| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106212 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 2. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/12. Published by
Carus Verlag
(CA.3106212). ISBN
9790007043629. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106249 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Organ. Composed 1724. BWV
62. 20 pages. Duration 23
minutes. Carus Verlag #CV
31.062/49. Published by
Carus Verlag
(CA.3106249). ISBN
9790007043650. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106209 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.062/21 oboe 1, 1x
31.062/22 oboe 2, 1x
31.062/31 horn 1, 1x
31.062/32 horn 2.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/09. Published by
Carus Verlag
(CA.3106209). ISBN
9790007043605. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and parts
available separately -
see item CA.3106200. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106214 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 62. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.062/14. Published by
Carus Verlag
(CA.3106214). ISBN
9790007043643. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106211 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 1. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/11. Published by
Carus Verlag
(CA.3106211). ISBN
9790007043612. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106213 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Viola. Composed 1724. BWV
62. 12 pages. Duration 23
minutes. Carus Verlag #CV
31.062/13. Published by
Carus Verlag
(CA.3106213). ISBN
9790007043636. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106207 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Study score.
Composed 1724. BWV 62. 56
pages. Duration 23
minutes. Carus Verlag #CV
31.062/07. Published by
Carus Verlag
(CA.3106207). ISBN
9790007043599. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106205 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Choral Score.
Composed 1724. BWV 62. 4
pages. Duration 23
minutes. Carus Verlag #CV
31.062/05. Published by
Carus Verlag
(CA.3106205). ISBN
9790007043582. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Seven Last Words of Christ Soli, choeur mixte et accompagnement [Vocal Score] Theodore Presser Co.
A Sacred Cantata for Soli, Chorus and Orchestra. By Francois Clement Theodore Du...(+)
A Sacred Cantata for
Soli, Chorus and
Orchestra. By Francois
Clement Theodore Dubois.
Arranged by Nicholas
Douty. Published by
Theodore Presser Company.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550214
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214). ISBN
9790007213459. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550249
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249). ISBN
9790007141202. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550213
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213). ISBN
9790007213442. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550219
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219). ISBN
9790007139629. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550205
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205). ISBN
9790007213411. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550200
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200). ISBN
9790007096106. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sobs and sighing, tears and crying (Meine Seufzer, meine Tranen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, ba...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe d'caccia, 2 violins,
viola, basso continuo
SKU: CA.3101319
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Set of
Orchestra Parts. Composed
1726. BWV 13. Duration 21
minutes. Carus Verlag #CV
31.013/19. Published by
Carus Verlag
(CA.3101319). ISBN
9790007138950. Language:
German/English. Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score and parts
available separately -
see item CA.3101300. $80.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sobs and sighing, tears and crying (Meine Seufzer, meine Tranen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, ba...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe d'caccia, 2 violins,
viola, basso continuo
SKU: CA.3101305
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Choral
Score. Composed 1726. BWV
13. 2 pages. Duration 21
minutes. Carus Verlag #CV
31.013/05. Published by
Carus Verlag
(CA.3101305). ISBN
9790007102944. Language:
German/English. Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score available
separately - see item
CA.3101300. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912709 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709). ISBN
9790007215774. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912714 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, basso
continuo. TVWV 7:16. 8
pages. Duration 12
minutes. Carus Verlag #CV
39.127/14. Published by
Carus Verlag
(CA.3912714). ISBN
9790007215811. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912712 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 2.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/12. Published by
Carus Verlag
(CA.3912712). ISBN
9790007215798. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912713 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Viola. TVWV
7:16. 8 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/13. Published
by Carus Verlag
(CA.3912713). ISBN
9790007215804. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912711 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 1.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/11. Published by
Carus Verlag
(CA.3912711). ISBN
9790007215781. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912749 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Organ. TVWV
7:16. 12 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/49. Published
by Carus Verlag
(CA.3912749). ISBN
9790007164492. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912719 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/19. Published by
Carus Verlag
(CA.3912719). ISBN
9790007164508. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700. $81.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912700 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Full score. TVWV 7:16. 36
pages. Duration 12
minutes. Carus Verlag #CV
39.127/00. Published by
Carus Verlag
(CA.3912700). ISBN
9790007164416. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). $37.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3912703 Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Vocal score. TVWV 7:16.
24 pages. Duration 12
minutes. Carus Verlag #CV
39.127/03. Published by
Carus Verlag
(CA.3912703). ISBN
9790007164423. Language:
German. Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score available
separately - see item
CA.3912700. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lucio Silla, KV 135 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir,
orchestra (4 Soprano
Voice Solo, 2 Tenor Voice
Solo, Mixed choir, 2 Fl,
2 Ob, 2 bassoon, 2 Hn, 2
Trp, timpani, harpisc.,
Str) SKU:
BA.BA04590-01
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01). ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra. On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$463.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, flute, Cor da
tirarsi, 2 violins,
viola, basso continuo
SKU: CA.3116214
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214). ISBN
9790007208936. Text
language:
German/English. The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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