Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

(2+1.2+1.2+1.2+1/4.2.3.1, timp,perc,glock,hp,str)

SKU: TM.08858SET

Composed by Florent Schmitt. Set Type: D. Set of parts. Lucks Music Library #A7566. Published by Lucks Music Library (TM.08858SET).

Sym Etude for Haunted Palace of E. A. Poe. Harp in score only.

(2+1.2+1.2+1.2+1/4.2.3.1, timp,perc,glock,hp,str)

SKU: TM.08858SC

Composed by Florent Schmitt. Score. Lucks Music Library #A7566. Published by Lucks Music Library (TM.08858SC).

Sym Etude for Haunted Palace of E. A. Poe. Harp in score only.

(2+1.2D1.2.2+1/4.2.3.1,ti mp,perc,hp,str)

SKU: TM.08854SC

Composed by Florent Schmitt. Score. Lucks Music Library #A7578. Published by Lucks Music Library (TM.08854SC).

Serenade, Retour a l'Endroit Familier, Danse Britannique, Berceuse, Marche Burlesque.

(2D1.2+1.2.2+1/4.2.3.1,ti mp,perc,2hp,str)

SKU: TM.08855SET

Composed by Florent Schmitt. Set Type: D. Set of parts. Lucks Music Library #A7620. Published by Lucks Music Library (TM.08855SET).

Oboe 2 and Harp 2 are ad lib.

(2D1.2+1.2.2+1/4.2.3.1,ti mp,perc,2hp,str)

SKU: TM.08855SC

Composed by Florent Schmitt. Score. Lucks Music Library #A7620. Published by Lucks Music Library (TM.08855SC).

Oboe 2 and Harp 2 are ad lib.

(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,2hp,sarrus,str,S solo,women's chorus)

SKU: TM.04913SET

Composed by Florent Schmitt. Set Type: D. Set of parts. Lucks Music Library #A6355. Published by Lucks Music Library (TM.04913SET).

(2+1.2D1.2.2+1/4.2.3.1,ti mp,perc,hp,str)

SKU: TM.08854SET

Composed by Florent Schmitt. Set Type: D. Set of parts. Lucks Music Library #A7578. Published by Lucks Music Library (TM.08854SET).

Serenade, Retour a l'Endroit Familier, Danse Britannique, Berceuse, Marche Burlesque.

(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,2hp,sarrus,str,S solo,women's chorus)

SKU: TM.04913SC

Composed by Florent Schmitt. Score. Lucks Music Library #A6355. Published by Lucks Music Library (TM.04913SC).

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion)

SKU: BA.BA05441

Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441).

ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de.

Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.

The work is challenging not least due to the three versions which exist:

I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt

Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(1.1.1.1/0.0.0.0,str,viol in/cello solo)

SKU: TM.10327SC

Composed by Florent Schmitt. Score. Lucks Music Library #A7270. Published by Lucks Music Library (TM.10327SC).

Gavotte Vivre en Rondeau, Air et Entre des Indians, Sarabande, Menuet. Ed. by Kretzschmar.

(1.1.1.1/0.0.0.0,str,viol in/cello solo)

SKU: TM.10327SET

Composed by Florent Schmitt. Set Type: D. Set of parts. Lucks Music Library #A7270. Published by Lucks Music Library (TM.10327SET).

Gavotte Vivre en Rondeau, Air et Entre des Indians, Sarabande, Menuet. Ed. by Kretzschmar.

(2.(2).0.0/2.4.3.0,timp,s tr,cem)

SKU: TM.08327SET

Composed by George Frideric Handel. Arranged by Steglich. Set Type: D. Set of parts. Lucks Music Library #A5622. Published by Lucks Music Library (TM.08327SET).

Marches from: RINALDO, PARTHENOPE, TRIO SONATA op. 5 No. 2, OCCASIONAL ORATORIO, FLORIDANTE, JUDAS MACCABAEUS, ROYAL FIREWORKS, PASTOR FIDO, DEIDAMIA, EZIO, SAUL. Viola in Treble clef, except No. 11 which is in alto clef. 1 Violin III in set.

(2.(2).0.0/2.4.3.0,timp,s tr,cem)

SKU: TM.08327SC

Composed by George Frideric Handel. Arranged by Steglich. Score. Lucks Music Library #A5622. Published by Lucks Music Library (TM.08327SC).

Marches from: RINALDO, PARTHENOPE, TRIO SONATA op. 5 No. 2, OCCASIONAL ORATORIO, FLORIDANTE, JUDAS MACCABAEUS, ROYAL FIREWORKS, PASTOR FIDO, DEIDAMIA, EZIO, SAUL. Viola in Treble clef, except No. 11 which is in alto clef. 1 Violin III in set.