language:
German/English. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067849
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Organ. Duration 37
minutes. Carus Verlag #CV
40.678/49. Published by
Carus Verlag
(CA.4067849). ISBN
9790007076535. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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